Russia — Auction price
Aleksandr Evgenevich Iakovlev (Russian: Александр Евгеньевич Яковлев), a Russian painter, graphic artist, and designer, left an indelible mark on the world of art with his unique blend of classical and orientalist styles. Born in Saint Petersburg, Russia, in 1887, Iakovlev was part of the vibrant Russian artistic community that contributed significantly to the neo-classical and orientalist movements. His extensive travels across Mongolia, China, Japan, Africa, Syria, Iran, and Afghanistan enriched his art, leading to a prolific output of portraits, landscapes, still lifes, and figure compositions that combined elements of Italian Renaissance with Russian Primitivism.
Iakovlev's early involvement with the Mir Iskusstva exhibition in 1915 showcased his talent but also highlighted the mixed reactions from critics and the Academy of Arts, signaling his departure from traditional academic confines. His scholarship to study in the Far East and subsequent travels profoundly influenced his work, as seen in his orientalist paintings and ethnographic drawings. This period of exploration culminated in his significant contributions as an official artist on the Citroën expeditions across Central Africa and Asia, where he captured the essence of the diverse cultures he encountered.
His works, such as "Three Women in a Box at the Theatre" and his participation in designing the Prival Komediantov artistic cabaret, exemplify his mastery of merging traditional subjects with a modernist touch. Serving as the Director of the Painting Department at the School of the Museum of Fine Arts, Boston, between 1934 and 1937, Iakovlev influenced the art scene beyond the Russian borders before his death in Paris in 1938.
Iakovlev's legacy is preserved in museums and galleries worldwide, celebrating his contributions to bridging cultures through art. His ability to document his travels and experiences in such a vivid and artistic manner has left a lasting impact on the appreciation of cultural diversity in the art world.
For collectors and experts in art and antiques, Aleksandr Evgenevich Iakovlev's works represent a convergence of classical artistry and exploratory zeal, making them highly sought after. His pieces not only capture the beauty of the subjects he portrayed but also serve as a window into the cultures and landscapes that inspired him.
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Igor Fedorovich Stravinskii (russian: Игорь Фёдорович Стравинский) was a Russian composer, a citizen of France and the United States. One of the greatest representatives of the world musical culture of the 20th century.
The future composer was born into a creative musical family. Igor Stravinskii's father was an opera singer, soloist of the Mariinsky Theater Fedor Stravinskii, and his mother was a pianist Anna Kholodovskaya. Igor studied music at home, the Stravinskiis were often visited by their friends: composers Caesar Cui and Nikolai Rimsky-Korsakov, critic Vladimir Stasov and writer Fyodor Dostoevsky. For five years from 1902 Igor Stravinsky studied with the composer Nikolai Rimsky-Korsakov. At the same time he became close to the impresario Sergei Diaghilev and the artists of the "World of Art" association.
Stravinskii 's first works were created under the influence of Rimsky-Korsakov and the French Impressionists, and his music bears a vivid imprint of the Russian cultural tradition. Igor Stravinskii's first ballet, The Firebird, was performed in June 1910 at the Paris Grand Opera House, and he later wrote music for Diaghilev's ballets Petrushka (1911) and Sacred Spring (1913). It was after the premiere of his ballets at Sergei Diaghilev's Russian Seasons in Paris that Stravinskii gained worldwide fame. The sets for his ballets were created by the artists Alexander Benois and Nikolai Roerich, the choreography was prepared by the famous dancers Vaclav Nijinsky and George Balanchine, and the costumes were designed by Coco Chanel herself.
In 1920 Stravinskii moved to France and in 1934 he took French citizenship. In Paris, the composer composed many works that became world-famous. In 1939 Igor Stravinskii moved to the United States and in 1945 he took American citizenship. During this period, he began to turn more to biblical themes and music of the pre-Brahmsian period.
From 1924 Stravinskii also performed as a pianist and conductor of his own works. In 1962, at the invitation of the USSR Ministry of Culture, Igor Stravinsky gave several concerts in Moscow and Leningrad (now St. Petersburg).
Critics believe that in recent years Stravinskii was moving further and further away from the Russian style, but the composer himself believed otherwise. On the basis of Russian folk songs, in 1965 he created a canon for orchestra, "Not a Pine Tree at the Gate Rocked". A year before his death, in 1966, the composer wrote the requiem "Funeral Chants", which he considered to be one of the major works of his life.
Igor Fedorovich Stravinskii (russian: Игорь Фёдорович Стравинский) was a Russian composer, a citizen of France and the United States. One of the greatest representatives of the world musical culture of the 20th century.
The future composer was born into a creative musical family. Igor Stravinskii's father was an opera singer, soloist of the Mariinsky Theater Fedor Stravinskii, and his mother was a pianist Anna Kholodovskaya. Igor studied music at home, the Stravinskiis were often visited by their friends: composers Caesar Cui and Nikolai Rimsky-Korsakov, critic Vladimir Stasov and writer Fyodor Dostoevsky. For five years from 1902 Igor Stravinsky studied with the composer Nikolai Rimsky-Korsakov. At the same time he became close to the impresario Sergei Diaghilev and the artists of the "World of Art" association.
Stravinskii 's first works were created under the influence of Rimsky-Korsakov and the French Impressionists, and his music bears a vivid imprint of the Russian cultural tradition. Igor Stravinskii's first ballet, The Firebird, was performed in June 1910 at the Paris Grand Opera House, and he later wrote music for Diaghilev's ballets Petrushka (1911) and Sacred Spring (1913). It was after the premiere of his ballets at Sergei Diaghilev's Russian Seasons in Paris that Stravinskii gained worldwide fame. The sets for his ballets were created by the artists Alexander Benois and Nikolai Roerich, the choreography was prepared by the famous dancers Vaclav Nijinsky and George Balanchine, and the costumes were designed by Coco Chanel herself.
In 1920 Stravinskii moved to France and in 1934 he took French citizenship. In Paris, the composer composed many works that became world-famous. In 1939 Igor Stravinskii moved to the United States and in 1945 he took American citizenship. During this period, he began to turn more to biblical themes and music of the pre-Brahmsian period.
From 1924 Stravinskii also performed as a pianist and conductor of his own works. In 1962, at the invitation of the USSR Ministry of Culture, Igor Stravinsky gave several concerts in Moscow and Leningrad (now St. Petersburg).
Critics believe that in recent years Stravinskii was moving further and further away from the Russian style, but the composer himself believed otherwise. On the basis of Russian folk songs, in 1965 he created a canon for orchestra, "Not a Pine Tree at the Gate Rocked". A year before his death, in 1966, the composer wrote the requiem "Funeral Chants", which he considered to be one of the major works of his life.
