Drawings — Old Master & British Drawings
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giovanni Battista Tiepolo, an illustrious Italian painter of the 18th century, is renowned for his radiant and poetic frescoes that beautifully extend the tradition of Baroque ceiling decoration, encapsulating the essence of the Rococo period. Born in Venice, Tiepolo was significantly influenced by his contemporaries and predecessors, such as Piazzetta, Ricci, Tintoretto, and Veronese, which is evident in his dynamic and vibrant works.
Giovanni Battista Tiepolo's expertise in creating grand frescoed ceilings for churches, villas, and palaces across Italy, Germany, and Spain is particularly noteworthy. His work at the Würzburg Residenz, where he painted a vast ceiling depicting Apollo and the continents, is considered a high point of his career. This masterpiece demonstrates his skill in creating spatial illusions and integrating multiple perspectives to enhance the viewer's experience.
In addition to his frescoes, Giovanni Battista Tiepolo's prowess as a draftsman and printmaker was widely acclaimed. His prints, characterized by imaginative and sometimes enigmatic imagery, enjoyed widespread popularity and may have influenced subsequent artists like Francisco de Goya.
Throughout his career, Giovanni Battista Tiepolo received numerous commissions across Europe, reflecting his international fame. His later works in Spain, where he moved with his sons to serve the Spanish monarchy, showcase a quieter yet profound style, focusing on religious and allegorical themes.
For collectors and experts in art and antiques, Giovanni Battista Tiepolo's legacy represents an essential chapter in the history of art, offering insights into the interplay of light, color, and narrative in 18th-century European painting. His works, housed in various museums and collections worldwide, continue to captivate and inspire audiences with their elegance and grandeur.
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Pietro Longhi was a Venetian painter renowned for his intimate depictions of daily life in 18th-century Venice. His works, void of biting satire but possibly tinged with gentle irony, provide a unique window into the social and domestic spheres of Venetian society. Pietro Longhi's art captures a range of everyday moments, from high society gatherings to common street scenes, all characterized by a keen observation of human interaction and behavior.
Pietro Longhi's training began under the tutelage of the history painter Antonio Balestra and continued with Guiseppe Maria Crespi in Bologna, whose influence is evident in Longhi's detailed genre scenes. Returning to Venice, he shifted his focus to these smaller, more personal vignettes, starting in 1741. His works, such as "The Charlatan" and "The Ridotto in Venice," highlight the public and private lives of Venetians, often showcasing masked figures engaging in various activities, hinting at the city's famous carnival culture.
Notable works like "The Exhibition of a Rhinoceros at Venice" reflect Pietro Longhi's interest in capturing contemporary events and curiosities, offering insight into the leisure and entertainment of the time. This particular painting is part of the National Gallery's collection and stands out for its depiction of public fascination with exotic animals, intertwined with social commentary.
For collectors and art experts, Pietro Longhi's paintings are invaluable for their historical context and artistic merit, capturing the essence of Venetian life with a unique blend of realism and subtlety. His works continue to be celebrated for their detailed narrative quality and their ability to transport viewers to the heart of 18th-century Venice.
For those keen on exploring more about Pietro Longhi's contributions to art and culture, and to stay updated on sales and auction events featuring his works, subscribing for updates can be a valuable way to stay informed.
Giovanni Battista Tiepolo, an illustrious Italian painter of the 18th century, is renowned for his radiant and poetic frescoes that beautifully extend the tradition of Baroque ceiling decoration, encapsulating the essence of the Rococo period. Born in Venice, Tiepolo was significantly influenced by his contemporaries and predecessors, such as Piazzetta, Ricci, Tintoretto, and Veronese, which is evident in his dynamic and vibrant works.
Giovanni Battista Tiepolo's expertise in creating grand frescoed ceilings for churches, villas, and palaces across Italy, Germany, and Spain is particularly noteworthy. His work at the Würzburg Residenz, where he painted a vast ceiling depicting Apollo and the continents, is considered a high point of his career. This masterpiece demonstrates his skill in creating spatial illusions and integrating multiple perspectives to enhance the viewer's experience.
