DAME ELISABETH FRINK, R.A. (1930-1993)

Los 152
20.10.2022 13:00UTC +00:00
Classic
Verkauft
£ 52 920
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigtes Königreich, London
Aufgeldsee on Website%
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Archive
ID 831397
Los 152 | DAME ELISABETH FRINK, R.A. (1930-1993)
Schätzwert
£ 30 000 – 50 000
DAME ELISABETH FRINK, R.A. (1930-1993)

Small Lying Down Horse

signed and numbered 'Frink/ 10/10' (on the underside)

bronze with a dark brown patina

14 3/4 in. (37.5 cm.) long

Conceived in 1986.





Provenance

Purchased at the 1989 exhibition by the present owner's father, and by descent.



Literature

N. Cameron, exhibition catalogue, Elisabeth Frink: Sculpture & Drawings, Hong Kong, The Rotunda, Exchange Square, 1989, n.p., exhibition not numbered, another cast illustrated.

E. Lucie-Smith, Elisabeth Frink: Sculpture Since 1984 and Drawings, London, 1994, p. 186, no. SC26, another cast illustrated.

A. Ratuszniak (ed.), Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93, Farnham, 2013, p. 175, no. FCR357, another cast illustrated.



Exhibited

Hong Kong, The Rotunda, Exchange Square, Elisabeth Frink: Sculpture and Drawings, January - March 1989, exhibition not numbered.

Washington D.C., The National Museum for Women in the Arts, Elisabeth Frink: Sculpture and Drawings 1950-1980, 1990, another cast exhibited, ex. cat.



Special notice


Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.



Post lot text

Discussing the role of the horse in the artist’s work, Sarah Kent comments, ‘For [Frink], horses represent a multiplicity of meanings - masculine and feminine sexuality, wildness, unusual sensitivity and freedom from mental and physical constraint. It was the wild horses of the Camargue that sparked off a series of large and small horse sculptures which she describes as ‘the spirit of horses rather than the beasts themselves’ (see S. Kent, Elisabeth Frink: Sculpture and Drawings, 1952-1984, London, 1985, p. 67).
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