Watercolours — Auction price
Robert Pudlich was a German graphic artist, painter, illustrator and set designer of the lost generation. His art was influenced by the New Objectivity. Pudlich belonged to the environment of the art dealer Johanna Ey. He was a member of the Rhenish Secession and the German Association of Artists. In 1936 he took part in the Nazi exhibition West Front in Essen. In 1937 his works were classified as degenerate art. After the Second World War, from 1947 Pudlich designed sets and costumes for productions by Gustaf Gründgens in Düsseldorf and Hamburg as well as for the Municipal Opera in Berlin. During this time he created a series of monumental murals, for example for the Düsseldorf Opera House. In 1955 he accepted a professorship at the Düsseldorf Art Academy.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Werner Gilles was a German artist.
He was a member of the Bauhaus school of art and design. After arriving on the Italian island of Ischia in 1932, Gilles found inspiration for painting. In his oil paintings and watercolors, the artist depicts the cheerful and menacing aspects of this primitive landscape and captures its basic nature.
Peter Janssen, nicknamed Junior, real name Peter Tamme Weyert, was a German painter and teacher.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Hermann Karl Hesse was a German-Swiss poet, novelist, and painter, known for delving into themes of authenticity, self-knowledge, and spirituality. Born in Calw, Germany, Hesse's exploration of the individual's quest for truth won him the Nobel Prize for Literature in 1946. His storytelling weaves a rich tapestry of philosophical thought, evident in masterpieces like "Steppenwolf" and "Siddhartha," which resonate deeply with the human experience.
Renowned for his lyrical prose and profound insights into the human spirit, Hesse's works are a cornerstone of 20th-century literature. They challenge readers to seek beyond the confines of society and find a deeper sense of self. His narrative style combines simplicity with a deep philosophical undercurrent, inviting reflection and introspection.
Collectors and connoisseurs of literature hold Hesse's works in high esteem, not just for their literary merit but also for their cultural significance. For those interested in the evolution of literary thought and the pivotal role of introspective narratives, Hesse’s works are invaluable. Delve into his writings to discover the essence of early 20th-century philosophical literature and consider adding them to your collection for both their historic and artistic value.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Fritz Schaefler was a German graphic artist. He was known for his expressionist paintings, drawings, and prints.
Schaefler studied at the Academy of Fine Arts in Munich and later taught at the Folkwang University of the Arts in Essen. His early work was influenced by the German Expressionist movement, and he was associated with the group "Die Brücke" (The Bridge), which included other notable artists such as Ernst Ludwig Kirchner and Emil Nolde.
Schaefler's work is characterized by bold, vibrant colors and energetic brushstrokes. He often depicted landscapes, cityscapes, and still-life scenes, infusing them with a sense of emotion and vitality. He also produced a significant body of graphic work, including woodcuts and lithographs.
Schaefler's work was exhibited extensively during his lifetime, including at the Venice Biennale, the Stedelijk Museum in Amsterdam, and the Museum of Modern Art in New York. He was also awarded numerous honors and awards for his work.
Christian Arnold was a German painter and graphic artist. He is best known for his landscape paintings that often depicted the rural and coastal regions of northern Germany.
Arnold studied at the Academy of Fine Arts in Munich and later taught at the School of Arts and Crafts in Bremen. His work was heavily influenced by the German Expressionist movement, and he often used bold colors and thick brushstrokes to create a sense of emotional intensity in his paintings.
In addition to his landscapes, Arnold also produced numerous portraits, still lifes, and religious works. He worked in a variety of mediums, including oil paints, watercolors, and printmaking.
Arnold's work was exhibited widely during his lifetime, and he received numerous awards and honors for his contributions to the arts. Today, his paintings are held in collections around the world, including the National Gallery in Berlin and the Kunsthalle Bremen.
Harald Metzkes is a German painter and graphic artist.
In 1976 he won the Käthe Kollwitz Prize from the Arts Academy of East Germany and state-level official recognition in the form of the Banner of Labor. The next year his work was the focus of an exhibition at the National Gallery in (East) Berlin, "Harald Metzkes – Two decades of Pictures". 1976 was also the year in which he was a recipient of the National Prize of East Germany for illustrations and graphic art. In 1984 and 1988 Metzkes participated in the Venice Biennale.
Peter Herkenrath was a German self-taught artist, one of the brightest representatives of abstract art after World War II.
He created what he called "wall paintings": he applied thick layers of paint in relief with spatulas and brushes. Herkenrath painted many portraits of his famous contemporaries, domestic scenes and still lifes.
Peter Herkenrath was a member of the Association of West German Artists and the Association of German Artists.
Anton Räderscheidt was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid with other members of the local constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a magic realist style. In 1925 he participated in the Neue Sachlichkeit ("New Objectivity") exhibition at the Mannheim Kunsthalle.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
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Hannah Höch was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Photomontage, or fotomontage, is a type of collage in which the pasted items are actual photographs, or photographic reproductions pulled from the press and other widely produced media.
Höch's work was intended to dismantle the fable and dichotomy that existed in the concept of the "New Woman": an energetic, professional, and androgynous woman, who is ready to take her place as man's equal. Her interest in the topic was in how the dichotomy was structured, as well as in who structures social roles.
Other key themes in Höch's works were androgyny, political discourse, and shifting gender roles. These themes all interacted to create a feminist discourse surrounding Höch's works, which encouraged the liberation and agency of women during the Weimar Republic (1919-1933) and continuing through to today.