Modern Graphics — A1265: Finds under 5,000
Jean Arp, born Hans Peter Wilhelm Arp, was a German and French poet, painter, graphic artist and sculptor. one of the founders of the Dada movement in Zurich.
Arp used abstract forms in his work and experimented with different materials such as wood, metal and stone. He was also known for his poetic works, in which he applied a method of randomly selecting words, called the "clutter method". Arp believed that this method helped him express his thoughts more precisely and originally. Arp's influence on the arts is still significant today.
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Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.
Gerd Arntz was a 20th-century German artist known for his skillful woodcut prints. A member of the Cologne Progressives—a group concerned not just with social and political issues, but also with the public’s ability to understand these concepts—Arntz sought to use his art as a method of delivering crucial information to the masses. Over the course of his life, he designed approximately 4,000 pictograms known as ISOTYPEs, or International System of Typographic Picture Education, a unique form of symbolized data from industries, politics, and economic phenomena intended for use by those who could not read.
Gerd Arntz was a 20th-century German artist known for his skillful woodcut prints. A member of the Cologne Progressives—a group concerned not just with social and political issues, but also with the public’s ability to understand these concepts—Arntz sought to use his art as a method of delivering crucial information to the masses. Over the course of his life, he designed approximately 4,000 pictograms known as ISOTYPEs, or International System of Typographic Picture Education, a unique form of symbolized data from industries, politics, and economic phenomena intended for use by those who could not read.
George Grosz was a twentieth-century German painter, graphic artist, and cartoonist. In his work one can find features of various styles of avant-garde art, including Dadaism, Expressionism, and Futurism.
George Grosz drew in every style in a sharp-grotesque and satirical spirit, ridiculing the vices of society. The erotic theme, which occupied a prominent place in Gross's work, was executed in the same spirit.
Grosz devoted more than 20 years to teaching at the Art Students League of New York, and was elected an honorary member of the American and Berlin Academies for his outstanding services to the arts.
Lesser Ury was a German painter of the late nineteenth and first third of the twentieth centuries of Jewish origin. He is known as an impressionist painter, graphic artist and printmaker, a representative of the Düsseldorf school of painting.
Ury painted rural and urban landscapes, still lifes and monumental paintings on biblical themes. His works depicting the streets of Berlin and views of Brandenburg are particularly notable. Ury mastered both oil colors, creating floral paintings and urban scenes, and pastels, conveying an atmosphere of air and light in landscapes.
Georges Braque, a French artist, is celebrated as a pivotal figure in the development of Cubism, alongside Pablo Picasso. Braque's artistic journey transitioned from Impressionism to Fauvism before he delved into the groundbreaking realm of Cubism, characterized by its innovative use of perspective and geometric forms. His partnership with Picasso during the early 20th century marked a significant phase in art history, as they collectively pioneered the Analytic and Synthetic phases of Cubism.
Georges Braque's oeuvre is renowned for its technical precision, introspective quality, and harmonious color palettes. His contributions extended beyond painting to include sculpture and collage, demonstrating his versatile mastery over various mediums. Notable works like "Violin and Candlestick" and "Man with a Guitar" underscore his talent in transforming everyday objects into abstracted, multifaceted compositions.
Throughout his career, Georges Braque remained deeply committed to exploring the boundaries of visual perception and form. After World War I, his style evolved, incorporating brighter colors and new themes, yet he maintained a steadfast adherence to Cubist principles. His later years saw a focus on personal motifs, such as birds, which symbolized freedom and dynamism in his art.
Georges Braque's legacy is preserved in prestigious collections worldwide, including the Museum of Modern Art (MoMA), which houses a significant number of his works. His artistic innovations continue to inspire and influence the realms of art and culture.
For collectors and art enthusiasts, Georges Braque's work offers a profound insight into the evolution of modern art and the enduring allure of Cubism. His pieces are a testament to the enduring power of creativity and innovation in the face of changing artistic landscapes.
If you're keen on exploring Braque's contributions to art and wish to stay updated on exhibitions and sales featuring his work, consider subscribing for updates on Georges Braque's pieces and their presence in the art market today.
Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.
Alexander Kanoldt was a German painter of the first half of the twentieth century. He is known as a painter, landscape and portrait painter, a representative of the New Materiality movement.
Alexander Kanoldt was one of the founders of the New Munich Art Association and the Blue Rider group. His style evolved from Neo-Impressionism to magic realism, to depicting plants, objects, landscapes and people in angular forms. During the Nazi regime, he tried to adapt to the styles in demand, but many of his works were confiscated as belonging to "degenerate art."
Kanoldt was a professor at the Berlin Academy of Art and director of the State School of Art in Berlin until his retirement in 1936.
Alexander Kanoldt was a German painter of the first half of the twentieth century. He is known as a painter, landscape and portrait painter, a representative of the New Materiality movement.
Alexander Kanoldt was one of the founders of the New Munich Art Association and the Blue Rider group. His style evolved from Neo-Impressionism to magic realism, to depicting plants, objects, landscapes and people in angular forms. During the Nazi regime, he tried to adapt to the styles in demand, but many of his works were confiscated as belonging to "degenerate art."
Kanoldt was a professor at the Berlin Academy of Art and director of the State School of Art in Berlin until his retirement in 1936.
Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.
Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
