Post War — Modern, Post War & Contemporary
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Karl Horst Hödicke is a German artist, a pioneer of German Neo-Expressionism and new figuration, and one of the most important representatives of German post-war painting.
After moving to Berlin in 1957, Hödicke encountered the eventful history of Berlin - the construction of the Berlin Wall, the Cold War, and reunification - and reflected it in his paintings.
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Arnulf Rainer is an Austrian artist who painted in the genre of informal abstract art.
From his early works the artist was inspired by the ideas of Surrealism. He also created works of art where he applied paint over photographs and works of other artists.
In the 1950s, Rainer painted a series of blindfold paintings in the technique of Surrealist automatism. In 1978 he received the Austrian Grand National Prize. Rainer has exhibited in New York, London, Vienna, Paris, Berlin and Munich. His works are in the collections of the Albertina, the Pompidou Center, the Stedelijk Museum, the Metropolitan Museum of Art and the Museum of Modern Art.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Anselm Kiefer, a German artist born in 1945, is renowned for his profound contributions to painting and sculpture. He is distinguished by his use of unconventional materials such as straw, ash, clay, lead, and shellac, which he selects for their symbolic and alchemical properties. Anselm Kiefer's works often delve into themes of German history, mythology, and the Holocaust, using these materials to evoke a range of emotions and reflections on past and present.
One of his notable pieces, "Margarete," inspired by Paul Celan's poem "Death Fugue," employs straw to symbolize various themes, including racial purity and the fragility of life. Another significant work, "The High Priestess/Zweistromland," features an installation of lead books, reflecting on the transmission and preservation of knowledge. "Shevirat Ha-Kelim" is a sculpture that explores themes from the Kabbalah, representing the fragmentation of divine attributes.
Anselm Kiefer's art is not just visually impactful but also intellectually stimulating, encouraging viewers to ponder complex historical and philosophical questions. His works are displayed in prestigious venues worldwide, including the Centre Georges Pompidou in Paris and private collections.
For art collectors and experts, Anselm Kiefer's oeuvre offers a compelling blend of historical depth, material innovation, and philosophical inquiry. If you're intrigued by Kiefer's unique approach to art and wish to stay informed about new works and auction events related to Anselm Kiefer, consider signing up for updates to ensure you don't miss out on the opportunity to engage with his profound and evocative creations.
Richard Estes is an American artist, best known for his photorealist paintings. The paintings generally consist of reflective, clean, and inanimate city and geometric landscapes. He is regarded as one of the founders of the international photo-realist movement of the late 1960s, with such painters as John Baeder, Chuck Close, Robert Cottingham, Audrey Flack, Ralph Goings, and Duane Hanson.
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
His work is concerned primarily with psychological and sociological anxiety, historical issues and political topics. His subject matter is the human condition. The metaphor for his art is dominated by the image of the child, particularly the wounded child, scarred physically and emotionally from within. His works often reference taboo and controversial issues from recent history, especially the Nazi rule and the horror of the Holocaust. As a result, his work is often considered provocative and controversial.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Christo Yavashev is a Bulgarian-born American sculptor and artist who, with his wife Jeanne-Claude de Guillebon, became famous for his work, in which he «packaged» objects ranging from a typewriter and a car to the Reichstag building and an entire seashore.
Fritz Schaefler was a German graphic artist. He was known for his expressionist paintings, drawings, and prints.
Schaefler studied at the Academy of Fine Arts in Munich and later taught at the Folkwang University of the Arts in Essen. His early work was influenced by the German Expressionist movement, and he was associated with the group "Die Brücke" (The Bridge), which included other notable artists such as Ernst Ludwig Kirchner and Emil Nolde.
Schaefler's work is characterized by bold, vibrant colors and energetic brushstrokes. He often depicted landscapes, cityscapes, and still-life scenes, infusing them with a sense of emotion and vitality. He also produced a significant body of graphic work, including woodcuts and lithographs.
Schaefler's work was exhibited extensively during his lifetime, including at the Venice Biennale, the Stedelijk Museum in Amsterdam, and the Museum of Modern Art in New York. He was also awarded numerous honors and awards for his work.
Matthias Weischer is a German artist and painter.
He graduated from the School of Graphic Arts and Book Art in Leipzig and also lives and works in Leipzig. Weischer's imaginative, incompatible interiors have become his calling card.
The never-populated, deserted rooms in his paintings create psychological tension and inexplicable anxiety in the viewer.
Detlev James Foth is a German painter. He studied free painting at the Düsseldorf Art Academy from 1979 to 1985. During the second semester his first solo exhibition took place at the Galeria de Arte Sala Goya in Palma de Mallorca, Spain. In 2001 he received an invitation from the Foreign Office in Berlin to hold a solo exhibition at the German Business Club in São Paulo, Brazil. He was the first German artist to have a solo exhibition at the Portuguese Cultural Institute (Instituto Camões) in Luanda, Angola. In 2012 the painter had, among other things, a solo exhibition at the Arthropologie Gallery, Cairo, Egypt. His works can be found in private collections and in public spaces. In addition to painting, Detlev Foth deals with literature and has published numerous plays, novels, short stories and poems.
Jonas Burgert is a German figurative artist living and working in Berlin.
Jonas Burgert graduated from the Academy of Fine Arts in Berlin and studied as a graduate student (Meisterschueler) under Prof. Dieter Hacker in Berlin, and his work has been characterized from the very beginning by its vivid originality.
Burgert's paintings are filled with fantastic figures of the most unimaginable proportions. In the spaces of his panoramic paintings, one is immersed in a visual chaos of narrative layers, amidst mysterious events, strange figures and creatures. Jonas Burgert's large-format paintings are dominated by the grotesque, the bizarre and the surreal. Nightmarish zombie-like figures invade his pictorial worlds, frightening and appealing at the same time.
Since 1998 his work has been featured in numerous group exhibitions around the world, Jonas Burgert is now very successful and his works are very willingly acquired by many galleries.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Jean Leppien (born Kurt Leppien) was a German-French painter.
From 1929, Leppien studied at the Bauhaus Dessau with Josef Albers, Wassily Kandinsky and Paul Klee. He lived in France since 1933, from where he was deported in 1944. After the war he stayed in France as Jean Leppien, where he exhibited at the Salon des Réalités Nouvelles. Leppien is one of the most important representatives of the Geometric abstraction in France. Stylistically, he is close to painters such as Alberto Magnelli, Jean Deyrolle, Michel Seuphor, Emile Gilioli and Aurélie Nemours.