Post War Sculptures — A541: Evening Sale
Ulrich Rückriem is a German sculptor known for his large-scale stone sculptures that are often displayed in public spaces. He studied at the Werkkunstschule Krefeld and the Kunstakademie Düsseldorf.
Rückriem's early work was influenced by the Minimalist movement, and he became known for creating abstract, geometric sculptures from raw stone blocks. He often works with granite, basalt, and other types of hard stone, using traditional carving techniques to shape and refine his forms.
In the 1970s, Rückriem began creating large-scale public installations, including his "Stone Alignments" series, which consists of rows of standing stones that evoke ancient megaliths and other prehistoric monuments. His work often engages with the natural environment, creating a dialogue between the man-made and the organic.
Rückriem has exhibited his work in museums and galleries around the world, including the Tate Gallery in London, the Solomon R. Guggenheim Museum in New York, and the Kunstmuseum Bonn in Germany. He has also received numerous awards and honors for his contributions to the field of sculpture, including the International Sculpture Prize in 1987 and the Praemium Imperiale in 2010.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Magdalena Abakanowicz was a distinguished Polish artist, celebrated for her innovative use of textiles as a sculptural medium. Born on June 20, 1930, in Falenty, Poland, and passing away on April 20, 2017, in Warsaw, she carved out a significant place in the art world with her unique artistic expressions that often explored themes of crowd behavior, the trauma of war, and the individuality of the human condition.
Abakanowicz's education at the Academy of Fine Arts in Warsaw was a period of both artistic and personal growth, shaping her future works. During the 1960s, she began creating the "Abakans," large-scale textile sculptures that challenged conventional forms and expressed dynamic movement and vivid emotion. Her works often featured organic, tactile materials like burlap, resin, and wood, which added a profound depth and rawness to her sculptures.
Her sculptures are well-represented in major public installations and collections worldwide, including the National Museum in Wrocław, Poland, Grant Park in Chicago, and the National Gallery of Art Sculpture Garden in Washington, D.C. These pieces are not just art forms but are experiences, inviting viewers to explore deeper psychological and existential themes.
For those captivated by the profound impact and the stirring beauty of Magdalena Abakanowicz's work, subscribing for updates can provide regular insights and information on exhibitions and sales of her works at auctions. This is an excellent way to stay connected with the legacy of an artist who continuously redefined the boundaries of sculpture and installation art.
Lucio Fontana was an Argentine-Italian artist known for his pioneering work in the field of Spatialism, an artistic movement that explored the relationship between space and art.
Fontana studied sculpture at the Academy of Fine Arts in Milan, Italy. In the 1940s, he began experimenting with a technique he called "Spatial Concept," in which he punctured or cut holes into the canvas to create a sense of depth and dimensionality.
Throughout the 1950s and 1960s, Fontana continued to explore the possibilities of Spatialism, creating works in a variety of media, including sculpture, ceramics, and painting. One of his most famous series of works is the "Tagli" (Cuts), which consist of monochromatic canvases with one or more slashes or punctures.
Fontana's work had a significant influence on the development of the Arte Povera movement in Italy, as well as on the development of Minimalism and Conceptual Art. He exhibited his work widely in Europe and the United States, and his legacy continues to be celebrated by artists and critics today.
Fontana's innovative approach to art and his exploration of the relationship between space and form continue to be a source of inspiration for artists working in a wide range of media.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
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Alfonso Hüppi is a Swiss painter.
In 1998, he co-founded with Erwin Gebert the "Museum in the Bush" in Etaneno, Namibia. Since then, he serves as the Director of the museum and the artist programs.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
François Morellet was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art.
Friedrich Gräsel was a German sculptor, painter and graphic artist. He was known for his kinetic sculptures, which often incorporated light, sound, and movement.
Gräsel studied at the Academy of Fine Arts Nuremberg and later taught at the Academy of Fine Arts Munich. He began creating kinetic sculptures in the 1960s, using a wide range of materials such as metal, wood, and plastic to create dynamic, interactive works of art.
Gräsel's sculptures often feature intricate mechanisms and complex systems of movement, inviting viewers to engage with the work on a sensory level. His work frequently incorporates elements of humor and whimsy, while also exploring deeper themes related to technology, nature, and the human condition.
Gräsel exhibited his work extensively throughout Europe, including at the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in Paris. He was also awarded numerous honors and awards for his work, including the Bavarian Order of Merit in 1987 and the Art Prize of the City of Nuremberg in 1997.