Amaranth — Auction price
Pierre Chareau was a French architect and designer.
Chareau designed the first house in France made of steel and glass, the Maison de Verre.
Chareau was a member of Congrès International d'Architecture Moderne.
Pierre Chareau was a French architect and designer.
Chareau designed the first house in France made of steel and glass, the Maison de Verre.
Chareau was a member of Congrès International d'Architecture Moderne.
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers (ébénistes) working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts.
Adam Weisweiler was a French ebenist (cabinetmaker) who was active in Paris during the late 18th and early 19th centuries. He was known for his elegant and innovative furniture designs, which incorporated classical motifs, fine marquetry, and exquisite ormolu mounts.
Weisweiler was initially trained as a sculptor. He later moved to Paris, where he began working as a cabinetmaker, specializing in the production of high-end furniture for the French court and aristocracy. He worked in partnership with the bronzier (bronze caster) Pierre Gouthière and supplied furniture to the royal châteaux of Versailles, Fontainebleau, and Saint-Cloud, as well as to other wealthy clients.
Weisweiler's furniture designs were characterized by their graceful forms, delicate ornamentation, and use of luxurious materials. He often incorporated exotic woods, such as amboyna and kingwood, and created intricate marquetry patterns using a variety of woods, metals, and other materials. He also collaborated with the finest bronze craftsmen of his time, such as Gouthière and Thomire, to produce elaborate ormolu mounts that added further elegance and refinement to his furniture.
Today, Weisweiler's furniture is highly prized by collectors and museums around the world. His pieces are considered to be some of the finest examples of French Neoclassical furniture, and they are admired for their beauty, craftsmanship, and historical significance.
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers (ébénistes) working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts.
