Alae seu scalae mathematicae

Los 78
28.01.2025 00:00UTC +00:00
Classic
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigtes Königreich, London
Aufgeldsee on Website%
ID 1360794
Los 78 | Alae seu scalae mathematicae
Schätzwert
$ 12 000 – 18 000
DIGGES, Thomas (c.1546-1595). Alae seu scalae mathematicae. London: Thomas Marsh, 1573.

First edition, in which Digges attempts to determine the parallax of the 1572 supernova and argues against the Aristotelian view of a static universe. This work was prompted by the supernova of 1572 in the constellation Cassiopeia (thought at the time to be a new star), a phenomenon which astounded Europe and became the subject of an outpouring of astronomical and astrological work. "Addressed to a European audience of astronomers, Alae was Digges's only Latin publication and offered an analysis and improvement of the mathematical and instrumental techniques available for the study of the new star. Recent radio astronomy has shown that Digges's observations were the most accurate then made. Moreover, he concluded that the new star was indeed a celestial body rather than a meteorological phenomenon, thus challenging the interpretations offered by contemporary Aristotelian natural philosophy. Digges's cosmological ambitions went beyond his claims concerning the new star. In Alae he condemned the 'monstrous' planetary astronomy of Ptolemy and wrote approvingly of Copernicus (Alae, sigs. A4v, 2A3r, 2A4v, L2v). But he did not wholeheartedly endorse the Copernican heliocentric system, in which the sun rather than the earth is stationed at the centre of the universe. Writing only shortly after the appearance of the new star, Digges initially hoped that its changing brightness might provide concrete observational evidence to support or modify the Copernican doctrine" (DNB). Houzeau and Lancaster 2694; STC 6871.

Quarto (201 x 145mm). Full-page woodcut on verso of title, depicting the constellation of Cassiopeia, full-page woodcut of Lord Burghley’s arms on A2r and Digges’s arms on final leaf, woodcut diagrams (title-page a little soiled and with two small ink-burns visible on verso, intermittent dampstain to fore-margin). 18th-century vellum elaborately gilt (neatly recased with later endpapers, ties lacking). Provenance: erased ownership inscriptions on title – Walter Ashburner (1864-1936; partially erased inkstamp on title) – Owen Gingerich (bookplate).
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