Modern drawings and watercolours — Modern & Contemporary Art
Senta Geissler was a German painter. Despite her gender, in 1919 she enrolled at the Academy of Fine Arts in Karlsruhe. She was one of the first women to be permitted to do this.
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Hannah Höch was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Photomontage, or fotomontage, is a type of collage in which the pasted items are actual photographs, or photographic reproductions pulled from the press and other widely produced media.
Höch's work was intended to dismantle the fable and dichotomy that existed in the concept of the "New Woman": an energetic, professional, and androgynous woman, who is ready to take her place as man's equal. Her interest in the topic was in how the dichotomy was structured, as well as in who structures social roles.
Other key themes in Höch's works were androgyny, political discourse, and shifting gender roles. These themes all interacted to create a feminist discourse surrounding Höch's works, which encouraged the liberation and agency of women during the Weimar Republic (1919-1933) and continuing through to today.
Johann Georg Müller was a German painter and graphic artist. He was studied at the Academy of Fine Arts in Munich.
Müller's work was heavily influenced by the Expressionist and Surrealist movements, and his paintings and graphic works often featured bold colors and abstract, dreamlike imagery. He was known for his use of symbolic motifs and his interest in mythological and religious themes.
During World War II, Müller was drafted into the German army and served on the Eastern Front. After the war, he returned to Munich and resumed his artistic career. He became a member of the German Expressionist group "Die Neue Gruppe" and participated in several exhibitions throughout Europe.
His work continues to be exhibited and studied around the world, and his legacy has had a significant impact on the development of modern and contemporary art in Germany and beyond.
Johann Georg Müller was a German painter and graphic artist. He was studied at the Academy of Fine Arts in Munich.
Müller's work was heavily influenced by the Expressionist and Surrealist movements, and his paintings and graphic works often featured bold colors and abstract, dreamlike imagery. He was known for his use of symbolic motifs and his interest in mythological and religious themes.
During World War II, Müller was drafted into the German army and served on the Eastern Front. After the war, he returned to Munich and resumed his artistic career. He became a member of the German Expressionist group "Die Neue Gruppe" and participated in several exhibitions throughout Europe.
His work continues to be exhibited and studied around the world, and his legacy has had a significant impact on the development of modern and contemporary art in Germany and beyond.
Franz Nölken was a German painter of the early twentieth century. He is known as a painter and a member of the Bridge art group, which became the founder of German Expressionism.
Franz Nölken, mastering a variety of techniques including oil, pastel and watercolor, excelled in portrait painting, as well as creating landscapes and still lifes. His work is characterized by virtuoso drawing and a desire to simplify his pictorial media. Conscripted during World War I, Nölken died in northern France just before the end of the war. He left an important mark on the history of Expressionism.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Anton Räderscheidt was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid with other members of the local constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a magic realist style. In 1925 he participated in the Neue Sachlichkeit ("New Objectivity") exhibition at the Mannheim Kunsthalle.
Aleksander Mikhailovich Rodchenko (Russian: Александр Михайлович Родченко) was a pivotal figure in the avant-garde movement of Russian art, whose innovative work spanned painting, sculpture, photography, and graphic design. Born in Saint Petersburg in 1891, Rodchenko emerged as a leading artist in the early 20th century, deeply influenced by the cultural upheavals of his time. His commitment to experimentation and his pursuit of new artistic forms and methods made him a central figure in the development of Constructivism, a movement that sought to apply art to practical and social purposes.
Rodchenko's art is characterized by its bold experimentation with perspective, form, and color. His photographic work, in particular, showcased his fascination with unusual viewpoints and his ability to transform ordinary subjects into dynamic compositions. This approach not only redefined photographic practice but also reflected his belief in the artist's role in constructing a new visual environment. Among his most recognized works are his series of abstract paintings, his design for the poster "Books (Please)! In All Branches of Knowledge," and his groundbreaking photography, which continues to influence artists today.
Rodchenko's contributions to art and design extend beyond his own creations. He was an influential teacher at the Higher Technical-Artistic Studios (VKhUTEMAS), a hotbed for avant-garde ideas and practices. His works are held in major museums and galleries worldwide, including the Museum of Modern Art in New York and the State Tretyakov Gallery in Moscow, testament to his enduring legacy in the art world.
For collectors and experts in art and antiques, Rodchenko's work offers a fascinating insight into the revolutionary spirit of early 20th-century Russian art. His innovative approach to form, combined with his commitment to using art as a tool for social change, makes his work highly sought after and continually relevant.
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Ludwig Egidius (Ernst) Ronig was a German art and glass painter of the 20th century. He is considered a representative of New Objectivity and Magic Realism.
