Moderne und Alte Kunst
Elisabeth Büchsel, full name Elisabeth Charlotte Helene Emilie Büchsel, was a German artist. She studied painting in Berlin, Dresden, Paris and Munich.
Elisabeth Büchsel painted mainly portraits and landscapes of Rügen and Stralsund. From 1904 she lived and worked on the island of Hiddensee from spring to autumn.
Büchsel was a member of the Association of Visual Artists of Germany.
Tom Beyer is a German artist.
Beyer studied at the Düsseldorf School of Applied Arts, traveled throughout Europe, in 1931 opened a studio in Berlin and joined the Communist Party. Although the National Socialists who came to power in Germany in 1937 forbade him to exhibit, from 1939 to 1945 Beyer took part in World War II as a Wehrmacht soldier.
After the war, Beyer led an active social and artistic life. He was also a member of the Association of Visual Artists of the GDR and became its chairman in 1950. As a member of the SED, Beyer reflected in his works the socialist construction in his country, depicting nature and people. He created a large mural for the Löwenschen Saal hall in the Stralsund town hall. From 1972 he taught part-time at the Berlin-Weißensee School of Art.
John Henry Mohrmann (Dutch: John Henry Mohrmann) is an American-Belgian-Canadian artist specialising in portraits of ships.
John Henry Mohrmann was a fickle sailor who successfully combined his naval career with his artistic talent. He painted real ships on behalf of shipowners, captains, shipbuilders and maritime firms.
Hans Bohrdt was a German marine painter and graphic artist. Bohrdt's journey into marine painting began after a visit to the Hamburg port at the age of 15, sparking a lifelong passion for the sea and maritime subjects. Unlike many artists of his time who had formal art education, Hans Bohrdt was largely self-taught, although he did attend the Academy of Fine Arts in Berlin for a period. His dissatisfaction with the conventional training led him to pursue a more hands-on approach to his art, focusing on seascapes and marine life.
Hans Bohrdt's work gained significant recognition during the Wilhelmine era, making him a celebrated figure in German marine painting, a genre that became particularly prominent after the unification of Germany in 1871. His close relationship with Kaiser Wilhelm II, who was an admirer and patron of his work, helped elevate Bohrdt's status further. Bohrdt's art was known for its technical skill, particularly in depicting the majesty of the sea and the vessels that traversed it. His pieces often featured German naval prowess and were used for both private collections and public display, contributing to national pride and naval propaganda, especially during World War I.
The legacy of Hans Bohrdt is marked by his ability to capture the spirit and grandeur of maritime life, making him a significant figure in the history of German art. Despite the challenges posed by the world wars, which led to the loss of many of his works including his best-known painting, "Der letzte Mann" ("The Last Man"), Bohrdt's art continues to be celebrated for its contribution to marine painting. In 1995, on the fiftieth anniversary of his death, a memorial exhibition was held, showcasing his contributions to the field and reaffirming his place as one of the last great marine painters.
For collectors and experts in art and antiques, Hans Bohrdt's work offers a unique glimpse into the development of marine painting in Germany, reflecting both the beauty of the maritime world and the historical context of his times. To stay informed about sales, auction events, and updates related to Hans Bohrdt's work, signing up for newsletters from galleries and auction houses specializing in maritime art and antiques is recommended. This ensures enthusiasts and collectors are well-informed about opportunities to acquire pieces by this distinguished artist.
Claus Friedrich Bergen was a German painter of the first half of the twentieth century. He is known as a marine painter and illustrator.
Claus Bergen illustrated Karl May's adventure tales early in his career, creating more than 450 works. He specialized in nautical subjects, depictions of fishing and coastal landscapes, and traveled to Norway, England, the Mediterranean and America. During World War I, Bergen created paintings depicting sea battles; he was the only artist of his time to participate in a submarine raid. In World War II, he was included by the Nazis in the "God-given list" and his work was exhibited in Nazi exhibitions in Munich from 1937 to 1944.
Michael Zeno Diemer was a German painter. Now known primarily for his marine paintings and postcard designs, he was initially famous for his panoramic paintings of battles.
Karl Paul Themistokles von Eckenbrecher was a German landscape and marine painter, in the late Romantic style.
Paolo de Matteis was a distinguished Baroque painter known for his dynamic and expressive artworks. Matteis' training began with Francesco di Maria in Naples, followed by further guidance under the prominent painter Luca Giordano. His works are known for their vibrant compositions and dramatic flair, typical of the Baroque style prevalent during his time.
Paolo de Matteis' career was marked by significant contributions to the art world, including decorative schemes for Neapolitan churches like the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. His Assumption of the Virgin for the Abbey at Monte Cassino is another testament to his skill. Between 1723 and 1725, he spent time in Rome, receiving commissions from Pope Innocent XIII, further solidifying his reputation as a master painter.
Paolo de Matteis' influence extended beyond Italy. From 1702 to 1705, he worked in Paris, Calabria, and Genoa, showcasing his artistry to a broader European audience. In Genoa, one of his notable works was an Immaculate Conception with St. Jerome Appearing to St. Sevrio. His time in Paris was particularly significant, as it allowed him to infuse his Italian Baroque style with broader European influences.
Paolo de Matteis was not only a masterful painter but also a teacher. He nurtured the talents of several pupils, including Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family. His legacy is carried forward through these artists, who were deeply influenced by his style and techniques.
For collectors and experts in art and antiques, Paolo de Matteis' works offer a captivating glimpse into the Baroque era, characterized by expressive brushwork, vivid color palettes, and dynamic compositions. His paintings remain a valuable part of the rich tapestry of Italian Baroque art.
To stay informed about Paolo de Matteis' masterpieces and their presence in the world of art sales and auctions, consider subscribing to our updates. This service will ensure you are always in the know about opportunities to explore and possibly acquire works by this celebrated Baroque artist.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
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Pieter de Ring was a Dutch painter who specialised in still lifes. He became famous for his rich banquet depictions of fruit, shrimp, oysters, musical instruments, books and precious objects such as nautilus shells or Chinese porcelain.
In his youth, he worked as a bricklayer during the day and drew in the evening; the other family members all worked in the fabric industry. After painting a number of pictures, he apprenticed himself to Jan Davidsz. de Heem with his grandfather's permission. In 1647 he became a founding member of the Guild of Saint Lucas.