Lucian Freud (1922-2011)

Los 45
30.07.2020 00:00UTC +00:00
Classic
Verkauft
£ 6 250
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigtes Königreich, London
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ID 381253
Los 45 | Lucian Freud (1922-2011)
Schätzwert
£ 3 000 – 5 000
FREUD, Lucian (1922-2011). Two autograph letters signed and a picture postcard signed ('L.') to Ann [Fleming], Jamaica (from the Flemings' house at Goldeneye), Hotel La Louisiane, Paris, and [Nice], n.d. [c.1953].

41/2 pages, 223 x 174mm, 211 x 136mm and 139 x 89mm, the first on blue paper with printed address at Goldeneye and including a small pasted newspaper extract, the picture postcard depicting La Corniche d'Or, with two additions in pen, comprising a cyclist on the road and climbers at top of the cliff.

'Hordes of english [sic] confidence tricksters disguised as retired colonels (which they are) surround the roulette tables and misuse their voices ...': surrealist humour, and a postcard with original drawings. Writing from Ian Fleming's beloved Goldeneye in Jamaica, Freud reports that 'I am still sitting in the banana wood in almost the same place and am now such a fixture there that birds sit on me and spiders use my head to help hold up their new webs', also recording a 'moment of slight tension' with Violet [Cummings, the Flemings' housekeeper], including a newspaper extract about 'sleazy Notting Hill', and reporting on a waterspout, the 'daily more delishous [sic]' food, and the usefulness of 'Noels deathmask' [i.e. Noel Coward's] which is 'better than an alarm clock'; and offering to have the Flemings' son Caspar canonised as a gesture of thanks. In the letter from Paris, Freud plans his wedding to his second wife, Lady Caroline Blackwood – 'I think a Paris wedding would perhaps be best as one needs no documents except my divorce papers but where-ever it takes place do please be my best man!' [the wedding ultimately took place in London on 9 December 1953] – and writes teasingly of Ian Fleming 'I am becoming rather like Ian insomuch so [sic] that a number of subjects can not safely be mentioned in my presence'. The postcard from the French Riviera begins with a fantastical description of his own alterations to the picture of the cliffs above the Corniche d'Or, before continuing with an equally whimsical account of life in the casinos: 'this postcard is of the most unusual interest as the camera has caught not only one of the rare successful climbs of this perilous cliff but also what promises to be a most bloody accident ... The chances of winning at the casinos have become even slimmer since hordes of english [sic] confidence tricksters disguised as retired colonels (which they are) surround the roulette tables and misuse their voices, born to command, to claim the rightful winnings of less experienced gamblers. Those "men who never cheated" have at last begun to do so'.

Freud became part of the social circle of Ann Fleming (1913-1981, at the time Viscountess Rothermere) during the post-war years, and painted her portrait in 1950; it was through her that he met Lady Caroline Blackwood, his future second wife (contrary to his plans in the present letter, they in fact married in London on 9 December 1953). Ann married Ian Fleming, the creator of James Bond, in 1952: their son Caspar was born in August that year.
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