Oil paint — Auction price
Ivan Generalić was a Croatian painter of the twentieth century, a representative of primitivism. He was the founder of the Hlebin school of naive art, which educated dozens of artists. Most of his paintings belong to the genre of everyday life, although his masterpieces include many allegories, landscapes and portraits, as well as works on historical themes.
Ivan Generalić belongs to the greatest primitivist artists of all time. Even during his lifetime, more than 70 of his solo exhibitions were held all over the world, and today the largest museums in Europe, Asia and America regularly organize retrospectives of Generalić's works.
Jonathan Meese is a German painter, sculptor, performance artist and installation artist based in Berlin and Hamburg. Meese's (often multi-media) works include paintings, collages, drawings and writing. He also designs theater sets and wrote and starred in a play, De Frau: Dr. Poundaddylein — Dr. Ezodysseusszeusuzur in 2007 at the Volksbühne Theater. He is mainly concerned with personalities of world history, primordial myths and heroes. Jonathan Meese lives and works in Ahrensburg and Berlin.
Helmut Stallaerts is a Belgian artist and sculptor living and working in Lennic, Belgium.
He was educated at the Düsseldorf Academy of Fine Arts, at the Institut Imelda in Brussels, and at the Académie Saint-Luc in Brussels.
Man is a central motif in Stallerts' complex and expansive oeuvre, but this man is alienated, blurred and absent. Helmut Stallaerts also works with installations, photographs and films.
Abraham Govaerts was a Flemish painter who specialized in small cabinet-sized forest landscapes in the manner of Jan Brueghel the Elder and Gillis van Coninxloo. He was a regular collaborator with other artists who were specialists in specific genres. Govaerts would paint the landscape while these specialists painted the figures, animals or still life elements.
Osias Beert the Elder, a Flemish painter born around 1580 and active until his death in 1623, was a key figure in the development of still life painting in Northern Europe. His work, primarily focused on flower and banquet (or "breakfast") pieces, showcased a pioneering approach to these genres, setting a precedent for future artists.
Beert's technique involved painting on oak panels and copper, employing a glazing method that layered very fluid oil paints to achieve transparency and a rich color palette. This method allowed him to create still lifes that were not only visually appealing but also rich in detail and depth. He was known for his intricate compositions that often featured a high viewpoint and compact arrangements, providing a better sense of spatial coherence in his later works.
Despite the significant impact of his work, only a few signed pieces by Beert are known, making the attribution of his works challenging. His influence extended to his pupils and his nephew Frans Ykens, as well as other Antwerp artists such as Jacob Foppens van Es and Jacob van Hulsdonck, indicating his pivotal role in the early still life painting tradition in Flanders.
For collectors and experts in art and antiques, Osias Beert the Elder's contributions to the evolution of still life painting represent an essential chapter in the history of art. His ability to depict the transient beauty of flowers and the lavish detail of banquet scenes continues to captivate audiences and serves as a testament to his skill and creativity.
To delve deeper into the fascinating work of Osias Beert the Elder and to stay informed about new discoveries or auction events related to his oeuvre, consider signing up for updates tailored to enthusiasts of art history and antique collections. This subscription will ensure you are well-informed about the latest developments and opportunities related to this influential artist's work.
Barent Avercamp was a Dutch painter. He was taught by his uncle Hendrick Avercamp, who was also a painter. Barent primarily painted scenes depicting Netherlands in winter. He was a member of the Guild of Saint Luke, and traveled around the Netherlands including Zwolle and Zutphen for his settings and inspiration.
Osias Beert the Elder, a Flemish painter born around 1580 and active until his death in 1623, was a key figure in the development of still life painting in Northern Europe. His work, primarily focused on flower and banquet (or "breakfast") pieces, showcased a pioneering approach to these genres, setting a precedent for future artists.
Beert's technique involved painting on oak panels and copper, employing a glazing method that layered very fluid oil paints to achieve transparency and a rich color palette. This method allowed him to create still lifes that were not only visually appealing but also rich in detail and depth. He was known for his intricate compositions that often featured a high viewpoint and compact arrangements, providing a better sense of spatial coherence in his later works.
Despite the significant impact of his work, only a few signed pieces by Beert are known, making the attribution of his works challenging. His influence extended to his pupils and his nephew Frans Ykens, as well as other Antwerp artists such as Jacob Foppens van Es and Jacob van Hulsdonck, indicating his pivotal role in the early still life painting tradition in Flanders.
For collectors and experts in art and antiques, Osias Beert the Elder's contributions to the evolution of still life painting represent an essential chapter in the history of art. His ability to depict the transient beauty of flowers and the lavish detail of banquet scenes continues to captivate audiences and serves as a testament to his skill and creativity.
To delve deeper into the fascinating work of Osias Beert the Elder and to stay informed about new discoveries or auction events related to his oeuvre, consider signing up for updates tailored to enthusiasts of art history and antique collections. This subscription will ensure you are well-informed about the latest developments and opportunities related to this influential artist's work.
