Sculpture Classic Modern — 408_5: Moderne und Contemporary Art
Fritz Koenig was a prominent German sculptor, recognized for his influential works in the 20th century. He studied art at the Academy of Fine Arts in Munich after World War II and later, in 1951, expanded his education in Paris on a scholarship. Koenig gained international fame, particularly for his monumental bronze sculpture, "The Sphere," originally located at the World Trade Center in New York City.
"The Sphere" became a symbol of resilience after surviving the 9/11 attacks, albeit with damage. Initially placed in Battery Park as an interim memorial, it now resides in Liberty Park, serving as a poignant reminder of endurance amidst devastation. Koenig's work delves into themes of human and animal existence, exploring the tensions between religiosity and mythology, and the fragile nature of life.
Throughout his career, Koenig participated in significant exhibitions like the Biennale in Venice and documenta in Kassel, and his works are displayed in permanent collections, such as the Hofberg Sculpture Museum in Landshut. Koenig's artistic legacy continues to inspire, embodying a deep contemplation of humanity's place in the world and the enduring spirit of art in the face of tragedy.
If you're intrigued by the artistic journey and significant works of Fritz Koenig, and wish to delve deeper into his contributions to modern sculpture, consider subscribing for updates. This subscription will keep you informed about exhibitions, sales of Koenig's works, and insightful articles that explore his artistic legacy. Stay connected to the world of art and ensure you don't miss out on the opportunity to learn more about this influential sculptor's impact on contemporary art.
Gerson Fehrenbach was a German sculptor.
Stylistically, Fehrenbach's sculptures can be classified as Informel. He processed the study of nature and ancient art together with suggestions from classical modernism and influences from his teacher Karl Hartung to create an individual pictorial language.
He processed his impressions into autonomous, organically proliferating forms based on intensive study of nature. Many of his works are characterised by horizontal and vertical axes on the one hand and "knob-like" protrusions on the other. His main materials were stone, bronze and concrete. Fehrenbach took his motifs from mythology and religion.
