American Art Online
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
Andrew Newell Wyeth, an American visual artist, is renowned for his mastery in realism and regionalism. Born in 1917 in Chadds Ford, Pennsylvania, Wyeth was primarily a realist painter, deeply influenced by his father, N.C. Wyeth, a notable artist himself. Andrew's artwork, characterized by its clear, razor-sharp technique and a hauntingly eerie atmosphere, often depicted the land and people around him in rural Pennsylvania and Maine.
Wyeth's most celebrated work, Christina's World (1948), is housed in the Museum of Modern Art in New York City. This painting illustrates a woman lying in a field, looking toward a distant farmhouse, an image that has become an icon of American art due to its emotional depth and simplicity of composition. The work encapsulates Wyeth's ability to invoke profound personal and emotional landscapes through the meticulous depiction of physical settings and figures.
Andrew Newell Wyeth continued painting almost up until his death in 2009, leaving behind a vast legacy that has influenced many artists. His works remain highly valued by collectors and are often featured in major museums and galleries worldwide. To stay updated on exhibitions and sales of Andrew Wyeth’s art, sign up for our newsletter—ensuring you're informed about the latest auction events and product sales related to this profound artist.
Jamie Wyeth, or James Browning Wyeth, is an American realist painter, the son of Andrew Wyeth and grandson of N.K. Wyeth. He is the artistic heir to the tradition of the Brandywine School, artists who worked in the Brandywine River countryside of Delaware and Pennsylvania, depicting its people, animals, and landscapes. He works successfully in drawing, lithography, etching, egg tempera, watercolor, and mixed media.
Andrew Newell Wyeth, an American visual artist, is renowned for his mastery in realism and regionalism. Born in 1917 in Chadds Ford, Pennsylvania, Wyeth was primarily a realist painter, deeply influenced by his father, N.C. Wyeth, a notable artist himself. Andrew's artwork, characterized by its clear, razor-sharp technique and a hauntingly eerie atmosphere, often depicted the land and people around him in rural Pennsylvania and Maine.
Wyeth's most celebrated work, Christina's World (1948), is housed in the Museum of Modern Art in New York City. This painting illustrates a woman lying in a field, looking toward a distant farmhouse, an image that has become an icon of American art due to its emotional depth and simplicity of composition. The work encapsulates Wyeth's ability to invoke profound personal and emotional landscapes through the meticulous depiction of physical settings and figures.
Andrew Newell Wyeth continued painting almost up until his death in 2009, leaving behind a vast legacy that has influenced many artists. His works remain highly valued by collectors and are often featured in major museums and galleries worldwide. To stay updated on exhibitions and sales of Andrew Wyeth’s art, sign up for our newsletter—ensuring you're informed about the latest auction events and product sales related to this profound artist.
Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.
Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.
Wolf Kahn was a German-born American artist who painted mostly landscapes. Kahn worked in oil and pastel, and his style has been described as a combination of picturesque landscapes and painterly abstraction.
Elie Nadelman is a Polish-born American expressionist sculptor. He is best known for his abstract figures and portraits done in a contemporary style. Nadelman began his career as a wood and metal carver in Warsaw before moving to the United States in 1904. He studied in New York and Paris, where he was introduced to the work of Pablo Picasso and André Derain.
His artistic inspiration was also strongly associated with African art. In his sculptures, Nadelman sought a synthesis of Cubism and primitive art. He often used geometric forms to create abstract compositions that at the same time preserved the human figure. His work has been recognized in many exhibitions, including the Venice Biennale and Documenta in Kassel.
Frederick Childe Hassam was an American Impressionist painter, celebrated for his urban and coastal scenes. Born on October 17, 1859, in Dorchester, Massachusetts, Hassam was a pivotal figure in introducing French Impressionism to the American art scene. His prolific output includes over 3,000 works ranging from oils and watercolors to etchings and lithographs.
Hassam's technique was characterized by the use of light and vibrant colors, often focusing on bustling cityscapes and tranquil New England coastlines. He spent significant periods in Europe, particularly Paris, where he absorbed elements of the avant-garde styles of the time. Despite this, he often emphasized a connection to English landscape traditions over French ones.
Some of his most acclaimed works capture the essence of places like the Isles of Shoals in Maine and East Hampton in Long Island, where he later made his summer home. These settings often featured in his paintings, reflecting the picturesque and serene landscapes that contrasted with his urban subjects.
Hassam's legacy includes his influence on American collectors and institutions, helping to cultivate a taste for Impressionism in the United States. His works are held in major museums, including the Metropolitan Museum of Art and the Museum of Modern Art, ensuring his continued recognition as a key figure in American art history.
