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Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He is known for portraits and topographical views as well as historical allegories. He also produced scenes of contemporary historical events. Hogenberg was the author of graphic works, engravings of city views and maps of the first four volumes of the six-volume atlas Theatrum Orbis Terrarum (Description and drawings of the most famous cities in the world), published in 1570 by the Flemish geographer Abraham Ortelius. Hogenberg's engravings are an invaluable source of information about urban development in medieval Europe.
Georg Braun was a German topographical geographer, cartographer and publisher.
Braun was the editor-in-chief of the Civitates orbis terrarum, a groundbreaking atlas of cities, one of the major cartographic achievements of the 16th century. It was the first comprehensive and detailed atlas, with plans of the world's famous cities and bird's-eye views, and became one of the best-selling works of the time.
The book was prepared by Georg Braun in collaboration with the Flemish engraver and cartographer Frans Hoogenberg. Braun, as editor-in-chief, acquired tables, hired artists, and wrote the texts. They drew on existing maps as well as maps based on drawings by the Antwerp artist Joris Hofnagel and his son Jacob. Other authors include Pieter Bruegel the Elder (c. 1525-1569), Jacob van Deventer (c. 1505-1575), and more than a hundred other artists and engravers.
Simon Novellanus was a Dutch-born German artist, graphic artist and engraver who worked in Cologne in the second half of the 16th century.
He is known to have been a skilled engraver and collaborated with cartographer and engraver Franz Hogenberg in the production of books and atlases. Novellanus's sprawling, multi-layered landscapes are executed in a light and varied etching technique that creates intense light and atmosphere.
Estienne de la Roche, also known as Estienne de Villefranche, was a French mathematician.
He is known for having taught mathematics in Lyon for 25 years as a professor of mathematics. In 1520 he published the Arismatics, considered at the time the best reference book on algebra.
Christiaen Gillisz. van Couwenbergh was a Dutch Golden Age artist. He specialised in large historical allegories as wall decorations, often life-size. He also made drawings for tapestries.
![Histoire de la Premiere Descouverte et Conqueste des Canaries [and:] Un Traicte de la Navigation et des Voyages de Descouverte & Conqueste modernes, & principalement des François](/assets/image/picture_3698864/50a69/hyhvbq9nnwmblbssnd3bhjwpcbkvw-ec7bpw2ywufjymclzzsefpbolpa8jpzj11704708154jpg__fix_374_244.jpeg)
![Histoire de la Premiere Descouverte et Conqueste des Canaries [and:] Un Traicte de la Navigation et des Voyages de Descouverte & Conqueste modernes, & principalement des François](https://veryimportantlot.com/assets/image/picture_3698864/50a69/hyhvbq9nnwmblbssnd3bhjwpcbkvw-ec7bpw2ywufjymclzzsefpbolpa8jpzj11704708154jpg__fix_374_244.jpeg)
Laurent de La Hyre, a prominent French Baroque painter born in Paris in 1606, is celebrated for his mastery in landscape and allegorical paintings. Throughout his career, La Hyre exhibited a profound influence from the Italian artists who visited Paris, studying under Georges Lallemand and drawing inspiration from Primaticcio at Fontainebleau. Despite never traveling to Italy himself, La Hyre’s work was characterized by a captivating use of color and the delicate composition of figures, marking him as a key figure in the transitional period leading up to the French Baroque era introduced by Simon Vouet.
La Hyre’s paintings are notable for their gravity, simplicity, and dignity, qualities that resonated with the neoclassical style of Parisian Atticism he championed. His early works are particularly recognized for their painterly style and storytelling prowess, often depicting subjects rarely seen in his contemporaries' work. One of his most significant contributions was to the Capuchin friars of the Marais, with the painting of Pope Nicholas V discovering the corpse of St. Francis of Assisi, now housed in the Louvre alongside eight other works by La Hyre. Museums in Strasbourg, Rouen, and Le Mans also boast collections of his work, showcasing his broad appeal and the versatility of his subject matter.
In 1648, La Hyre's status in the art world was further cemented by his role as one of the founding members of the French Royal Academy of Painting and Sculpture, highlighting his influence and prominence in French art history. Despite his fame, La Hyre’s legacy underwent periods of reevaluation, particularly towards the end of the 17th century when his work received less favorable comparisons to contemporaries like Vouet, Champaigne, and Le Sueur. Nonetheless, his impact on the French Baroque movement and his contribution to the Academy underline the significance of his work and his role in the development of French art.
La Hyre's oeuvre spans a wide range of themes, from mythological and biblical scenes to allegories of the liberal arts, demonstrating his versatility and innovative approach to art. Among his notable works are the allegorical representations of the Seven Liberal Arts, designed as a series and showcasing disciplines like Astronomy, Grammar, and Music as personified figures, reflecting the intellectual and cultural values of his time.
Collectors and experts in art and antiques appreciate La Hyre not only for the aesthetic and historical value of his paintings but also for the insights they provide into the cultural and intellectual currents of 17th-century France. His works, preserved in prestigious museums and galleries, continue to be celebrated for their artistic merit and historical significance.
For those keen on exploring the rich tapestry of Baroque art and the contributions of Laurent de La Hyre to this period, signing up for updates on new product sales and auction events related to La Hyre is an invaluable opportunity. This subscription ensures that enthusiasts and collectors are well-informed about the latest discoveries and offerings related to this influential artist, without the intrusion of unrelated content.
Bartholomeus Breenbergh was a Dutch Golden Age painter of Italian and Italianate landscapes, in Rome (1619-1630) and Amsterdam (1630-1657).
Jean-François Oeben, or Johann Franz Oeben, was a German ébéniste (cabinetmaker) whose career was spent in Paris. He was the maternal grandfather of the painter Eugène Delacroix.
