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Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Friedrich Gräsel was a German sculptor, painter and graphic artist. He was known for his kinetic sculptures, which often incorporated light, sound, and movement.
Gräsel studied at the Academy of Fine Arts Nuremberg and later taught at the Academy of Fine Arts Munich. He began creating kinetic sculptures in the 1960s, using a wide range of materials such as metal, wood, and plastic to create dynamic, interactive works of art.
Gräsel's sculptures often feature intricate mechanisms and complex systems of movement, inviting viewers to engage with the work on a sensory level. His work frequently incorporates elements of humor and whimsy, while also exploring deeper themes related to technology, nature, and the human condition.
Gräsel exhibited his work extensively throughout Europe, including at the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in Paris. He was also awarded numerous honors and awards for his work, including the Bavarian Order of Merit in 1987 and the Art Prize of the City of Nuremberg in 1997.
Werner Scholz was a famous German-Austrian expressionist painter of the 20th century.
Winfred Gaul was a German artist of Informel and analytical painting.
Georg Karl Pfahler was a German painter, printmaker and sculptor, and one of the leading proponents of post-war art in Germany.
Michael Buthe was a German artist who lived and worked between Germany and Morocco. He exhibited widely throughout Europe during his life and is known for his eclectic and prolific oeuvre which encompasses painting, sculpture, and installation.
Jürgen Brodwolf was a Swiss sculptor and objectivist artist.
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Bernard Schultze was a German painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists.
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
