Post War — A1138: Galerie Michael Schultz Part II
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Armando, born Herman Dirk van Dodeweerd, was a Dutch painter, sculptor, poet, writer, violinist, actor, journalist, film, television and theater maker. Armando was his official name; his birth name, the pseudonym as he called it, no longer existed for him. He himself saw his work as «Gesamtkunstwerk», based on his experiences from the Second World War in the vicinity of Kamp Amersfoort.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
Sobral Centeno is a Portuguese artist. He is known for his deep and complex abstract works that are characterised by an innovative use of form and texture.
Sobral Centeno's paintings are characterized by bright colours, bold and dynamic compositions, often featuring geometric shapes and patterns.
Sobral Centeno is a Portuguese artist. He is known for his deep and complex abstract works that are characterised by an innovative use of form and texture.
Sobral Centeno's paintings are characterized by bright colours, bold and dynamic compositions, often featuring geometric shapes and patterns.
Peter Chevalier is a German painter whose paintings and drawings are close to surrealism. In the 1980s, Chevalier juxtaposed the realistic with the abstract in his paintings. Clearly configured individual but combined things (houses, airplanes, stumps of columns, light bulbs, bones, etc.) dominated, which – as if one were cutting out illustrations from magazines and reassembling them as a collage – are inconsistent in their proportions in the pictorial context.
Georg Dinz is a contemporary Austrian artist. After studying at the Vienna University of Applied Arts, Dienz lives and works as a room and stage designer in the Viennese punk scene. Shortly after the fall of the Wall, Dienz moves to Berlin, where he takes part in various art projects in the wild post-reunification period. Today he concentrates on free painting in his studio in the former Berlin artist district of Prenzlauer Berg. Georg Dienz's works are stylistically characterized by a flat and clear application of paint and can be described as "reduced realism".
André Evard was a Swiss painter and drafter. His special significance lies in the field of constructive art. He is counted among the first artists who did not work figuratively. In the course of his life he produced hundreds of oil paintings, a large number of drawings as well as approximately 2000 to 3000 watercolor and gouache paintings.
André Evard's work is difficult to classify in the categories of art history. He was not committed to any particular style, but rather reverted to the past, mixed styles and invented something new. Art Nouveau, Cubism, and geometric-constructive abstractions all define his work. While in Paris he was part of the avant-garde, he later repeatedly withdrew to representational painting.
On the one hand, the play of forms and colors leads to highly expressive representational landscapes, on the other hand, fascinating still lifes emerge from the clear reduction, which show unusual color combinations and completely new object-space relationships. In doing so, he always exposed himself to the risk of a stylistic break, which, however, is the special feature of his artistic oeuvre. He painted abstract when hardly anyone painted abstract and returned to representational painting when Abstract art dominated.