Decor & 20th Century Arts & Design — Decorative Arts of the 20th Century and Design | III Session
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
