Monotypе — Auction price
David John Shrigley is a British visual artist. He lived and worked in Glasgow, Scotland for 27 years before moving to Brighton, England in 2015. Shrigley first came to prominence in the 1990s for his distinct line drawings, which often deal with witty, surreal and darkly humorous subject matter and are rendered in a rough, almost childlike style. Alongside his illustration work, Shrigley is also a noted painter, sculptor, filmmaker and photographer, and has recorded spoken word albums of his writing and poetry.
Herbert Zangs was a German artist.
Nicole Eisenman is French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial (1995, 2012, 2019). On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Georges Rouault was a French painter, printmaker and ceramicist whose profound works combined art and spirituality, making him a key figure in the contemporary art world. Born into a modest family in Paris during the turbulent times of the Paris Commune, Rouault's early exposure to art came through his grandfather's collection of lithographs by Honoré Daumier. His initial apprenticeship in a glazier's workshop had a profound influence on his artistic style, especially his work with stained glass, which later became a hallmark of his painting technique.
Rouault's career took a significant turn under the tutelage of Symbolist painter Gustave Moreau, who introduced him to avant-garde circles, leading Rouault into the Fauvist movement alongside Henri Matisse. However, Rouault's unique approach was characterized by a more instinctive and spontaneous style that was deeply influenced by Vincent van Gogh and which eventually led him to Expressionism. His works from this period, dealing with subjects such as courts, clowns, and prostitutes, served as a form of moral and social criticism, motivated by his deep Christian faith and concern for human nature. This period marked a significant evolution in Rouault's style; his paintings reflect a mixture of religious iconography and human suffering, demonstrating his mastery of conveying deeply emotional and spiritual stories.
One of Rouault's most notable contributions to art was his involvement in the scenography for Sergei Diaghilev's ballet The Prodigal Son and his famous series of paintings and prints such as Miserere. His later works are renowned for their explosive use of color and texture, highlighting his mastery of expressing the spiritual harmony and beauty of nature. The end of Rouault's career was marked by a gesture of humility and dedication to his craft: he destroyed a significant number of his unfinished works, feeling that he could not complete them to his satisfaction.
Rouault's legacy has been preserved through his impressive works in renowned museums and galleries around the world. His art continues to inspire and resonate with collectors, experts and lovers of art and antiques, serving as a testament to his enduring influence on the art world.
For those deeply interested in exploring the life and work of Georges Rouault, it is important to stay abreast of new discoveries, sales, and auction events related to his art. We encourage you to subscribe to updates so that you don't miss out on the opportunity to engage with the legacy of this remarkable artist. This subscription will be your gateway to the world of Georges Rouault, offering exclusive insights into his contribution to contemporary art.
David John Shrigley is a British visual artist. He lived and worked in Glasgow, Scotland for 27 years before moving to Brighton, England in 2015. Shrigley first came to prominence in the 1990s for his distinct line drawings, which often deal with witty, surreal and darkly humorous subject matter and are rendered in a rough, almost childlike style. Alongside his illustration work, Shrigley is also a noted painter, sculptor, filmmaker and photographer, and has recorded spoken word albums of his writing and poetry.
Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.
Philip Taaffe is an American artist, who has shown his works all around the world. His work sometimes blended motifs from multiple cultures.
