Photography — Alte Kunst | Moderne & Zeitgenössische Kunst
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Robert Lebeck was an award-winning German photojournalist.
Lebeck became well known in 1960 after his report on the independence of the Congo "Afrika im Jahre Null" ("Africa in Year Zero") which included a photograph of an African man, Ambroise Boimbo pinching the ceremonial sword of Belgian King Baudouin. To this day that picture remains his "calling card".
Bernhard (Bernd) Becher and Hilla Becher were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the 'Düsseldorf School' they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.
Judith Samen is a German photographic artist.
She studied at art academies in Münster and Düsseldorf and her works include photography, spatial installations, drawings, videos and performances.
Judith Samen's art moves between staging and the authenticity of human existence. Her work involves corporeality, food and elements of art history and everyday life. She formulates works between poetry and radicalism in her search for unseen and moving pictorial creations. She combines vulnerability and humor, transience and deep physical awareness with tragedy and comedy, in the process expanding the familiar into the absurd.