Auction price
Lucien Adrion was a French post-impressionist painter, draughtsman and printmaker. He is known for his depictions of the French countryside and beaches, as well as of Parisian life, including landscapes, still lifes, figures and landmarks.
Throughout his career, Adrion exhibited his work at the Salons in Paris, where he was praised for his ability to capture the movement and transience of city life.
Otto Eduard Pippel was a German painter.
Otto Eduard Pippel was a German painter.
Herbert Rolf Schlegel was a German painter and a representative of the Romantic version of New Objectivity.
Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
Karl Hauptmann was a German landscape painter who specialised in mountain views.
Fritz von Wille, real name Friedrich Gustav August Julius Philipp Rudolf von Wille is a German painter, member of the Malkasten group.
Fritz von Wille is known for his landscapes in the Impressionist style. To avoid confusion with his father, the painter August von Wille, he took a short name. His son Otto (1901-1977) also became a painter.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
Josse Goossens was a German modernist painter. He worked in various genres, painting landscapes, still lifes, genre scenes.
Charles Johann Palmié was a German painter, one of the pioneers of German Modernism and Neo-Impressionism.
He studied at the Dresden Academy of Fine Arts, traveled and worked extensively, specializing in landscapes. In 1901 Palmie and his artist wife opened an artists' hotel in Kalmunz, Germany. Soon an entire colony of artists formed there, numbering up to forty people, many of whom lived there permanently. After Wassily Kandinsky and Gabriele Münter visited the hotel in the summer of 1903, the Kalmunz colony became the talk of the art world.
Impressed by the works of Claude Monet, the artist traveled to France in 1905, where a meeting with the master himself played a decisive role in the further direction of Palmie's work. In France, he spent much time studying Neo-Impressionism, pointillism and monochrome painting, and created many landscapes.
In 1909 Palmie, along with Vasily Kandinsky, Alexei Jawlensky, Gabriele Münter and others, became one of the founders of the Association of New Artists of Munich (Neue Künstlervereinigung München or NKVM), an expressionist art group in Munich. This group later evolved into Der Blaue Reiter ("The Blue Rider"), but without Palmie's participation.
Giuseppe de Nittis was an Italian painter associated with the Macchiaioli movement, which emerged at the end of the 19th century as a reaction to the traditional academic style of painting.
Giuseppe de Nittis first studied at the Neapolitan Academy of Fine Arts before moving to Paris in 1868, where he was influenced by the Impressionist movement and the work of Édouard Manet and Edgar Degas. He quickly gained recognition for his ability to skilfully convey light and atmosphere in his paintings.
De Nittes' style can be described as a mixture of realism and impressionism. He often depicted city scenes, landscapes and portraits. His work is characterised by a loose brushwork, vivid colours and a strong sense of observation.