Kenjirō Azuma (1926 - 2016) — Auction price
Kenjiro Adzuma (Japanese: 吾妻 兼治郎) is a Japanese abstraction sculptor known for his avant-garde and innovative approach to sculpture and installation art, one of Japan's most important post-World War II artists. He also lived and worked in Italy for many years. He studied sculpture at the Graduate School of Art at the University of Tokyo and at the Brera Academy of Fine Arts in Milan, where he attended Marino Marini's class.
Kenjiro Adzuma was a key figure in the Japanese art movement known as Mono-ha (School of Things) in the late 1960s and early 1970s. Mono-ha artists explored the relationship between natural and industrial materials, often juxtaposing them to create thought-provoking installations.
Kenjiro Adzuma (Japanese: 吾妻 兼治郎) is a Japanese abstraction sculptor known for his avant-garde and innovative approach to sculpture and installation art, one of Japan's most important post-World War II artists. He also lived and worked in Italy for many years. He studied sculpture at the Graduate School of Art at the University of Tokyo and at the Brera Academy of Fine Arts in Milan, where he attended Marino Marini's class.
Kenjiro Adzuma was a key figure in the Japanese art movement known as Mono-ha (School of Things) in the late 1960s and early 1970s. Mono-ha artists explored the relationship between natural and industrial materials, often juxtaposing them to create thought-provoking installations.
Kenjiro Adzuma (Japanese: 吾妻 兼治郎) is a Japanese abstraction sculptor known for his avant-garde and innovative approach to sculpture and installation art, one of Japan's most important post-World War II artists. He also lived and worked in Italy for many years. He studied sculpture at the Graduate School of Art at the University of Tokyo and at the Brera Academy of Fine Arts in Milan, where he attended Marino Marini's class.
Kenjiro Adzuma was a key figure in the Japanese art movement known as Mono-ha (School of Things) in the late 1960s and early 1970s. Mono-ha artists explored the relationship between natural and industrial materials, often juxtaposing them to create thought-provoking installations.