In addition to his frescoes, Giovanni Battista Tiepolo's prowess as a draftsman and printmaker was widely acclaimed. His prints, characterized by imaginative and sometimes enigmatic imagery, enjoyed widespread popularity and may have influenced subsequent artists like Francisco de Goya.
Throughout his career, Giovanni Battista Tiepolo received numerous commissions across Europe, reflecting his international fame. His later works in Spain, where he moved with his sons to serve the Spanish monarchy, showcase a quieter yet profound style, focusing on religious and allegorical themes.
For collectors and experts in art and antiques, Giovanni Battista Tiepolo's legacy represents an essential chapter in the history of art, offering insights into the interplay of light, color, and narrative in 18th-century European painting. His works, housed in various museums and collections worldwide, continue to captivate and inspire audiences with their elegance and grandeur.
If you wish to stay updated on new product sales and auction events related to Giovanni Battista Tiepolo, signing up for updates is an excellent way to ensure you don't miss out on any valuable information.
Martin Schongauer was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers.
The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain.
Niklaus Manuel Deutsch was a Swiss painter, graphic artist, poet and political reformer.
Niklaus Manuel Deutsch's artistic style is influenced by the Renaissance and Albrecht Dürer. Along with Holbein, he is considered the most important representative of the Renaissance in Switzerland. He created designs for jewellers, altarpieces, portraits and other paintings. His richly coloured canvases depict mainly mythological and biblical scenes.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
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Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.
Adriaen van Ostade was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women.
Johann Georg Platzer was a distinguished Austrian Rococo painter and draughtsman, renowned for his vibrant and intricate historical and mythical scenes. Born in 1704 in Eppan, South Tyrol, Platzer belonged to a lineage of painters, which significantly influenced his career path. His work is celebrated for its dynamic compositions, detailed figures, and the ability to imbue scenes with a sense of vitality and opulence characteristic of the Rococo period.
Johann Georg Platzer's oeuvre includes a variety of subjects, from allegorical representations, such as the "Allegory of the Four Seasons," to scenes of courtly life and mythological narratives. His technique, marked by meticulous attention to detail and a masterful use of color, allowed him to create paintings that were not only visually stunning but also rich in narrative. Notably, his self-portrait and works like "Dancing Scene with Palace Interior" and "Fountain Scene in Front of a Palace" exemplify his skill in depicting intricate details and textures, from the luxurious fabrics of the figures' clothing to the architectural elements surrounding them.
The Joanneum Alte Galerie in Graz, Austria, holds the most significant collection of Platzer's paintings under a single roof, indicating the artist's prominence within the Austrian art scene of the 18th century. Furthermore, his paintings are housed in prestigious institutions worldwide, including the Art Institute of Chicago, showcasing his international recognition.
For collectors and experts in art and antiques, Johann Georg Platzer represents a pivotal figure in the Rococo movement, with his works offering a glimpse into the opulence and dynamic culture of 18th-century Austrian society. His paintings not only appeal to those interested in the artistic styles of the Rococo period but also to anyone fascinated by the historical and mythological narratives of the era.
To stay informed about new discoveries, sales, and auction events related to Johann Georg Platzer's works, signing up for updates is recommended. This will ensure enthusiasts and collectors are promptly informed about opportunities to acquire works by this illustrious artist, further enriching their collections with the vibrant history and culture encapsulated in Platzer's paintings.
Jean-Honoré Fragonard, a prominent French Rococo painter, left an indelible mark on the art world with his vivacious and hedonistic approach to painting. Born in Grasse, France, in 1732, Fragonard's journey into the art world was marked by his early apprenticeship under François Boucher, whose influence is evident in the young artist's work. Fragonard's talent and skill were recognized early on when he won the prestigious Prix de Rome in 1752, which allowed him to study at the French Academy in Rome.
