Post War paintings, drawings, watercolours — The Kasper König Collection – His Private Choice: Day 1
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
Hanne Darboven was a German conceptual artist known for her large-scale installations, drawings, and writings that explore the intersections of mathematics, language, and time.
Darboven studied at the Hochschule für Bildende Künste in Hamburg. In the 1960s, she became associated with the Conceptual Art movement, creating works that often involved systems of numerical and textual notation.
In the 1970s, Darboven began to produce her signature installations, which combined writing, drawing, and found objects to create immersive environments that explored complex systems of meaning and structure. One of her most famous works is "Kulturgeschichte 1880-1983", a monumental installation consisting of 1,590 framed sheets of paper, each containing a series of numbers, letters, and symbols that chart the course of modern history.
Throughout her career, Darboven continued to explore the relationship between language, numbers, and time, often drawing inspiration from her own life and experiences. She exhibited her work widely in Europe and the United States, and was the subject of numerous retrospectives and solo exhibitions.
Her legacy as a pioneering conceptual artist continues to be recognized and celebrated by the art world today.
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Bruno Goller was a German painter. He received his painting training from the Düsseldorf landscape painter Julius Jungheim. Bruno Goller belonged to the artists' community "Das junge Rheinland", which he joined as early as 1920. In 1928 he participated in the founding of the "Rheinische Sezession".
Karl Horst Hödicke is a German artist, a pioneer of German Neo-Expressionism and new figuration, and one of the most important representatives of German post-war painting.
After moving to Berlin in 1957, Hödicke encountered the eventful history of Berlin - the construction of the Berlin Wall, the Cold War, and reunification - and reflected it in his paintings.
Claes Oldenburg was a Swedish-born American sculptor, celebrated for his groundbreaking contributions to the field of public art and sculpture. With a career spanning over several decades, Oldenburg redefined the boundaries between sculpture and everyday objects, bringing a whimsical yet profound commentary on consumer culture and the urban environment. His talent for transforming the mundane into the monumental made his work not only iconic but also a vital part of the conversation about the role of art in public spaces.
Oldenburg's sculptures are characterized by their colossal scale and imaginative designs, often inspired by everyday items. Perhaps his most famous works include "Clothespin" in Philadelphia and "Spoonbridge and Cherry" in Minneapolis. These pieces are emblematic of his unique approach to sculpture, where familiar objects are reimagined in unexpected contexts, challenging viewers to see the world around them in new ways. His ability to blur the lines between art and life, combined with his playful exploration of form and material, has left an indelible mark on the art world.
For collectors and experts in art and antiques, Oldenburg's works represent not just significant artistic achievements but also compelling investments. His sculptures and installations continue to be celebrated in museums and galleries worldwide, testament to his enduring influence and relevance in the contemporary art scene. For those interested in the intersection of culture, art, and urban life, Oldenburg's legacy offers rich insights and inspiration.
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Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Andy Warhol, born as Andrew Warhola Jr., was an American visual artist, film director, and producer, who played a pivotal role in the development of the Pop Art movement. His art delved into the interplay between artistic expression, advertising, and celebrity culture, especially prevalent in the 1960s. Warhol was renowned for his diverse range of media, which included painting, silkscreening, photography, film, and sculpture.
Warhol's journey began in Pittsburgh, where he was born and raised, initially making a name for himself as a commercial illustrator. His New York studio, "The Factory," became a famous hub for intellectuals, celebrities, and various artistic minds. He was known for creating the notion of "Warhol superstars" and popularized the phrase "15 minutes of fame."
His contribution to the art world is significant, with notable works like "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), as well as his experimental films like "Empire" (1964) and "Chelsea Girls" (1966). These works not only define his career but also underscore the essence of the Pop Art movement.
Warhol's influence extended beyond his artwork. He managed and produced the experimental rock band The Velvet Underground, founded Interview magazine, and wrote several books, including "The Philosophy of Andy Warhol" and "Popism: The Warhol Sixties." Living openly as a gay man before the gay liberation movement, Warhol's personal life was as influential as his professional endeavors.
Tragically, Warhol's life was nearly cut short in 1968 when he was shot by radical feminist Valerie Solanas. He eventually passed away in 1987 due to cardiac arrhythmia following gallbladder surgery. His legacy continues, with The Andy Warhol Museum in Pittsburgh standing as the largest U.S. museum dedicated to a single artist.
Warhol's art remains highly collectible and valuable. His works, like the "Silver Car Crash (Double Disaster)" and "Shot Sage Blue Marilyn," have fetched staggering amounts at auctions, signifying his enduring impact on the art market.
For art collectors and experts, Andy Warhol's work represents a crucial intersection of pop culture and fine art, offering a unique perspective on consumerism and celebrity. His pieces are not just art; they are historical landmarks that capture a transformative era in both art and society.
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John Wesley was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.
John Wesley was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.