Latin American Art Online
Eduardo Kingman Riofrío was an Ecuadorian artist. He is considered one of Ecuador's greatest artists of the 20th century, among the art circles of other master artists such as Oswaldo Guayasamín and Camilo Egas.
Eduardo Kingman Riofrío was an Ecuadorian artist. He is considered one of Ecuador's greatest artists of the 20th century, among the art circles of other master artists such as Oswaldo Guayasamín and Camilo Egas.
José Jesús Francisco Zúñiga Chavarría was a Costa Rican-born Mexican artist, known both for his painting and his sculpture. Journalist Fernando González Gortázar lists Zúñiga as one of the 100 most notable Mexicans of the 20th century, while the Encyclopædia Britannica calls him "perhaps the best sculptor" of the Mexican political modern style.
José Jesús Francisco Zúñiga Chavarría was a Costa Rican-born Mexican artist, known both for his painting and his sculpture. Journalist Fernando González Gortázar lists Zúñiga as one of the 100 most notable Mexicans of the 20th century, while the Encyclopædia Britannica calls him "perhaps the best sculptor" of the Mexican political modern style.
José Jesús Francisco Zúñiga Chavarría was a Costa Rican-born Mexican artist, known both for his painting and his sculpture. Journalist Fernando González Gortázar lists Zúñiga as one of the 100 most notable Mexicans of the 20th century, while the Encyclopædia Britannica calls him "perhaps the best sculptor" of the Mexican political modern style.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Rufino del Carmen Arellanes Tamayo was a Mexican painter of Zapotec heritage, born in Oaxaca de Juárez, Mexico. Tamayo was active in the mid-20th century in Mexico and New York, painting figurative abstraction with surrealist influences.
Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization.
Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization.
Julio Galán was a Mexican artist and architect. Galán was one of Latin America's neo-expressionist painters of the end of the last century and the beginning of this one. His paintings and collages are full of elements that usually represent his life.
Manuel Mendive Hoyos is one of the leading Afro-Cuban artists to emerge from the revolutionary period, and is considered by many to be the most important Cuban artist living today.
Mendive's work incorporates several art mediums and genres. His art consists of drawing, painting, body painting, wood carving, sculpture, and performance that integrates loosely choreographed dance with rhythmic music.
Mendive's art is strongly influenced by the Santería religion. In fact, Santería permeates every form of his art from body painting to events performed in public spaces.
Manuel Mendive Hoyos is one of the leading Afro-Cuban artists to emerge from the revolutionary period, and is considered by many to be the most important Cuban artist living today.
Mendive's work incorporates several art mediums and genres. His art consists of drawing, painting, body painting, wood carving, sculpture, and performance that integrates loosely choreographed dance with rhythmic music.
Mendive's art is strongly influenced by the Santería religion. In fact, Santería permeates every form of his art from body painting to events performed in public spaces.
Felipe Orlando, full name Juan de Dios Felipe Orlando García Murciano, was a Spanish-Cuban artist who lived in Spain and devoted himself to writing for a living through painting. He was an anthropologist by training and a musicologist by hobby.
Belonging to the artistic avant-garde movement that emerged in the 1930s, it is difficult to place his painting in the mainstream of young modernists.
Felipe Orlando's painting is characterised by a constant development. It begins with paintings that could be called figurative. They are usually always interior scenes in which women, Afro-Cubans or still lifes take centre stage.
After moving to Spain, his painting develops towards abstraction, especially the informal current, but always presents some figurative reference. Serenity and lyricism prevail in the textures. The titles are suggestive and colour is more important than form.