Decor & 20th Century Arts & Design — 597-1: Decorative Arts of the 20th Century and Design
Alessandro Mendini was an Italian designer and architect. He played an important part in the development of Italian, Postmodern, and Radical design. He also worked, aside from his artistic career, for Casabella, Modo and Domus magazines.
The character of his design is marked by what was his strong interest in mixing different cultures and different forms of expression; he created graphics, furniture, interiors, paintings and architecture and also wrote several articles and books. He was renowned as an enthusiastic member of jury in architectural competitions for young designers. He taught at the University of Milan.
Ettore Sottsass was a 20th century Italian architect, noted for also designing furniture, jewellery, glass, lighting, home and office wares, as well as numerous buildings and interiors — often defined by bold colours.
Paolo Venini emerged as one of the leading figures in the production of Murano glass and an important contributor to twentieth century Italian design. He is known for having founded the eponymous Venini & C. glassworks.
Paolo Venini emerged as one of the leading figures in the production of Murano glass and an important contributor to twentieth century Italian design. He is known for having founded the eponymous Venini & C. glassworks.
Angelo Mangiarotti was an Italian architect and industrial designer. His designs were mostly for industrial buildings and railway stations. In 1994 he received the Compasso d'Oro award of the Associazione per il Disegno Industriale for his lifetime of achievement.
Gaetana (Gae) Aulenti was an Italian architect and designer who was active in furniture design, graphic design, stage design, lighting design, exhibition and interior design. She was known for her contributions to the design of important museums such as the Musée d'Orsay in Paris (in collaboration with ACT Architecture), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice, and the Asian Art Museum of San Francisco (in collaboration with HOK Architects). Aulenti was one of only a few women architects and designers who gained notoriety in their own right during the post-war period in Italy, where Italian designers sought to make meaningful connections to production principles, and influenced culture far beyond Italy. This avant-garde design movement blossomed into an entirely new type of architecture and design, one full of imaginary utopias leaving standardization to the past.
Gaetana (Gae) Aulenti was an Italian architect and designer who was active in furniture design, graphic design, stage design, lighting design, exhibition and interior design. She was known for her contributions to the design of important museums such as the Musée d'Orsay in Paris (in collaboration with ACT Architecture), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice, and the Asian Art Museum of San Francisco (in collaboration with HOK Architects). Aulenti was one of only a few women architects and designers who gained notoriety in their own right during the post-war period in Italy, where Italian designers sought to make meaningful connections to production principles, and influenced culture far beyond Italy. This avant-garde design movement blossomed into an entirely new type of architecture and design, one full of imaginary utopias leaving standardization to the past.
Gaetana (Gae) Aulenti was an Italian architect and designer who was active in furniture design, graphic design, stage design, lighting design, exhibition and interior design. She was known for her contributions to the design of important museums such as the Musée d'Orsay in Paris (in collaboration with ACT Architecture), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice, and the Asian Art Museum of San Francisco (in collaboration with HOK Architects). Aulenti was one of only a few women architects and designers who gained notoriety in their own right during the post-war period in Italy, where Italian designers sought to make meaningful connections to production principles, and influenced culture far beyond Italy. This avant-garde design movement blossomed into an entirely new type of architecture and design, one full of imaginary utopias leaving standardization to the past.
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Paolo Venini emerged as one of the leading figures in the production of Murano glass and an important contributor to twentieth century Italian design. He is known for having founded the eponymous Venini & C. glassworks.
Vittoriano Viganò was an Italian architect and designer based in Milan. He graduated from the Polytechnic University of Milan in 1944, and had there a long career as a Professor in Interior Architecture and Urban Planning. He also worked as an Art Director of Arteluce for several years. Viganò always kept his eyes open to new emerging currents, and became known as a skilful interpreter of rationalist and brutalist architecture.
Vittoriano Viganò was an Italian architect and designer based in Milan. He graduated from the Polytechnic University of Milan in 1944, and had there a long career as a Professor in Interior Architecture and Urban Planning. He also worked as an Art Director of Arteluce for several years. Viganò always kept his eyes open to new emerging currents, and became known as a skilful interpreter of rationalist and brutalist architecture.
Vittoriano Viganò was an Italian architect and designer based in Milan. He graduated from the Polytechnic University of Milan in 1944, and had there a long career as a Professor in Interior Architecture and Urban Planning. He also worked as an Art Director of Arteluce for several years. Viganò always kept his eyes open to new emerging currents, and became known as a skilful interpreter of rationalist and brutalist architecture.
Vittoriano Viganò was an Italian architect and designer based in Milan. He graduated from the Polytechnic University of Milan in 1944, and had there a long career as a Professor in Interior Architecture and Urban Planning. He also worked as an Art Director of Arteluce for several years. Viganò always kept his eyes open to new emerging currents, and became known as a skilful interpreter of rationalist and brutalist architecture.
