Post War Sculptures — A1185: From a Magnificent Private Collection
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Wolf Vostell was a German artist who is considered a pioneer of video and installation art, and a key figure in the Fluxus movement. He studied at the Academy of Fine Arts in Wuppertal and later at the École Nationale Supérieure des Beaux-Arts in Paris.
Vostell's art was heavily influenced by the horrors of World War II, and he often incorporated themes of violence and destruction in his work. He was interested in exploring the relationship between art and technology, and he experimented with new media such as television, video, and sound.
One of Vostell's most famous works is "Concrete Traffic," a 1970 installation in which he placed a Cadillac in a block of concrete. The piece was intended to comment on the impact of automobile culture on society and the environment.
Another notable work is "TV-Burying," a performance piece in which Vostell buried a television set in the ground, with only the screen visible. The work was a commentary on the pervasive influence of television on modern life.
Vostell's work has been exhibited extensively around the world, including at the Museum of Modern Art in New York, the Venice Biennale, and the Centre Georges Pompidou in Paris.
Sylvie Fleury is a Swiss contemporary pop artist known for her installations, sculpture, and mixed media. Her work generally depicts objects with sentimental and aesthetic attachments in consumer culture, as well as the paradigm of the new age, with much of her work specifically addressing issues of gendered consumption and the fetishistic relationships to consumer objects and art history.
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
.jpeg)
Daniel Spoerri was a Swiss artist of Romanian-Jewish descent, renowned for his contributions to the art world as a key figure in the Nouveau Réalisme (New Realism) movement. Born in Romania in 1930, Spoerri made significant strides in visual art, particularly in his development of "snare-pictures," a method where he captured a group of objects, such as table settings and the remnants of meals, in a state of apparent disorder yet meticulously fixed to the tabletop.
His works are celebrated for turning ordinary moments into a tableau of frozen time, capturing life's ephemeral qualities through the permanence of art. Notably, his piece "Tableau piège" involves the fixation of objects to a board or table, which is then displayed vertically, challenging traditional art display norms and viewer perceptions. This innovative approach allowed him to explore themes of consumption, waste, and the mundane, making the everyday profound.
Daniel Spoerri's art is housed in many esteemed institutions, including the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris. His work continues to influence contemporary art, offering a unique perspective on the art of assemblage and the beauty in the banal.
For those interested in exploring more about Daniel Spoerri's life and works, or in keeping updated with sales and auction events related to his art, signing up for our updates is highly recommended. This subscription ensures you stay informed about the latest offerings and exhibitions featuring Spoerri's intriguing creations.
Lothar Wolleh is a German photographer.
Lothar Wolleh had a difficult fate: after the war he spent many years first in Allied captivity and then in the USSR, and only after returning to Berlin in 1956 was he able to resume his education at Lette-Verein, the school of photography, design and fashion.
As one of the most expensive and well-known photographers in the FRG of the 1960s, Wolleh worked successfully in fashion and advertising, collaborating with Deutsche Bundesbahn, Tchibo and Volkswagen. In 1969, Wolleh traveled around the Soviet Union for several months. Photographs taken on this trip were included in the illustrated book "The USSR - The Soviet State and its People", published in 1970.
But Wolleh's greatest fame and popularity came from his 109 portraits of contemporary artists. He began this series in the late 1960s and devoted all the following years of his life to it. His works are so recognizable and distinctive that they often became the reference portraits of the photographed artists.
Joseph Cornell was an American visual artist and film-maker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artifacts. He lived most of his life in relative physical isolation, caring for his mother and his disabled brother at home, but remained aware of and in contact with other contemporary artists.