Post War Sculptures — A1160: Discoveries
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.
Friedrich Gräsel was a German sculptor, painter and graphic artist. He was known for his kinetic sculptures, which often incorporated light, sound, and movement.
Gräsel studied at the Academy of Fine Arts Nuremberg and later taught at the Academy of Fine Arts Munich. He began creating kinetic sculptures in the 1960s, using a wide range of materials such as metal, wood, and plastic to create dynamic, interactive works of art.
Gräsel's sculptures often feature intricate mechanisms and complex systems of movement, inviting viewers to engage with the work on a sensory level. His work frequently incorporates elements of humor and whimsy, while also exploring deeper themes related to technology, nature, and the human condition.
Gräsel exhibited his work extensively throughout Europe, including at the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in Paris. He was also awarded numerous honors and awards for his work, including the Bavarian Order of Merit in 1987 and the Art Prize of the City of Nuremberg in 1997.
Friedrich Gräsel was a German sculptor, painter and graphic artist. He was known for his kinetic sculptures, which often incorporated light, sound, and movement.
Gräsel studied at the Academy of Fine Arts Nuremberg and later taught at the Academy of Fine Arts Munich. He began creating kinetic sculptures in the 1960s, using a wide range of materials such as metal, wood, and plastic to create dynamic, interactive works of art.
Gräsel's sculptures often feature intricate mechanisms and complex systems of movement, inviting viewers to engage with the work on a sensory level. His work frequently incorporates elements of humor and whimsy, while also exploring deeper themes related to technology, nature, and the human condition.
Gräsel exhibited his work extensively throughout Europe, including at the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in Paris. He was also awarded numerous honors and awards for his work, including the Bavarian Order of Merit in 1987 and the Art Prize of the City of Nuremberg in 1997.
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Daniel Spoerri was a Swiss artist of Romanian-Jewish descent, renowned for his contributions to the art world as a key figure in the Nouveau Réalisme (New Realism) movement. Born in Romania in 1930, Spoerri made significant strides in visual art, particularly in his development of "snare-pictures," a method where he captured a group of objects, such as table settings and the remnants of meals, in a state of apparent disorder yet meticulously fixed to the tabletop.
His works are celebrated for turning ordinary moments into a tableau of frozen time, capturing life's ephemeral qualities through the permanence of art. Notably, his piece "Tableau piège" involves the fixation of objects to a board or table, which is then displayed vertically, challenging traditional art display norms and viewer perceptions. This innovative approach allowed him to explore themes of consumption, waste, and the mundane, making the everyday profound.
Daniel Spoerri's art is housed in many esteemed institutions, including the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris. His work continues to influence contemporary art, offering a unique perspective on the art of assemblage and the beauty in the banal.
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