Paintings 19th - 20th century — A415: Dezember-Auktion
Carl Eduard Ferdinand Blechen was a German landscape painter, recognized for his pivotal role in the Romantic movement. Blechen transitioned from a banking job to pursue art, studying at the Berlin Academy and embarking on inspirational journeys to Italy and Dresden. His work, characterized by its vivid landscapes and emotional depth, reflected a new direction in painting, deeply influenced by his travels.
Notably, Carl Blechen's contributions to art were not limited to his creations; he was a respected educator, shaping the next generation of artists as a Professor of Landscape Painting at the Berlin Academy. Despite his professional success, Blechen battled with mental illness, which ultimately affected his career and led to his early death in 1840.
Carl Blechen's artworks, including "The Interior of the Palm House on the Pfaueninsel Near Potsdam," resonate with the Romantic ideals of natural beauty and emotional expression. While many of his pieces are in private collections, his legacy endures, influencing not only landscape painting but also the broader art historical narrative.
For art collectors and enthusiasts, Carl Blechen's work offers a window into the Romantic era's soul, capturing the transient beauty of nature and the human experience. His life story, marked by both brilliance and struggle, adds a poignant layer to his artistic achievements.
For those interested in the intersection of art, culture, and history, particularly in the Romantic period, staying informed about Carl Blechen's contributions and related art events can be enriching. Signing up for updates on new product sales and auction events related to Blechen's work is an excellent way to stay connected with this influential artist's enduring legacy.
Ernst Meyer was a Danish genre painter of Jewish origin. He studied painting at the Royal Danish Academy of Arts.
Ernst Meyer travelled extensively, living for a time in Germany, France, Switzerland and Italy. It was the colourful street life of Rome that first inspired him to create genre scenes.
Heinrich Bürkel was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, representative of the Biedermeier style.
Heinrich Bürkel specialized in genre and landscape paintings, especially winter landscapes. He often used Staffage and depicted animals. His work showed the influence of the old Dutch and Italian masters. Bürkel enjoyed great popularity, his paintings were actively acquired for private collections, including in America. The master painted about 1000 paintings and created about 6000 drawings.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
August Wilhelm Leu was a German landscape painter of the Romantic era. Most of his paintings are large format and depict scenes in Norway and the Alps. He studied painting under Johann Wilhelm Schirmer at the Düsseldorf Academy of Art.
August Wilhelm Loy's landscapes are characterized by a magnificent romantic conception of Alpine nature, masterful rendering, bright colours and well calculated light effects. Loy attached great importance to the particularly detailed design of the foreground.
August Seidel was a German landscape painter, brother of Franz Seidel.
He painted landscapes, often depicting the foothills of the Bavarian Alps. Influenced by John Constable and the Barbizon School.
Seidel's works are in the New Pinakothek in Munich, the Wroclaw Museum and others.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Anton Doll is a German landscape painter of the Munich School. His famous works include views of his native Munich as well as images of village life near the city, especially winter motifs.
Gottlieb Daniel Paul Weber was a German artist. Weber is known for his ethereal and timeless landscape paintings of early northeast America. He emigrated to the U.S. in 1848 and though he returned to Germany around 1860 his influence on American landscape painting was still felt for years.
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Ludwig Sckell was a German landscape painter, representative of late Romanticism, member of the Academy of Fine Arts in Munich.
In his elaborate paintings we see beautiful Bavarian landscapes. Sckell's works were often miniature in size, which added to their charm.
His son was the landscape painter Louis Sckell (1869-1950).
