HANNAH HÖCH (1889-1978)

Verkauft
£ 264 600
AuktionsdatumClassic
08.03.2024 13:00UTC +01:00
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CHRISTIE'S
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Vereinigtes Königreich, London
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Archive
ID 1164030
Los 236 | HANNAH HÖCH (1889-1978)
HANNAH HÖCH (1889-1978)

Bürgerliches Brautpaar (Streit)

signed and dated 'HANNAH HÖCH 1919' (lower right); inscribed '"BÜRGERLICHES BRAUTPAAR" (STREIT)' (lower left)

photomontage on paper

14 ¾ x 12 1⁄8 in. (37.5 x 30.9 cm.)

Executed in 1919





Provenance

Private collection, North Germany, by whom acquired from the artist via the intermediation of Galerie Nierendorf, Berlin, after 1961 and before 1965, and thence by descent to the present owners.



Literature

G.J. Dech, Schnitt mit dem Küchenmesser DADA durch due letzte weimarer Bierbauchkulturepoche Deutschlands, Untersuchungen zur Fotomontage bei Hannah Höch, Munster, 1981, no. XXXVII/I, p. XXXVII (illustrated).

J. Dech & E. Maurer, eds., Da-Da zwischen Reden zu Hannah Höch, Berlin, 1991, no. 67, pp. 259-260 (illustrated n.p.).

M. Lavin, Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch, New Haven & London, 1993, no. 14, pp. ix, 27 & 28 (illustrated p. 28).

R. Hemus, Dada's Women, New Haven & London, 2009, p. 115 (illustrated fig. 46, p. 114).

I. Herold & K. Hille, Hannah Höch, Revolutionärin der Kunst, Das Werk nach 1945, exh. cat., Kunsthalle, Mannheim, 2016, no. B1, pp. 14 & 233 (illustrated p. 14).



Exhibited

Stuttgart, Internationale Ausstellung des Deutschen Werkbunds, Film und Foto, May - July 1929, no. 332, p. 63.

Dusseldorf, Kunsthalle, DADA - Dokumente einer Bewegung, September - October 1958, no. 407, n.p..

Berlin, Galerie Meta Nierendorf, Hannah Höch, Bilder, Collagen, Aquarelle 1918-1961, May - June 1961, no. 10, n.p..

Alpbach, Europäisches Forum, Dada bis heute, August - September 1965, no. 90, n.p.; this exhibition later travelled to Linz, Neue Galerie der Stadt, September - October 1965; and Graz, Neue Galerie am Landesmuseum Joanneum, October - November 1965.

Lausanne, Musée cantonal des beaux-arts, Berlin XXe siècle. De l'expressionisme à l'art contemporain, November 1968 - January 1969, no. 153, n.p. (illustrated pl. 153).

Kassel, Kunstverein, Hannah Höch, Ölbilder, Aquarelle, Collagen, Gouachen, May - June 1969, no. 84, n.p..

Paris, Musée d'Art Moderne de la ville de Paris, Hannah Höch, Collages, Peintures, Aquarelles, Gouaches, Dessins, January - March 1976, no. 58, pp. 63 & 84 (illustrated p. 63); this exhibition later travelled to Berlin, Nationalgalerie, March - May 1976.

Zurich, Kunsthaus, Malerei und Photographie im Dialog, von 1840 bis heute, May - July 1977, n.p. (illustrated fig. 665, p. 283).

Berlin, Neuen Nationalgalerie, Tendenzen der Zwanziger Jahre, August - October 1977, no. 3⁄608, p. 3⁄248.

Paris, Centre Pompidou, Paris-Berlin, rapports et contrastes, France-Allemagne 1900-1933, July - November 1978, p. 7 & 138 (illustrated p. 138).

Tubingen, Kunsthalle, Hannah Höch, Fotomontagen, Gemälde, Aquarelle, February - May 1980, no. 6, pp. 84, 115 & 228 (illustrated p. 115).

London, Royal Academy of Arts, German Art in the 20th Century, Painting and Sculpture,1905-1985, October - December 1985, no. 137, n.p. (illustrated); this exhibition later travelled to Stuttgart, Staatsgalerie, February - April 1986.

Recklinghausen, Städtische Kunsthalle, Freiheit, Gleichheit, Brüderlichkeit: Künstlergruppen in Deutschland 1918-1923, May - June 1989, no. 69, n.p. (illustrated n.p.).

Atlanta, High Museum of Art, Art in Berlin, 1815-1989, November 1989 - January 1990, no. 42, pp. 148 & 251 (illustrated p. 148).

Minneapolis, Walker Art Center, The Photomontages of Hannah Höch, October 1996 - February 1997, no. 4, pp. 29 & 63 (illustrated p. 29); this exhibition later travelled to New York, The Museum of Modern Art, February - May 1997; and Los Angeles, Los Angeles County Museum of Art, June - September 1997.

Paris, Centre Pompidou, DADA, October 2005 - January 2006, no. 333, pp. 492 & 574 (illustrated p. 493); this exhibition later travelled to Washington, National Gallery of Art, February - May 2006, no. 113, p. 140 (illustrated); and New York, The Museum of Modern Art, June - September 2006.



Further details

Dr. Ralf Burmeister has confirmed the authenticity of this work.
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