Modern art — Christie's Living: August Collections
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Arne Emil Jacobsen is a Danish architect and designer, the founder of the Danish Functionalism style.
He studied at the School of Architecture at the Royal Danish Academy of Fine Arts, and began working as an architect in the 1930s. Inspired by Art Nouveau, he designed several public buildings, including the Aarhus City Hall. In collaboration with Flemming Lassen, he first created a comprehensive overall interior design, including furniture, fixtures, plumbing and other details. After World War II, Arne Jacobsen made a name for himself both in Denmark and around the world.
For six decades, Arne Jacobsen was at the forefront of Danish architecture, creating visionary works of architecture that still look contemporary today. His projects often included both the building itself and the overall interior design as well as the design of the surrounding landscape. The combination of architecture and design is one of the constant characteristics of Arne Jacobsen's work. In projects such as the SAS Royal Hotel (1960) and St. Catherine's College in Oxford (1964), he not only created the architecture, but also designed every detail of the interiors, turning them into a true work of art.
In addition to architectural structures, Arne Jacobsen created a number of highly original chairs and other furniture. From his studio came avant-garde and innovative furniture, lamps, patterns, clocks, cutlery and glassware that are still in demand today.
Arne Emil Jacobsen is a Danish architect and designer, the founder of the Danish Functionalism style.
He studied at the School of Architecture at the Royal Danish Academy of Fine Arts, and began working as an architect in the 1930s. Inspired by Art Nouveau, he designed several public buildings, including the Aarhus City Hall. In collaboration with Flemming Lassen, he first created a comprehensive overall interior design, including furniture, fixtures, plumbing and other details. After World War II, Arne Jacobsen made a name for himself both in Denmark and around the world.
For six decades, Arne Jacobsen was at the forefront of Danish architecture, creating visionary works of architecture that still look contemporary today. His projects often included both the building itself and the overall interior design as well as the design of the surrounding landscape. The combination of architecture and design is one of the constant characteristics of Arne Jacobsen's work. In projects such as the SAS Royal Hotel (1960) and St. Catherine's College in Oxford (1964), he not only created the architecture, but also designed every detail of the interiors, turning them into a true work of art.
In addition to architectural structures, Arne Jacobsen created a number of highly original chairs and other furniture. From his studio came avant-garde and innovative furniture, lamps, patterns, clocks, cutlery and glassware that are still in demand today.
Emile Gallé was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.
Joan Miró, a celebrated Spanish artist, was a master in painting, sculpture, and ceramics, renowned for his unique style that blurred the lines between Surrealism, Fauvism, and Expressionism. Born in Barcelona to a family of a goldsmith and a watchmaker, Miró grew up immersed in the rich cultural heritage of the Barri Gòtic neighborhood. His artistic journey began with drawing classes at the age of seven and continued at the prestigious La Llotja art academy. Despite an initial venture into the business world, Miró's passion for art prevailed, leading him to abandon his clerical career after a nervous breakdown.
Miró's work is noted for its exploration of the subconscious, often depicting a childlike perspective. This approach was both a critique of traditional painting methods and a means of expressing Catalan pride. His art, challenging to categorize, often featured symbolic elements and nationalistic qualities. One of his notable early works, "The Farm," reflects a transition to a more individual style, blending elements of his Catalan roots with broader artistic influences. This piece, later purchased by Ernest Hemingway, encapsulated the essence of Spain in its imagery.
In Paris, Miró joined the Surrealist movement in 1924, where his work began to reflect the influence of automatism, emphasizing spontaneous, automatic, or subconscious creation. He experimented with various mediums, including painting-poetry and collage, and even ventured into set and costume design for Sergei Diaghilev's Ballets Russes.
During World War II, Miró remained in Spain, and his work from this period, including the 22 Constellations series, reflected an interest in the night, music, and stars. His forms became increasingly abstracted, and he experimented with various techniques, often incorporating primary colors and evocative titles.
Miró's career spanned several decades, during which he continually evolved his style and explored new mediums. His contributions to art were recognized with numerous awards and retrospectives, including a major career retrospective at MoMA in 1941 and the Spanish Gold Medal for Fine Arts in 1980. Among his last major works was a tapestry for the World Trade Center in New York City, created in 1974.
For art collectors and enthusiasts, Joan Miró remains a figure of immense interest, not only for his distinct style and contributions to Surrealism but also for his ability to blend poetic imagery with political commentary. To stay updated on new product sales and auction events related to Joan Miró, sign up for our updates and immerse yourself in the world of this extraordinary artist.
