MAXFIELD PARRISH (1870-1966)

Los 47
09.11.2022 19:00UTC -05:00
Classic
Startpreis
$ 2 000 000
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigten Staaten, New York
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Die Auktion ist abgeschlossen. Es können keine Gebote mehr abgegeben werden.
Archive
ID 838964
Los 47 | MAXFIELD PARRISH (1870-1966)
Schätzwert
$ 2 000 000 – 3 000 000
MAXFIELD PARRISH (1870-1966)

Hilltop

signed and dated 'Copyright 1926/Maxfield Parrish' (lower left)

oil on panel

35 3/4 x 22 1/4 in. (91 x 56.5 cm.)

Painted in 1926





Provenance

Private collection, Massachusetts; Estate sale, Christie’s, New York, 2 December 1988, lot 178.

American Illustrators Gallery, New York (acquired at the above sale).

Acquired from the above by the late owner, 1997.



Literature

Reinthal and Newman, The House of Art print, published circa 1926-1927.

Thomas D. Murphy Company calendar, published 1942.

C. Ludwig, Maxfield Parrish, New York, 1973, pp. 138-139, 144-145 and 215, no. 722 (illustrated, p. 139, fig. 91).

A. Gilbert, Maxfield Parrish: The Masterworks, Berkeley, 1992, pp. 154 and 157 (illustrated in color, fig. 7.7).

L.S. Cutler, J. Goffman and American Illustrators Gallery, Maxfield Parrish, New York, 1993, pp. 2, 4 and 8 (illustrated in color on the frontispiece, p. 2).

L.S. Cutler and J.G. Cutler, Maxfield Parrish: A Retrospective, San Francisco, 1995, p. 127 (illustrated in color).

A.M. Gilbert, Parrish and Photography, Plainfield, 1998, p. 29.

L.S. Cutler and Judy A.G. Cutler, Maxfield Parrish, San Diego, 2001, pp. 118-119 (illustrated in color, p. 118).

L.S. Cutler, J.G. Cutler and the National Museum of American Illustration, Maxfield Parrish and the American Imagists, Edison, 2004, p. 262 (illustrated in color).

A.G. Smith, Maxfield Parrish: Master of Make-Believe, Washington, D.C., 2005, p. 93.



Exhibited

Tokyo, Isetan Museum of Art; Osaka, The Museum of Art, Kintetsu; Yamanashi Prefectural Museum of Art and Stockbridge, Norman Rockwell Museum, Maxfield Parrish: A Retrospective, April-December 1995, pp. 50, 125, 166-167 and 180, no. 72 (illustrated in color, p. 125).



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