
Oil — American Art Online

Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.

Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.

Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.

Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.

Frederick Childe Hassam was an American Impressionist painter, celebrated for his urban and coastal scenes. Born on October 17, 1859, in Dorchester, Massachusetts, Hassam was a pivotal figure in introducing French Impressionism to the American art scene. His prolific output includes over 3,000 works ranging from oils and watercolors to etchings and lithographs.
Hassam's technique was characterized by the use of light and vibrant colors, often focusing on bustling cityscapes and tranquil New England coastlines. He spent significant periods in Europe, particularly Paris, where he absorbed elements of the avant-garde styles of the time. Despite this, he often emphasized a connection to English landscape traditions over French ones.
Some of his most acclaimed works capture the essence of places like the Isles of Shoals in Maine and East Hampton in Long Island, where he later made his summer home. These settings often featured in his paintings, reflecting the picturesque and serene landscapes that contrasted with his urban subjects.
Hassam's legacy includes his influence on American collectors and institutions, helping to cultivate a taste for Impressionism in the United States. His works are held in major museums, including the Metropolitan Museum of Art and the Museum of Modern Art, ensuring his continued recognition as a key figure in American art history.
For those interested in exploring more about Hassam's life and works, signing up for updates on exhibitions and sales can provide valuable insights into his contributions to Impressionism. Subscribe for updates on new collections and auction events related to Frederick Childe Hassam's artworks.

Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
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Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.

Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.

Nikolai Ivanovich Fechin (Russian: Николай Иванович Фешин) was a Russian and American artist of the first half of the twentieth century. He is known as a painter, master of domestic and portrait genres, representative of Impressionism and Art Nouveau. Nikolai Fechin was also a graphic artist, sculptor, and carver, and at the initial stage of his professional career he showed himself as a teacher.
Nikolai Fechin spent a considerable part of his life in emigration, where he quickly managed to achieve recognition and commercial success. He created more than two thousand works, which are now scattered around the world. The largest collection of Fechin's works is in Russia in the Museum of Fine Arts of Tatarstan. And some of his works are in the collections of more than thirty museums in the United States, as well as in private collections.

Nikolai Ivanovich Fechin (Russian: Николай Иванович Фешин) was a Russian and American artist of the first half of the twentieth century. He is known as a painter, master of domestic and portrait genres, representative of Impressionism and Art Nouveau. Nikolai Fechin was also a graphic artist, sculptor, and carver, and at the initial stage of his professional career he showed himself as a teacher.
Nikolai Fechin spent a considerable part of his life in emigration, where he quickly managed to achieve recognition and commercial success. He created more than two thousand works, which are now scattered around the world. The largest collection of Fechin's works is in Russia in the Museum of Fine Arts of Tatarstan. And some of his works are in the collections of more than thirty museums in the United States, as well as in private collections.

Oscar Edmund Berninghaus was an American artist and a founding member of the Taos Society of Artists. He is best known for his paintings of Native Americans, New Mexico and the American Southwest. His son, Charles Berninghaus (1905–1988), was also a Taos artist.

Norman Rockwell was an American illustrator and painter, renowned for his vivid and humane portrayal of American life. Born in New York City in 1894, Rockwell showed artistic promise from an early age, which led him to leave high school and pursue art full-time at prestigious institutions like the National Academy of Design and the Art Students League.
Rockwell's career blossomed early; by the age of 22, he had painted his first cover for The Saturday Evening Post, a relationship that would last nearly five decades and produce 323 covers. His depictions of everyday life and pivotal American moments captured the spirit of the nation.
Perhaps his most significant works were the "Four Freedoms" series, inspired by President Franklin D. Roosevelt's vision of a world founded on four essential human freedoms. These paintings not only graced the covers of The Saturday Evening Post but also played a crucial role in the U.S. war effort during World War II, raising over $130 million through the sale of war bonds.
In his later years, Rockwell did not shy away from addressing social issues. His move to Look magazine allowed him to focus on subjects such as civil rights and poverty, marking a significant shift from his earlier work. "The Problem We All Live With," depicting Ruby Bridges integrating a New Orleans school, remains a powerful symbol of the Civil Rights Movement and showcases Rockwell's ability to engage with contemporary social issues through his art.
For those interested in exploring Rockwell's extensive body of work, the Norman Rockwell Museum in Stockbridge, Massachusetts, holds the largest collection of his original art, providing insights into his artistic journey and the historical context of his works.
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Levi Wells Prentice was an American still life and landscape painter. Prentice was associated with the Hudson River School.
Self-taught artist Levi Wells Prentice is best known for his realistic still life compositions of fruit arranged within a landscape, or abundantly spilling from bushel baskets. Early in his career, he painted portraits and landscapes of the Adirondack Mountain region of Lewis County, New York, his birthplace.

