Photography — Contemporary Curated
Diane Arbus was an American photographer. Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families.
Nan Goldin is an acclaimed American photographer renowned for her profound visual narratives that delve into her personal world, marked by themes of addiction, sexuality, and intimate relationships. Born in Washington, D.C., in 1953, Goldin's journey into photography began in the early 1970s, capturing the lives of those around her, forming a "substitute family" amid a backdrop of drugs, sex, and violence.
One of Goldin's most celebrated works, "The Ballad of Sexual Dependency" (1986), is a raw and intimate portrayal of her "tribe," documenting their lives through the late 70s and early 80s in New York City. This work, initially presented as a slideshow, captures moments of love, sexuality, and domestic life, transcending into a poignant narrative of the era's challenges, particularly the AIDS crisis.
Throughout her career, Goldin's photography has continued to evolve, exploring various themes and mediums, including film. Her work, deeply personal and often autobiographical, challenges conventional perceptions of beauty, identity, and relationships, offering a window into the complexities of human connection and the essence of her subjects.
Goldin's influence extends beyond the art world, with her activism, particularly against the opioid crisis, marking another significant chapter in her journey. Her profound empathy and commitment to portraying the raw, unfiltered realities of life resonate through her extensive body of work, which continues to be celebrated in exhibitions and collections globally.
For art collectors and enthusiasts, Goldin's work offers not just aesthetic value but also deep emotional and historical resonance. To stay informed about Nan Goldin's works and related updates, signing up for newsletters from prominent galleries or her exhibitions could provide valuable insights and opportunities for engagement with her art.
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Nan Goldin is an acclaimed American photographer renowned for her profound visual narratives that delve into her personal world, marked by themes of addiction, sexuality, and intimate relationships. Born in Washington, D.C., in 1953, Goldin's journey into photography began in the early 1970s, capturing the lives of those around her, forming a "substitute family" amid a backdrop of drugs, sex, and violence.
One of Goldin's most celebrated works, "The Ballad of Sexual Dependency" (1986), is a raw and intimate portrayal of her "tribe," documenting their lives through the late 70s and early 80s in New York City. This work, initially presented as a slideshow, captures moments of love, sexuality, and domestic life, transcending into a poignant narrative of the era's challenges, particularly the AIDS crisis.
Throughout her career, Goldin's photography has continued to evolve, exploring various themes and mediums, including film. Her work, deeply personal and often autobiographical, challenges conventional perceptions of beauty, identity, and relationships, offering a window into the complexities of human connection and the essence of her subjects.
Goldin's influence extends beyond the art world, with her activism, particularly against the opioid crisis, marking another significant chapter in her journey. Her profound empathy and commitment to portraying the raw, unfiltered realities of life resonate through her extensive body of work, which continues to be celebrated in exhibitions and collections globally.
For art collectors and enthusiasts, Goldin's work offers not just aesthetic value but also deep emotional and historical resonance. To stay informed about Nan Goldin's works and related updates, signing up for newsletters from prominent galleries or her exhibitions could provide valuable insights and opportunities for engagement with her art.
Philip-Lorca diCorcia is an American photographer and artist. He is known for his staged and cinematic photographs that often blur the line between reality and fiction.
DiCorcia's work is characterized by his use of elaborate sets and lighting, which he uses to create images that are both beautiful and unsettling. Many of his photographs feature everyday people in staged settings, and he often uses strangers as his subjects, adding to the sense of mystery and voyeurism in his work.
DiCorcia has been the recipient of numerous awards and his work has been exhibited in galleries and museums around the world. He has also been commissioned to create photographs for a wide range of clients, including fashion magazines and advertising campaigns.
DiCorcia's legacy as an artist and photographer continues to influence new generations of artists. His innovative techniques and approach to photography have helped to redefine the medium and have had a significant impact on contemporary art and culture.
Catherine Sue Opie, an American fine-art photographer, is recognized for her profound exploration of community and identity through her photography. Opie's work, which ranges from portraiture to landscape, delves into the fabric of various communities, capturing the essence of their individual and collective identities. Her series "Portraits" (1993–1997) is particularly notable for its depiction of diverse identities within the queer community, including drag kings and cross-dressers, showcasing Opie's dedication to representing marginalized groups.
Opie's influence extends beyond her photographic projects; she has significantly contributed to the academic field as a professor of photography at UCLA, where she has been instrumental in shaping the next generation of photographers. Her works, deeply rooted in the examination of social phenomena, often draw inspiration from transgressive photographers like Robert Mapplethorpe and Nan Goldin, reflecting a commitment to exploring controversial and underrepresented subjects.
For collectors and art enthusiasts, Opie's photography is not just visually striking but also a poignant commentary on American life and identity. Her works, which have been exhibited in prestigious venues like the Guggenheim Museum in New York and the Los Angeles County Museum of Art, resonate with viewers by providing insight into the diverse experiences and landscapes that define America.
To stay informed about Catherine Opie's exhibitions and works, subscribing to updates from galleries or institutions that feature contemporary photography can provide valuable insights into her ongoing contributions to the art world.
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
Her breakthrough work is often considered to be the collected Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies). In the 1980s, she used color film and large prints, and focused more on costume, lighting and facial expression.