ANDY WARHOL (1928-1987)

Los 24
12.05.2022 20:00UTC -05:00
Classic
Startpreis
$ 25 000 000
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigten Staaten, New York
Archiv
Die Auktion ist abgeschlossen. Es können keine Gebote mehr abgegeben werden.
Archive
ID 753527
Los 24 | ANDY WARHOL (1928-1987)
Schätzwert
$ 25 000 000 – 35 000 000
ANDY WARHOL (1928-1987)Skullsigned and dated 'Andy Warhol 1976' (on the overlap)acrylic and silkscreen ink on canvas72 x 80 in. (182.9 x 203.2 cm.)Painted in 1976. Provenance The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution Dia Center for the ArtsAcquired from the above by the present owner Literature Life, Death and Beauty, exh. cat., Azerbaijan, Heydar Aliyev Center, 2013, p. 199, no. 161 (illustrated).N. Printz and S. King-Nero, eds., The Andy Warhol Catalogue Raisonné: Paintings 1976-1978, vol. 5A, New York, 2018, pp. 64 and 70, no. 3424 (illustrated). Exhibited Cologne, Galerie Heiner Friedrich, Andy Warhol, November-December 1977.New York, Dia Art Foundation, Andy Warhol: Skulls 1976, 1987.Houston, The Menil Collection, Six Artists: John Chamberlain, Willem de Kooning, Yves Klein, Brice Marden, Jean Tinguely, Andy Warhol, May-September 1992.Pittsburgh, The Andy Warhol Museum, Opening Celebration, 1994.Monaco, Grimaldi Forum, Super Warhol, July-August 2003, p. 327, no. 143 (illustrated).Dusseldorf, Museum Kunst Palast; Vaduz, Kunstmuseum Liechtenstein; Stockholm, Liljevalchs Konsthall and Musee d'art Contemporain de Lyon, Andy Warhol: The Late Work, February 2004-May 2005, p. 17 (illustrated).New York, Dia Art Foundation, Dia's Andy, May 2005-April 2006.New York, Gagosian Gallery, Cast a Cold Eye: The Late Works of Andy Warhol, October-December 2006, p. 81 (illustrated).Edinburgh, National Galleries of Scotland, Andy Warhol, August-October 2007.San Antonio, McNay Art Museum, Andy Warhol: Fame and Misfortune, February-May 2012, p. 53 (illustrated).Seoul, Dongdaemun Design Plaza, Andy Warhol Live, June-September 2015.New York, Whitney Museum of American Art; San Francisco Museum of Modern Art and The Art Institute of Chicago, Andy Warhol: From A to B and Back Again, November 2018-January 2020, p. 320 (illustrated).London, Tate Modern, Andy Warhol, March-November 2020, p. 160 (illustrated). Special Notice On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.
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