Jean-Honoré Fragonard's work is characterized by a remarkable facility, exuberance, and a penchant for themes of love and voluptuousness that resonated with the opulent and pleasure-seeking milieu of Louis XV's court. His paintings, such as "The Swing" (Wallace Collection), "Blind Man's Bluff," and "The Bolt," are celebrated for their tender beauty, vibrant color, and the virtuosity of his brushwork. These works encapsulate the essence of Rococo art with their playful themes, intricate compositions, and luminous palette.
Despite the initial success and the king's patronage, which saw his piece "Coresus et Callirhoe" being bought and reproduced at the Gobelins factory, Jean-Honoré Fragonard's career took a turn as the French Revolution upended the social order and the artist's private patrons were guillotined or exiled. This period forced Fragonard to leave Paris, seeking refuge in Grasse. He returned to the capital in the early 19th century, where he died in 1806, almost forgotten. It wasn't until the late 19th and early 20th centuries that Fragonard's work was re-evaluated, cementing his position among the masters of French painting. His influence on the Impressionists, particularly Renoir and his grandniece Berthe Morisot, is undeniable, showcasing his lasting impact on the trajectory of art history.
For collectors and experts in art and antiques, Jean-Honoré Fragonard's oeuvre represents the pinnacle of Rococo art, offering a glimpse into the opulent and sensuous world of 18th-century France. His paintings are not just artistic achievements but are also historical documents that reflect the cultural and social dynamics of his time.
To stay updated on new discoveries, sales, and auction events related to Jean-Honoré Fragonard's works, signing up for updates is recommended. This ensures that enthusiasts and collectors are promptly informed about opportunities to enrich their collections with the exquisite beauty of Fragonard's art.
Claude Joseph Vernet was a French painter.
Vernet's work draws on natural themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative.
Carl Rottmann was a German painter of the first half of the 19th century. He is known as a master of the landscape genre. He became famous for his watercolor and oil paintings as well as his mural paintings of nature in the spirit of Romanticism.
Carl Rottmann comes from a dynasty of Rottmann artists: his father was a painter, and his younger brother continued the dynasty. Rottmann was among the court painters of King Ludwig I of Bavaria, from whom he received commissions to create large-scale landscapes.
Rottmann's best masterpieces are now preserved in museums in Germany, the most extensive collection of his works being held at the Neue Pinakothek in Munich.
Caspar David Friedrich was a German painter of the late eighteenth and first half of the nineteenth centuries. He is known as a painter, draughtsman, watercolorist and is considered a key figure of early German Romanticism.
Caspar David Friedrich was the leader of the so-called Dresden Romantics, known for their emotionally intense landscapes. The artist himself viewed nature as a reflection of the soul and a symbol of religious experiences, creating works with deep symbolism. He actively used landscape to convey his emotions and used the technique of transporting the viewer into the virtual space of the painting. His works often depicted figures immersed in the contemplation of nature, facing infinity, which created a unique effect.
Walter Gay was an American artist known for his elegant, understated paintings of interiors and still lifes. He was studied at the School of the Museum of Fine Arts in Boston before traveling to Paris to continue his education at the Académie Julian.
Gay was part of a group of American artists who were drawn to Paris in the late 19th century, and he became associated with the expatriate community of American and British artists who settled in the city's Montparnasse district.
Gay's paintings are characterized by their subtle color harmonies, refined composition, and attention to detail. He specialized in depicting elegant, tastefully appointed interiors, often featuring antique furniture, works of art, and architectural details. He was also known for his still lifes, which included simple arrangements of flowers, fruit, and other objects arranged on tabletops or in windowsills.
Gay's work was highly sought after by collectors during his lifetime, and he exhibited regularly in Paris, London, and New York. He was awarded the Legion of Honor by the French government in 1908 in recognition of his contributions to the arts. Today, his paintings can be found in the collections of museums around the world, including the Metropolitan Museum of Art in New York and the Musée d'Orsay in Paris.
Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.