Design — A 84: Kunst, Antiquitäten, Design - Tag II
Arne Emil Jacobsen is a Danish architect and designer, the founder of the Danish Functionalism style.
He studied at the School of Architecture at the Royal Danish Academy of Fine Arts, and began working as an architect in the 1930s. Inspired by Art Nouveau, he designed several public buildings, including the Aarhus City Hall. In collaboration with Flemming Lassen, he first created a comprehensive overall interior design, including furniture, fixtures, plumbing and other details. After World War II, Arne Jacobsen made a name for himself both in Denmark and around the world.
For six decades, Arne Jacobsen was at the forefront of Danish architecture, creating visionary works of architecture that still look contemporary today. His projects often included both the building itself and the overall interior design as well as the design of the surrounding landscape. The combination of architecture and design is one of the constant characteristics of Arne Jacobsen's work. In projects such as the SAS Royal Hotel (1960) and St. Catherine's College in Oxford (1964), he not only created the architecture, but also designed every detail of the interiors, turning them into a true work of art.
In addition to architectural structures, Arne Jacobsen created a number of highly original chairs and other furniture. From his studio came avant-garde and innovative furniture, lamps, patterns, clocks, cutlery and glassware that are still in demand today.
Verner Panton was considered one of Denmark's most influential 20th-century furniture and interior designers. During his career, he created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colors. His style was very 1960s but regained popularity at the end of the 20th century. As of 2004, Panton's best-known furniture models are still in production (at Vitra, among others).
Gerhard Fietz was a German painter, professor and representative of non-objective painting. He is considered an important painter of the second half of the 20th century in Germany.
As a co-founder of the artist group ZEN 49, he opposed traditional representational art and, together with painters such as Willi Baumeister, Fritz Winter and Rupprecht Geiger, developed a style of painting that focused on experimenting with artistic means. Fietz exhibited at numerous national and international exhibitions, including the highly regarded exhibition at the Cercle Volnay in Paris in 1955.