For those interested in exploring more about Hassam's life and works, signing up for updates on exhibitions and sales can provide valuable insights into his contributions to Impressionism. Subscribe for updates on new collections and auction events related to Frederick Childe Hassam's artworks.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
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Winslow Homer was an American landscape painter and printmaker, renowned for his mastery of marine subjects and considered a preeminent figure in 19th-century American art. Born in Boston, Massachusetts in 1836, Homer was largely self-taught, starting his career as a commercial illustrator before venturing into oil painting and watercolors.
Homer's art evolved significantly over his lifetime. During the American Civil War, he worked as a correspondent, creating sketches that conveyed both the immediacy and the human cost of the war. This experience deeply influenced his later work, particularly his powerful oil paintings depicting war and its aftermath. After the war, Homer's focus shifted towards scenes of nature and rural America, reflecting a national nostalgia for simpler times. His works from this period, such as "The Cotton Pickers" and "Snap the Whip," showcase his ability to capture everyday life with poignant realism and emotional depth.
Later in his career, Homer became renowned for his watercolors and seascapes, such as "Breezing Up (A Fair Wind)" and "The Gulf Stream," which are celebrated for their dynamic composition and vivid portrayal of human interaction with nature. His late seascapes, which often depicted the rugged coastlines of Maine, are particularly noted for their dramatic intensity and hint at modernist abstraction, capturing the formidable power and timeless beauty of the sea.
Homer's works are held in high regard and continue to be featured in major museums and galleries, providing inspiration and insight into the American experience of the 19th century.
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Maurice Brazil Prendergast was an American post-Impressionist painter known for the vibrant and saturated colors he used in his work, mostly in the genre of landscape and urban life. In 1886 Prendergast moved to Paris, where he studied at the École Julien under the tutelage of the masters of Impressionism, including Paul Cézanne, who had a great influence on Prendergast's style.
After his return to the United States in 1891, Prendergast became a popularizer of Impressionism in the United States. His work became brighter and more saturated in color than other American artists of the time, and he began to use a dotted style similar to the technique of divisionism. His paintings became similar to tapestries or mosaics.
Prendergast became a member of a group of artists known as the Founders of American Art, who advocated the use of bright and saturated colors instead of the muted and earthy tones adopted in traditional American art. Prendergast left behind a legacy that laid the foundation for the development of Post-Impressionism and Modernism in American art.
Maurice Brazil Prendergast was an American post-Impressionist painter known for the vibrant and saturated colors he used in his work, mostly in the genre of landscape and urban life. In 1886 Prendergast moved to Paris, where he studied at the École Julien under the tutelage of the masters of Impressionism, including Paul Cézanne, who had a great influence on Prendergast's style.
After his return to the United States in 1891, Prendergast became a popularizer of Impressionism in the United States. His work became brighter and more saturated in color than other American artists of the time, and he began to use a dotted style similar to the technique of divisionism. His paintings became similar to tapestries or mosaics.
Prendergast became a member of a group of artists known as the Founders of American Art, who advocated the use of bright and saturated colors instead of the muted and earthy tones adopted in traditional American art. Prendergast left behind a legacy that laid the foundation for the development of Post-Impressionism and Modernism in American art.
Anna Vaughn Hyatt Huntington was an American sculptor who was among New York City's most prominent sculptors in the early 20th century. At a time when very few women were successful artists, she had a thriving career. Hyatt Huntington exhibited often, traveled widely, received critical acclaim at home and abroad, and won multiple awards and commissions.
During the first two decades of the 20th century, Hyatt Huntington became famous for her animal sculptures, which combine vivid emotional depth with skillful realism. In 1915, she created the first public monument by a woman to be erected in New York City. Her Joan of Arc, located on Riverside Drive at 93rd Street, is the city's first monument dedicated to a historical woman.
Cyrus Edwin Dallin was an American sculptor. He is known for his sculptures of Native American figures, as well as for his equestrian and civic monuments.
Dallin grew up in Utah and showed an early talent for sculpture. He studied art in Boston and later in Paris, where he became influenced by the naturalism of French sculptors like Auguste Rodin. Dallin returned to the United States in 1897 and began to create a series of sculptures depicting Native American figures.
In addition to his work as a sculptor, Dallin also taught art and was an active member of the art community in Boston. He designed several civic monuments, including the Paul Revere Monument in Boston's North End and the Soldiers' and Sailors' Monument in Springfield, Massachusetts.
Dallin was a member of the National Academy of Design, the American Academy of Arts and Letters, and the National Sculpture Society. His work is in the collections of many major museums, including the Metropolitan Museum of Art, the National Gallery of Art, and the Boston Museum of Fine Arts.
Today, Dallin is widely regarded as one of the most important sculptors of the late 19th and early 20th centuries, and his sculptures of Native American figures are recognized as powerful and sympathetic depictions of a culture that had long been misrepresented in American art.
Alfred Jacob Miller was an American artist best known for his paintings of trappers and Native Americans in the fur trade of the western United States. He also painted numerous portraits and genre paintings in and around Baltimore during the mid-nineteenth century.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
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Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.