Jan Brueghel the Elder, a Flemish painter born in 1568 in Brussels, was a pivotal figure in the Baroque period known for his intricate landscapes, detailed still lifes, and genre scenes. The son of Pieter Bruegel the Elder, Jan was distinguished by his delicate brushwork, earning him the nicknames "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, each reflecting a different aspect of his versatile artistic output. His monikers refer to his skill in rendering fabrics, his specialization in flower still lifes, and his creation of the paradise landscape genre, respectively.
After early training in Brussels, possibly under the guidance of his grandmother Mayken Verhulst, and further studies in Antwerp, Brueghel ventured to Italy, where he worked in Rome under the patronage of Cardinal Ascanio Colonna and met influential artists like Paul Bril. His Italian sojourn greatly influenced his style, especially in landscape painting. Upon returning to Antwerp, he established a flourishing workshop and became a master in the Guild of St. Luke. Brueghel's collaborations with Peter Paul Rubens are among the most celebrated in art history, showcasing a harmonious blend of landscape and figure painting.
Jan Brueghel the Elder's works are prized for their vibrant depiction of nature and meticulous attention to detail. His landscapes are not just backdrops but are lively settings filled with rich narratives and a variety of creatures, reflecting his deep appreciation for the natural world. His flower pieces are equally renowned for their variety and realism, often serving as allegorical or symbolic representations.
Brueghel's legacy extends beyond his paintings; he was a pivotal figure in the Antwerp artistic community, serving as dean of the Guild of St. Luke and court painter to the Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain. His influence continued through his children, with his son Jan Brueghel the Younger continuing his workshop and maintaining the family's artistic traditions.
For collectors and experts in art and antiques, Jan Brueghel the Elder's works represent a high point in Flemish Baroque art, offering a glimpse into the era's aesthetic values and the artist's profound observation of the world around him. His paintings, found in museums and galleries worldwide, continue to captivate audiences with their beauty and depth.
To stay informed about new discoveries, sales, and auction events related to Jan Brueghel the Elder's work, consider signing up for updates. This subscription will ensure that you are always in the know about opportunities to engage with the enduring art of this Flemish master.
Floris Claesz. van Dijck was a Dutch Golden Age still life painter.
Jan Davidsz. de Heem was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Jean Philippe Arthur Dubuffet, a pioneering French painter and sculptor, revolutionized the post-war art scene with his radical Matterism movement. He defied the conventional aesthetics of his time, championing "low art" and propelling a more genuine, humanistic image-making approach.
Dubuffet, born in Le Havre, France, in 1901, was a prominent figure at the Ecole de Paris and an advocate for Art Brut, or "raw art", which sought to capture art's purest form. His works were characterized by a rough, unrefined aesthetic, which eschewed academic norms in favor of spontaneity and authenticity.
Art enthusiasts and experts can view Dubuffet's innovative works at institutions like the Museum of Modern Art, where his legacy as a groundbreaking artist continues to be celebrated. His Matterism philosophy has left an indelible mark on the art world, inspiring generations of artists to embrace the beauty in the unconventional.
For those interested in the avant-garde and the legacy of Jean Philippe Arthur Dubuffet, sign up for our exclusive updates. This service is designed for connoisseurs and professionals in the art and antique sector, promising alerts on new insights and events strictly related to Dubuffet's profound influence.
Louise Giovanelli is a British painter.
Giovanelli received a Bachelor's degree from the Manchester School of Art in 2015, and completed postgraduate studies at the Städelschule in Frankfurt am Main in 2020.
Her work is included in the collections of the Manchester Art Gallery, the Akzo Nobel Art Foundation, Amsterdam and the United Kingdom Government Art Collection.
Julien Nguyen is a contemporary American artist. His works combine elements of art history, science fiction and contemporary life.
Franz Werner von Tamm, known as Dapper, was a German Baroque painter. One of the most famous masters of German still life in the late 17th and early 18th centuries.
Franz Werner von Tamm studied painting in Italy in the studio of Carlo Maratta. In 1701 he was invited to Vienna as court painter to Emperor Leopold I, where he remained until his death.
He painted with a soft brush live and dead poultry as well as flowers and animals, rather decoratively with an immediate mood.
Armen Eloyan is an Armenian-born painter who lives and works in Zurich. He is known for his large-scale, hooligan depictions of anthropomorphic animals and figures, absurdist narratives in dark, existential works. His creations are inspired by caricature and street art, as well as by European masters.
Birgit Megerle is a German artist who lives and works in Berlin.
She was educated at the Hamburg University of Fine Arts and her work includes painting, drawing, collage and performance art.
The motifs in Megerle's work are contemporary, relevant and yet devoid of an obvious time period or identifiable context. The images are subtly voyeuristic.
Birgit Megerle is a German artist who lives and works in Berlin.
She was educated at the Hamburg University of Fine Arts and her work includes painting, drawing, collage and performance art.
The motifs in Megerle's work are contemporary, relevant and yet devoid of an obvious time period or identifiable context. The images are subtly voyeuristic.
Birgit Megerle is a German artist who lives and works in Berlin.
She was educated at the Hamburg University of Fine Arts and her work includes painting, drawing, collage and performance art.
The motifs in Megerle's work are contemporary, relevant and yet devoid of an obvious time period or identifiable context. The images are subtly voyeuristic.