Tables — Design
François-Xavier Lalanne was a French painter and sculptor. He studied sculpture, drawing and painting at the Académie Julian. Since the 1960s he has worked as a couple with his wife Claude Lalanne.
Jean Royère was a French designer.
A key figure of the avant-garde in the 1950s, Royère tackled all kinds of decoration work and opened branches in the Near East and Latin America. Among his patrons were King Farouk, King Hussein of Jordan, and the Shah of Iran, who were captivated by his freedom of creation and his elegance and entrusted him with the layout of their palaces. Royère pioneered an original style combining bright colors, organic forms and precious materials within a wide range of imaginative accomplishments. In 1980, he left France for the United States, where he lived until his death.
Jean Prouvé was a French metal worker, self-taught architect and designer. Le Corbusier designated Prouvé a constructeur, blending architecture and engineering. Prouvé's main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Roger Capron, birth name Roger Henri Louis Capron, is a French ceramic sculptor and draftsman.
Capron studied applied arts in Paris and in 1946 founded a pottery workshop, l'Atelier Callis, in Vallauris, employing up to 120 people at various times. Capron won many awards, including the Grand Prix International de la Céramique in 1970, and in 1983 he founded the now famous Atelier Capron.
Roger Capron's creations often use clay tiles or enameled lava tiles, traditionally used for decorative panels. This recognizable way of using ceramics in furniture and objects has become the designer's trademark. Capron was the first to put his ceramic expertise at the service of semi-industrial production. The workshop developed into a small factory and gained an international reputation.
Émile-Jacques Ruhlmann, (sometimes called Jacques-Émile Ruhlmann), was a French furniture designer and interior decorator, who was one of the most important figures in the Art Deco movement. His furniture featured sleek designs, expensive and exotic materials and extremely fine craftsmanship, and became a symbol of the luxury and modernity of Art Deco. It also produced a reaction from other designers and architects, such as Le Corbusier, who called for simpler, functional furniture.
George Nakashima (Japanese: 中島勝寿) was an influential Japanese-American artist, architect, and furniture maker. He is renowned for his mastery of woodworking and his philosophy of incorporating natural materials and traditional craftsmanship into his designs.
Nakashima's furniture designs emphasized simplicity, functionality, and the integration of nature into the living space. He believed in the spiritual essence of the materials he used and aimed to create pieces that harmonized with their surroundings and brought a sense of peace and tranquility to the users.
His signature designs often featured clean lines, elegant proportions, and meticulous joinery techniques. Nakashima's work showcased a blend of Japanese aesthetics, American modernism, and his own unique artistic vision.
George Nakashima (Japanese: 中島勝寿) was an influential Japanese-American artist, architect, and furniture maker. He is renowned for his mastery of woodworking and his philosophy of incorporating natural materials and traditional craftsmanship into his designs.
Nakashima's furniture designs emphasized simplicity, functionality, and the integration of nature into the living space. He believed in the spiritual essence of the materials he used and aimed to create pieces that harmonized with their surroundings and brought a sense of peace and tranquility to the users.
His signature designs often featured clean lines, elegant proportions, and meticulous joinery techniques. Nakashima's work showcased a blend of Japanese aesthetics, American modernism, and his own unique artistic vision.
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Jean Dunand was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.
Jean Dunand was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.
Edgar William Brandt was a French ironworker and prolific weapons designer. In 1901 he set up a small workshop at 76 rue Michel-Ange in the 16th arrondissement in Paris, where he began designing, silversmithing, and forging small items such as jewelry, crosses, and brooches. His business began to take off with special commissions such as the door of the French Embassy in Brussels, the Escalier Mollien stairs in the Louvre, and the stair and balcony railing for the Grand Theatre Municipal de Nancy.
