Lacquer painting — Alte Kunst | Moderne & Zeitgenössische Kunst
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
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Adolf Richard Hölzel was a German painter. He began as a Realist, but later became an early promoter of various Modern styles, including Abstractionism.
César Klein was a German Expressionist painter and designer, probably best known as one of the founders the November Group and the Arbeitsrat für Kunst. He is associated with the Düsseldorf school of painting.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
David Davidovich Burliuk (Russian: Давид Давидович Бурлюк), a pioneering figure of the Russian Futurist movement, was a Ukrainian poet, artist, and publicist, born in 1882 in Semirotovshchina, Kharkov, Ukraine, and died in 1967 on Long Island, N.Y., U.S. Known for his eclectic contributions that spanned poetry, painting, criticism, and publishing, Burliuk's work was instrumental in introducing the Russian avant-garde to Europe and the United States. Despite having a lesser volume of work in poetry and painting compared to his contemporaries, Burliuk's knack for discovering talent and promoting it was unparalleled. He was among the first to publish the works of Velimir Khlebnikov and to recognize the genius of Vladimir Mayakovsky, significantly contributing to their renown.
Burliuk's artistic journey was marked by his involvement with the Futurist and Neo-Primitivist movements. His early work, including an exhibition with the group Zveno ("The Link") in Kiev in 1908 and his participation in the Hylaea group, set the stage for his later achievements. He was a co-author of the influential Futurist manifesto "A Slap in the Face of Public Taste" in 1912, advocating for a break from traditional art forms and the embrace of modernity. Burliuk's commitment to Futurism was evident in his publishing endeavors and his collaborations with notable artists of the time.
In his later years, after emigrating to the United States in 1922, Burliuk continued to engage with the art world, contributing to pro-Soviet groups and publishing his works and those of his contemporaries. His efforts were recognized in several exhibitions, including a significant show at the Brooklyn Museum's 1926 International Exhibition of Modern Art. Despite facing challenges, such as being denied permission to visit his homeland by the Soviet government, Burliuk's influence remained steadfast. His legacy as a central figure in Russian Futurism and his contributions to the broader art movement are celebrated to this day.
To stay informed about updates and events related to David Davidovich Burliuk, including sales of his works and auction events, sign up for our newsletter. This subscription will ensure you're the first to know about new discoveries and opportunities to engage with Burliuk's enduring legacy.
Fritz Schaefler was a German graphic artist. He was known for his expressionist paintings, drawings, and prints.
Schaefler studied at the Academy of Fine Arts in Munich and later taught at the Folkwang University of the Arts in Essen. His early work was influenced by the German Expressionist movement, and he was associated with the group "Die Brücke" (The Bridge), which included other notable artists such as Ernst Ludwig Kirchner and Emil Nolde.
Schaefler's work is characterized by bold, vibrant colors and energetic brushstrokes. He often depicted landscapes, cityscapes, and still-life scenes, infusing them with a sense of emotion and vitality. He also produced a significant body of graphic work, including woodcuts and lithographs.
Schaefler's work was exhibited extensively during his lifetime, including at the Venice Biennale, the Stedelijk Museum in Amsterdam, and the Museum of Modern Art in New York. He was also awarded numerous honors and awards for his work.
Eberhard Viegener was a German expressionist painter, decorator, and printmaker.
In the 1930s his expressionist works were deemed "degenerate," and during the Nazi "Degenerate Art" campaign a considerable number of them were removed from state collections and destroyed.
Later Figener shifted abruptly from the expressionist style to the style of New Objectivity, or Neue Sachlichkeit. He began to paint, in particular, architectural still lifes with ceramic objects.
Eberhard Figener was the brother of the painter and sculptor Fritz Figener.
Franz Heckendorf was a German painter and graphic artist who was particularly successful during the Weimar Republic. During the National Socialist era, he was sentenced to ten years in prison after helping Berlin Jews threatened with deportation to extermination camps to escape to Switzerland.
Blalla Wolfgang / Wolfgang Ewald Hallmann was a German painter and graphic artist. He deals with fundamental existential questions (religion, sexuality, ...) in a drastic, both blasphemous and obscene manner. Formally, it moves between surrealism, outsider art (Art Brut), folk art and numerous references to art history. In the 1980s, the cycle of "horror pictures" was created. In addition to other techniques, the reverse glass painting known from folk art is characteristic of him. In 1995/1996 Hallmann produced a series of 149 sheets of woodcuts in which he recapitulated his own career under the title “The Way, the Truth and Life”. He was a member of the artist trio around Herbert Haberl and Bernd Wangerin. In 1965 he was a founding member of a traveling theater that later became “Hoffmanns Comic Teater”. Members of this group later formed the rock band Ton Steine Scherben.
Hann Trier was a German abstract expressionist watercolourist and graphic artist. Hann Trier is best known for his giant ceiling paintings in the Charlottenburg Palace. He was the older brother of the art historian Eduard Trier (1920-2009).
Wolf Vostell was a German artist who is considered a pioneer of video and installation art, and a key figure in the Fluxus movement. He studied at the Academy of Fine Arts in Wuppertal and later at the École Nationale Supérieure des Beaux-Arts in Paris.
Vostell's art was heavily influenced by the horrors of World War II, and he often incorporated themes of violence and destruction in his work. He was interested in exploring the relationship between art and technology, and he experimented with new media such as television, video, and sound.
One of Vostell's most famous works is "Concrete Traffic," a 1970 installation in which he placed a Cadillac in a block of concrete. The piece was intended to comment on the impact of automobile culture on society and the environment.
Another notable work is "TV-Burying," a performance piece in which Vostell buried a television set in the ground, with only the screen visible. The work was a commentary on the pervasive influence of television on modern life.
Vostell's work has been exhibited extensively around the world, including at the Museum of Modern Art in New York, the Venice Biennale, and the Centre Georges Pompidou in Paris.
Antonius Höckelmann is a German painter and sculptor educated at the Academy of Fine Arts in Berlin.
Sculpture and painting are intertwined in Höckelmann's work. Wooden, plastic, bronze and even straw figures were painted by the artist, giving them a new sound.
Melvin John Ramos was an American figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art.