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Nobuyoshi Araki is a Japanese photographer and contemporary artist professionally known by the mononym Arākī. Known primarily for photography that blends eroticism and bondage in a fine art context, he has published over 500 books.
Utagawa Hiroshige (Japanese: 歌川 広重) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Hiroshi Sugimoto is a Japanese photographer and architect. He leads the Tokyo-based architectural firm New Material Research Laboratory.
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Katsushika Hokusai (Jap. 葛飾 北斎) was a well-known Japanese ukiyo-e artist, illustrator, etcher of the Edo period. He worked under many pseudonyms. He is one of the most famous Japanese engravers in the West, master of the concluding period of Japanese woodblock prints.
