Photography — A1142: Photography
John Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate — and, in many cases, combine — the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced that of Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.
Benjamin Katz is a contemporary German artist, photographer and actor of Belgian origin.
He is known mainly for his photographs of artistic and cultural events. From 2006-2008, he taught photography at the Academy of Fine Arts in Düsseldorf. He has participated in a number of international exhibitions.
Damien Hirst is a seminal figure in contemporary art, well-known for his provocative and often controversial works that explore themes of death, rebirth, and the boundaries of art itself. As a leading member of the Young British Artists (YBAs) in the 1990s, Hirst catapulted to fame with his innovative approach to art that combines the techniques of installation, sculpture, and painting.
Damien Hirst's early career was marked by his organization of the pivotal "Freeze" exhibition in 1988, showcasing his and his peers' work, which caught the attention of influential art collectors. This period laid the groundwork for his signature works, including the 'Natural History' series, where animals such as sharks, sheep, and cows are preserved in formaldehyde, challenging viewers to confront the nature of existence and the inevitability of death.
Among Damien Hirst's most iconic pieces is "The Physical Impossibility of Death in the Mind of Someone Living," featuring a tiger shark suspended in formaldehyde, and "For the Love of God," a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds. These works exemplify Hirst's exploration of mortality and the commodification of art.
Damien Hirst's 'Spot Paintings' and 'Spin Paintings' further demonstrate his challenge to traditional notions of authorship and the creative process, often involving teams of assistants in their production. These series play with concepts of randomness, control, and the aesthetic joys of color and form, pushing the boundaries of painting as a medium.
In 2017, Hirst embarked on "Treasures from the Wreck of the Unbelievable," an ambitious project that filled Venetian museums with artifacts from a fictional ancient shipwreck. This project, blending reality and fiction, invited audiences to question the authenticity and value of art, showcasing Hirst's ongoing interest in storytelling and myth-making within the context of contemporary culture.
For collectors and experts in art and antiques, Damien Hirst represents a pivotal figure whose works challenge, provoke, and inspire. His ability to blur the lines between art, science, and commerce has left an indelible mark on the art world, making his pieces highly sought after by collectors around the globe.
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Bernhard Johannes Blume is a German art photographer.
Bernhard Blume and his wife Anna Blume created many staged black and white photographs in which they themselves took part. They are considered among the pioneers of staged photography.
Bernhard Johannes Blume is a German art photographer.
Bernhard Blume and his wife Anna Blume created many staged black and white photographs in which they themselves took part. They are considered among the pioneers of staged photography.
Bernhard Johannes Blume is a German art photographer.
Bernhard Blume and his wife Anna Blume created many staged black and white photographs in which they themselves took part. They are considered among the pioneers of staged photography.
Bernhard Johannes Blume is a German art photographer.
Bernhard Blume and his wife Anna Blume created many staged black and white photographs in which they themselves took part. They are considered among the pioneers of staged photography.
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий) was a pivotal figure in the avant-garde art movement of the early 20th century, whose contributions spanned across multiple disciplines including painting, architecture, and graphic design. Born in Pochinok, Russian Empire (now in Smolensk Oblast, Russia), Lissitzky is renowned for his profound influence on the development of Constructivism, a movement characterized by the integration of technology and industry into the arts.
Lissitzky's work is distinguished by its innovative use of geometric forms, bold colors, and dynamic compositions, which sought not only to reflect the modern industrial world but also to actively participate in shaping it. His artworks and theories were instrumental in bridging the gap between the avant-garde movements in Russia and Western Europe, facilitating a cross-cultural exchange that enriched the development of modern art. Among his most notable contributions are his "Proun" series, an acronym for "Project for the Affirmation of the New" in Russian, which encapsulates his vision of art as a transformative social force.
His legacy is preserved in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Russian State Museum in Saint Petersburg. These institutions house key works that exemplify Lissitzky's groundbreaking approach to art and design, making them a focal point for collectors and experts in the field of art and antiques.
For those deeply invested in the evolution of modern art and its profound impact on culture and society, Lissitzky's work offers invaluable insights into the creative exploration of form and space. His contributions continue to inspire contemporary artists and designers, emphasizing the enduring relevance of his vision.
We invite collectors and art experts to sign up for updates on new product sales and auction events related to Lazar Markovich Lissitzky. This subscription is an opportunity to stay informed about the latest acquisitions and offerings that celebrate the legacy of a visionary artist whose work continues to resonate with audiences worldwide.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Beat Streuli is a Swiss visual artist who works with photo and video based media.
His photographs, videos and window installations have been exhibited in galleries and museums internationally. Permanent installations of his work include those at the Lufthansa Aviation Center, Frankfurt Airport, Germany, the ETH University, Zurich, Switzerland, the Style Company Building, Osaka, Japan, and the immigration hall of Dallas Fort Worth International Airport, Texas, USA.
Beat Streuli is a Swiss visual artist who works with photo and video based media.
His photographs, videos and window installations have been exhibited in galleries and museums internationally. Permanent installations of his work include those at the Lufthansa Aviation Center, Frankfurt Airport, Germany, the ETH University, Zurich, Switzerland, the Style Company Building, Osaka, Japan, and the immigration hall of Dallas Fort Worth International Airport, Texas, USA.
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
