Multiples — Prints and Editions
Hubert Kiecol is a German artist. He was a professor at the State Art Academy in Düsseldorf. Kiecol graduated from the Hamburg Art School in 1971 and from 1975 at the Hamburg University of Fine Arts. In 1984 he received a Mies van der Rohe grant and in 1985 an Annemarie and Will Grohmann grant. In 1991 he was awarded the Will Grohmann Prize by the Berlin Academy of Arts. In 1993 he was appointed professor at the Düsseldorf Art Academy. In 2000 he received the Wolfgang Hahn Prize for contemporary art from the Society for Modern Art at the Museum Ludwig in Cologne.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
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Rupprecht Geiger was a German abstract painter and sculptor. Throughout his career, he favored monochromicity and color-field paintings. For a time, he concentrated solely on the color red.
Roy Fox Lichtenstein, an American icon of the Pop Art movement, is celebrated for his comic strip-inspired art. Born in 1923 in New York City, Lichtenstein's journey into the art world was marked by various phases, evolving from Cubism and Abstract Expressionism to the distinctive Pop Art style he is renowned for.
Roy Lichtenstein's artistic career gained momentum in the 1960s, a period during which he embraced the comic strip as his primary source of inspiration. His pioneering use of Ben-Day dots, a technique borrowed from commercial printing, became his signature style, bringing a new visual language to fine art. His approach transformed mundane subjects from popular culture into compelling fine art, challenging traditional notions of artistry.
Among his most notable works, "Drowning Girl" (1963), displayed at the Museum of Modern Art in New York, exemplifies his iconic style with its bold lines, vivid colors, and Ben-Day dots. This piece, along with others like "Look Mickey" and "Whaam!", played a critical role in establishing Pop Art as a major art movement, contrasting starkly with the Abstract Expressionism prevalent at the time.
Roy Lichtenstein's art was not just limited to canvas; he explored multiple media, showcasing his versatility. His shift to Pop Art marked a significant turn in his career, bringing him fame and controversy alike. His works, often based on comic strips and advertisements, were both a parody and homage to the mass-produced, consumerist culture of his time.
For art collectors and experts, Lichtenstein's works offer a fascinating glimpse into a transformative era in art history. His approach to Pop Art remains influential, and his works are celebrated worldwide for their innovative and provocative style.
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Jörg Immendorff was a German painter and sculptor, stage designer and decorator, and a member of the New Wild movement.
Immendorff painted in cycles that often lasted for years and were political in nature. His series of sixteen large paintings, Café Deutschland (1977-1984), is well known. In these colorful paintings, numerous disco lovers symbolize the conflict between East and West Germany.
Immendorff prepared several stage productions and designed sets for the operas Elektra and The Rider's Voyage. 25 of Immendorf's paintings were selected in 2006 for the illustrated Bible.
Stephan Balkenhol is a German artist known for his sculptures capturing the human form. Based in France and Germany, he specializes in wood sculptures, reliefs, drawings, and graphic techniques like lithography, woodcuts, and stencils. His distinct style features roughly carved and vibrantly painted wooden sculptures, often depicting people, animals, and architecture.
Balkenhol's subjects lack emotions, often gazing into emptiness, resulting in a distant and enigmatic aura. Wood is his primary medium, with softer woods allowing precise facial details while maintaining imperfections like chips, knots, and tool marks. The artist adds paint as a finishing touch, accentuating anatomy and vitality. The textured surfaces beneath the paint layer amplify the sense of life in Balkenhol's works.
Meret Oppenheim was a Swiss artist. She is best known for her surrealist sculptures and objects, which often featured everyday objects that had been transformed through unexpected combinations and juxtapositions.
Oppenheim was part of the surrealist movement, which aimed to liberate the unconscious mind and challenge traditional ideas about art and reality. Her most famous work is "Object" (1936), a fur-covered teacup, saucer, and spoon that has become an iconic symbol of surrealist art.
Oppenheim's work often explored themes of gender and sexuality, and she was interested in the idea of transforming everyday objects into works of art. She frequently used materials such as fur, leather, and feathers in her work, which added a tactile element to her sculptures.
Oppenheim was also an accomplished painter and photographer, and her work often incorporated elements of these mediums as well. She was a trailblazer for women in the art world and was one of the few female artists to achieve recognition during the male-dominated surrealist movement.
Today, Oppenheim's work is celebrated for its wit, humor, and subversive power, and she is considered one of the most important artists of the 20th century.
