Utagawa Hiroshige (1797 - 1858)

Utagawa Hiroshige (1797 - 1858) - photo 1

Utagawa Hiroshige

Utagawa Hiroshige (Japanese: 歌川 広重) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.

Wikipedia

Date and place of birt:1797, Edo, Japan
Date and place of death:12 october 1858, Edo, Japan
Nationality:Japan
Period of activity: XIX century
Specialization:Artist, Graphic artist, Landscape painter, Painter
Genre:Landscape painting

Creators Japan

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1962
Tetsuya Ishida (1973 - 2005)
Tetsuya Ishida
1973 - 2005
Yasumi Nakajima II (1906 - 1986)
Yasumi Nakajima II
1906 - 1986
On Kawara (1933 - 2014)
On Kawara
1933 - 2014
Maki Hosokawa (1980)
Maki Hosokawa
1980
Tomoko Konoike (1960)
Tomoko Konoike
1960
Shizuko Yoshikawa (1934 - 2019)
Shizuko Yoshikawa
1934 - 2019
Sadamasa Motonaga (1922 - 2011)
Sadamasa Motonaga
1922 - 2011
Hiroyuki Matsuura (1964)
Hiroyuki Matsuura
1964
Daidō Moriyama (1938)
Daidō Moriyama
1938
Naohisa Inoue (1948)
Naohisa Inoue
1948
Frederik Jacobus du Chattel (1856 - 1917)
Frederik Jacobus du Chattel
1856 - 1917
Toshimitsu Imai (1928 - 2002)
Toshimitsu Imai
1928 - 2002
Mariko Mori (1967)
Mariko Mori
1967
Tomoya Tsukamoto (1982)
Tomoya Tsukamoto
1982
En Iwamura (1988)
En Iwamura
1988
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