Paintings — Ombersley Court: The Collection of Lord and Lady Sandys
Marcus Gerards the Younger was a Flemish portrait painter of the Renaissance.
Marcus Gerards the Younger was considered one of the most talented portraitists of Britain at the end of the XVI century, was under the patronage of Princess Anne of Denmark (1574-1619), wife of King James I Stuart of England and Scotland. In 1610 he became a court painter, whose work was highly paid. He painted portraits of King James I, Queen Anne and their children.
Frans Pourbus the Younger was a Flemish artist, renowned for his sophisticated portraiture, who gained prominence for his meticulous depiction of opulent costumes, jewelry, and drapery. Born in Antwerp in 1569 into a family with a rich artistic lineage, Pourbus honed his craft in the vibrant cultural milieu of the time. His grandfather, Pieter Pourbus, was a leading portrait and history painter in Bruges, while his father, Frans Pourbus the Elder, was a significant figure in portrait and genre painting. The younger Pourbus’s artistry was characterized by its attention to detail rather than the exploration of dramatic scenes or landscapes, a style that resonated with the sensibilities of the courts he served.
Pourbus's career flourished as he became a court painter to influential figures such as Archduke Albert and Infanta Isabella in Brussels. His reputation for producing portraits that were aesthetically pleasing to his patrons propelled him to work for Vincenzo Gonzaga, Duke of Mantua, and subsequently, Marie de' Medici, Queen of France, in Paris. His works are preserved in prestigious collections across Europe, including the Louvre, the Prado, the Rijksmuseum, and the Metropolitan Museum of Art. Notable pieces such as the portrait of Eleonora de' Medici Gonzaga and the Infanta Isabella Clara Eugenia of Spain exemplify his skill in capturing the grandeur of the European aristocracy of the 17th century.
Art collectors and antiquities experts who admire the grandiose style of early European court portraiture find in Pourbus's work a quintessential representation of the era's aesthetics. His paintings, replete with detailed costume and adornment, provide a window into the past's lavishness and serve as enduring artifacts of cultural heritage. For updates on new product sales and auction events related to Frans Pourbus the Younger, signing up for our newsletter is a discreet and direct way to stay informed.
Daniël Mijtens was a Dutch painter, portrait painter, draughtsman and printmaker of the Golden Age of Dutch art. He worked in England for a significant part of his life.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Daniël Mijtens was a Dutch painter, portrait painter, draughtsman and printmaker of the Golden Age of Dutch art. He worked in England for a significant part of his life.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Daniël Mijtens was a Dutch painter, portrait painter, draughtsman and printmaker of the Golden Age of Dutch art. He worked in England for a significant part of his life.
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Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller) was a late seventeenth- and early eighteenth-century German painter and the leading British portrait painter of his era.
Gottfried Kniller was an immensely popular painter among the English nobility, and over the course of his career he produced hundreds of paintings depicting influential European nobles and royalty. His unique masterpieces are preserved in many museums across Europe, and his biography is an example of the successful career of a great master.
Sir Joshua Reynolds was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769.
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller) was a late seventeenth- and early eighteenth-century German painter and the leading British portrait painter of his era.
Gottfried Kniller was an immensely popular painter among the English nobility, and over the course of his career he produced hundreds of paintings depicting influential European nobles and royalty. His unique masterpieces are preserved in many museums across Europe, and his biography is an example of the successful career of a great master.
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller) was a late seventeenth- and early eighteenth-century German painter and the leading British portrait painter of his era.
Gottfried Kniller was an immensely popular painter among the English nobility, and over the course of his career he produced hundreds of paintings depicting influential European nobles and royalty. His unique masterpieces are preserved in many museums across Europe, and his biography is an example of the successful career of a great master.
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.