William Trost Richards was an American landscape artist. He was associated with both the Hudson River School and the American Pre-Raphaelite movement.
In the 1870s, he produced many acclaimed watercolor views of the White Mountains, several of which are now in the collection of the Metropolitan Museum of Art. Richards exhibited at the National Academy of Design from 1861 to 1899, and at the Brooklyn Art Association from 1863 to 1885. He was elected a full member of the National Academy in 1871.

John Frederick Kensett was an American landscape painter and engraver born in Cheshire, Connecticut. He was a member of the second generation of the Hudson River School of artists. Kensett's signature works are landscape paintings of New England and New York State, whose clear light and serene surfaces celebrate transcendental qualities of nature, and are associated with Luminism. Kensett's early work owed much to the influence of Thomas Cole, but was from the outset distinguished by a preference for cooler colors and an interest in less dramatic topography, favoring restraint in both palette and composition. The work of Kensett's maturity features tranquil scenery depicted with a spare geometry, culminating in series of paintings in which coastal promontories are balanced against glass-smooth water. He was a founder of the Metropolitan Museum of Art.

Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.

William Trost Richards was an American landscape artist. He was associated with both the Hudson River School and the American Pre-Raphaelite movement.
In the 1870s, he produced many acclaimed watercolor views of the White Mountains, several of which are now in the collection of the Metropolitan Museum of Art. Richards exhibited at the National Academy of Design from 1861 to 1899, and at the Brooklyn Art Association from 1863 to 1885. He was elected a full member of the National Academy in 1871.

Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.

Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.

James Abbott McNeill Whistler was an American painter and printmaker, renowned for his role in the Aesthetic Movement and his advocacy of "art for art's sake." Born on July 11, 1834, in Lowell, Massachusetts, Whistler spent significant parts of his career in London and Paris, integrating modern French painting styles into his work.
Whistler's works often depicted nocturnal scenes of London and stylistically advanced portraits. His famous painting, Arrangement in Grey and Black No. 1, commonly known as Whistler's Mother, is a prime example of his skilled use of color and form to evoke emotion and atmosphere. This painting became iconic, influencing both peers and the wider culture, akin to works like Munch's The Scream.
Another notable work, Nocturne in Black and Gold: The Falling Rocket, stirred controversy and legal disputes due to its abstract quality, challenging conventional notions of art at the time. Whistler's influence extended beyond paintings, impacting interior design, furniture, and the overall aesthetic of visual arts through his detailed attention to harmony and composition.
For more detailed insights into James McNeill Whistler's life and work, you can visit comprehensive resources such as the Encyclopaedia Britannica or the Metropolitan Museum of Art's Heilbrunn Timeline of Art History.
If you're intrigued by the innovative techniques and enduring influence of James Abbott McNeill Whistler, consider subscribing to our updates. Stay informed about new sales, exhibitions, and auction events related to Whistler's works. Dive deeper into the world of art and discover pieces that celebrate the spirit of Aestheticism and artistic independence. Sign up today to enhance your collection and knowledge of one of the most visionary artists of the 19th century.

James Edward Buttersworth was an English painter who specialized in maritime art and is considered among the foremost ship portraitists in the United States of the nineteenth century. His paintings are particularly known for their meticulous detail, dramatic settings, and grace in movement.