Moderne und Alte Kunst
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Eberhard Viegener was a German expressionist painter, decorator, and printmaker.
In the 1930s his expressionist works were deemed "degenerate," and during the Nazi "Degenerate Art" campaign a considerable number of them were removed from state collections and destroyed.
Later Figener shifted abruptly from the expressionist style to the style of New Objectivity, or Neue Sachlichkeit. He began to paint, in particular, architectural still lifes with ceramic objects.
Eberhard Figener was the brother of the painter and sculptor Fritz Figener.
Max Pechstein, a German Expressionist painter and printmaker, was a significant figure in the art world known for his vibrant use of color and dynamic compositions. Born in Zwickau in 1881, Pechstein's journey into the realms of expressionism began with his training as a decorator's apprentice before moving to Dresden to further his studies at the Kunstgewerbeschule. His career took a pivotal turn in 1906 when he met Erich Heckel and joined the Die Brücke group, alongside other notable artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, which marked the beginning of his foray into revolutionary art and expressionism.
Pechstein's art was not just confined to painting; he was also a master printmaker, with a prolific output that included 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, predominantly etchings. His works often depicted scenes from nature, social gatherings, and elements of primitive art, reflecting his interest in the raw and unrefined aspects of culture and humanity. This diverse body of work was recognized for its bold innovation and unique perspective, which significantly contributed to the expressionist movement.
The Nazis' rise to power in 1933 had a profound impact on Pechstein's career. His works were deemed degenerate, and he faced severe repression, including the removal of 326 of his paintings from German museums and his dismissal from his teaching position at the Preussische Akademie der Künste. Despite these challenges, Pechstein's legacy endured, and after World War II, he was reinstated to his teaching post and received numerous accolades for his contributions to art.
Pechstein's works are held in high esteem in museums and galleries worldwide. Notably, his etchings, which depicted the grim realities of war, are housed in the Imperial War Museum in London, showcasing his ability to convey profound emotional and psychological experiences through art. Additionally, his painting "Summer in Nidden," which captures the idyllic beauty of the Baltic coast, is part of the collection at the Museo Nacional Thyssen-Bornemisza in Madrid, illustrating his love for natural landscapes and vibrant, expressive use of color.
For collectors and experts in art and antiques, Hermann Max Pechstein's works offer a fascinating glimpse into the early 20th-century expressionist movement, characterized by a bold exploration of color, form, and social commentary. His contributions to modern art are invaluable, providing insight into the cultural and historical context of his time.
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Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Paula Moderzohn-Becker was a German early expressionist painter.
In her youth she attended the traditional School for Women Artists in Berlin. Like many local German artists, she painted sentimental landscapes and scenes from peasant life.
And in 1900 Paula traveled with her husband to Paris, where she was influenced by post-Impressionist paintings and became an ardent enthusiast of painting by Paul Gauguin and Paul Cézanne. Today she is considered a forerunner of Expressionism because of the power of her compositions, although during her lifetime she was completely ignored. During her short career Moderzohn-Becker painted 750 canvases, about 1,000 drawings and 13 etchings, all of which incorporated the major art movements of the early 20th century.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Lotte Laserstein was a German-Swedish artist and a prominent representative of German realism.
Lotte was a student at the prestigious Berlin Academy of Fine Arts and became an accomplished realist painter, receiving a gold medal from the Academy for her work. Her first exhibition took place in 1930 at a Berlin gallery. Laserstein worked partly in figurative painting, had apprentices, and illustrated anatomy texts to earn money. She also painted portraits of cosmopolitan, emancipated women as well as self-portraits.
The National Socialist regime forced the artist to leave Germany in 1937 and emigrate to Sweden. Her mother died in a concentration camp. Lotte Laserstein lived in Stockholm until the end of her life, creating over five decades of work, in addition to expressive self-portraits, many moving images of other immigrants, rural landscapes and urban scenes in Sweden.
Lotte Laserstein became a member of the Swedish Academy of Fine Arts and earned a reputation as a popular and respected portraitist. She has approximately 10,000 works in her oeuvre.
Gretchen Wohlwill was a painter and member of the Hamburg Secession. She was one of the German students at the Académie Matisse in Paris and developed a painting style influenced by French avant-garde art. In addition to painting, graphics were a focus of her work. Persecuted by the National Socialists because of her Jewish background, she emigrated to Portugal in 1940. After twelve years in exile, she returned to Hamburg in 1952.
Bernhard Hoetger is a German painter, sculptor, graphic artist and architect. He studied at the Dusseldorf Academy of Art.
In 1937, as part of the Nazi "Degenerate Art" campaign, many works by Bernhard Hoetger were destroyed.
Karl Kluth was a German painter. He was a member of the Hamburg Künstlerverein, the Hamburg Artists' Association and the Hamburg Secession.
Oskar Kokoschka was an Austrian artist, poet, playwright, and teacher, renowned for his significant contributions to the Expressionist movement. Born on March 1, 1886, in Pöchlarn, Austria, Kokoschka's journey into the arts began against the backdrop of early 20th-century Vienna, a city vibrant with cultural ferment and avant-garde experimentation. Without formal training in painting, Kokoschka brought a unique perspective to his work, approaching the medium with a fresh, unencumbered eye that eschewed traditional methods in favor of intuitive, expressive techniques.
Kokoschka's early career was marked by an innovative approach to portraiture and landscape, characterized by intense expressionism and a deep psychological penetration of his subjects. His artistic philosophy was heavily influenced by 17th-century Czech humanist Jan Amos Comenius, from whom Kokoschka adopted the idea that learning and creativity flourish through sensory engagement and reasoning. This philosophy underpinned both his artistic output and his teaching methodology, which favored storytelling and the evocation of dramatic emotion over conventional art instruction.
Among Kokoschka's notable early works were his contributions to the Vienna Kunstschau and his involvement with the Wiener Werkstätte, which provided him opportunities to explore his artistic voice through various commissions, including postcards and illustrations for children's books. His autobiographical poem "Die träumenden Knaben" (The Dreaming Youths) and the related illustrations showcase his journey from Jugendstil to Expressionism, marking a pivotal moment in his career and in the development of modern art.
Kokoschka's tumultuous affair with Alma Mahler is well-documented, influencing some of his most acclaimed works, such as "The Bride of the Wind" (The Tempest), which vividly encapsulates their passionate, stormy relationship. This work, alongside others like "Portrait of a Young Girl" and "Knight Errant (Self-Portrait)", exemplifies Kokoschka's masterful use of color, form, and emotional intensity to convey complex psychological states and narratives.
Oskar Kokoschka's legacy as a pioneering figure in Expressionism is undisputed. His works continue to resonate with collectors and experts in art and antiques, not only for their aesthetic and emotional depth but also for their groundbreaking approach to visual storytelling and the exploration of the human condition. For those interested in the vibrant world of Expressionist art and the profound humanism of Kokoschka's oeuvre, signing up for updates on new product sales and auction events related to Oskar Kokoschka offers a unique opportunity to engage with the enduring impact of his work.
