Modern Art — A1161: Modern Art
Heinrich Maria Davringhausen was a German painter associated with the New Objectivity. Davringhausen was born in Aachen. Mostly self-taught as a painter, he began as a sculptor, studying briefly at the Düsseldorf Academy of Arts before participating in a group exhibition at Alfred Flechtheim's gallery in 1914. He also traveled to Ascona with his friend the painter Carlo Mense that year. At this early stage his paintings were influenced by the expressionists, especially August Macke.
Heinrich Maria Davringhausen was a German painter associated with the New Objectivity. Davringhausen was born in Aachen. Mostly self-taught as a painter, he began as a sculptor, studying briefly at the Düsseldorf Academy of Arts before participating in a group exhibition at Alfred Flechtheim's gallery in 1914. He also traveled to Ascona with his friend the painter Carlo Mense that year. At this early stage his paintings were influenced by the expressionists, especially August Macke.
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Willi Geiger was a German artist of the twentieth century. He is known as a painter, graphic artist, illustrator, exlibrist and teacher, a representative of Expressionism.
From the beginning of his career, Geiger created illustrations for the works of famous authors. In later years he became interested in portrait painting, painting copies of works by Spanish masters, especially El Greco, Velázquez and Goya. Geiger was one of the first modern graphic designers. His son Ruprecht Geiger also became a renowned painter and sculptor.
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Hannah Höch was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Photomontage, or fotomontage, is a type of collage in which the pasted items are actual photographs, or photographic reproductions pulled from the press and other widely produced media.
Höch's work was intended to dismantle the fable and dichotomy that existed in the concept of the "New Woman": an energetic, professional, and androgynous woman, who is ready to take her place as man's equal. Her interest in the topic was in how the dichotomy was structured, as well as in who structures social roles.
Other key themes in Höch's works were androgyny, political discourse, and shifting gender roles. These themes all interacted to create a feminist discourse surrounding Höch's works, which encouraged the liberation and agency of women during the Weimar Republic (1919-1933) and continuing through to today.
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Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Johann Georg Müller was a German painter and graphic artist. He was studied at the Academy of Fine Arts in Munich.
Müller's work was heavily influenced by the Expressionist and Surrealist movements, and his paintings and graphic works often featured bold colors and abstract, dreamlike imagery. He was known for his use of symbolic motifs and his interest in mythological and religious themes.
During World War II, Müller was drafted into the German army and served on the Eastern Front. After the war, he returned to Munich and resumed his artistic career. He became a member of the German Expressionist group "Die Neue Gruppe" and participated in several exhibitions throughout Europe.
His work continues to be exhibited and studied around the world, and his legacy has had a significant impact on the development of modern and contemporary art in Germany and beyond.
