Collection Antoine et Simone Veil
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Louis Cane is a contemporary French painter, sculptor and furniture designer. Louis Cane attended the National School of Decorative Arts in Nice then the Superior School of Decorative arts in Paris in 1961. Cane was a part of the Supports/Surfaces Movement in France that lasted from 1969 to 1972 and co-founded and edited the Peinture, Cahiers Theoriques. In 1978, began sculpting again. They consisted of female figures in a traditional style. Cane focused on the concept of deconstruction of the canvas. By 1970, Cane transitioned into a series of cut-out paintings, the toiles découpées, which he worked with for several years. From 1972 to 1972, he produced a series called Sol/Mur as apart of the Supports/Surfaces movement. In 1978, Cane went from abstract painting to figuration. He reflected on the history of pictorial forms. He also started integrating sculpture into his practice. The statues were almost exclusively female occasionally appearing in form of burlesque or baroque expressionism.
Georges Valmier was a French painter and designer. He is known for his colorful and abstract paintings, which were heavily influenced by the Cubist and Futurist movements.
Valmier began his artistic career as a designer, creating textile patterns and other decorative arts. He was also a writer and critic, and he wrote extensively about the role of art and design in modern society.
In the 1920s, Valmier turned to painting, and his work reflected the experimental and avant-garde spirit of the time. He was fascinated by the possibilities of abstraction, and his paintings often featured bold colors and dynamic forms that evoked the speed and energy of modern life.
Valmier was also interested in the relationship between art and science, and he saw his work as a way of exploring the fundamental structures of the universe. His paintings often featured geometric shapes and mathematical patterns, which he felt captured the underlying order and harmony of the natural world.
Today, Valmier's work is celebrated for its innovative use of color and form, as well as its exploration of the relationship between art and science. He is considered one of the pioneers of abstract art in France, and his work continues to inspire artists and designers around the world.
Henri Michaux is a French poet and artist associated with Surrealism and the post-war avant-garde movement.
Michaux's early artistic endeavours revolved around writing and poetry. In his poetry he explored themes of existentialism, spirituality and the human condition, often experimenting with language and form. His writing style was characterised by introspection, the exploration of consciousness and the search for meaning.
In 1925, after a Surrealist exhibition he saw in Paris, Henri Michaux began to paint and draw. His visual arts encompassed a wide range of styles and techniques. Michaux experimented with ink, watercolour and oil paintings, creating evocative and energetic compositions. His works often conveyed a sense of movement, rhythm and spontaneity and were influenced by the aesthetics of calligraphy and gesticulation.
Jean-Paul Riopelle was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the Refus Global, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition.
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Gérard Ernest Schneider is a Swiss and French artist, one of the creators of lyrical abstraction.
He graduated from the Ecole Nationale des Beaux-Arts de Paris. And in the post-war years, the art of Gerard Schneider played a pioneering role in the birth of a new form of abstraction. Schneider, together with other artists in Paris, proposed a new, radical form of abstraction and called it lyrical abstraction. From the mid-1940s large exhibitions were organized in Paris and later in Germany, bringing together the main representatives of the new style.
Gaston Chaissac was a French self-taught painter.
In 1937, the painter Otto Freindlich, who happened to be his neighbor, recognized his talent and guided Chaissac, a simple laborer, into the field of painting. In addition to painting, Gaston Chaissac used everyday objects to create his Totems, painted on canvas, cardboard, stone, sheet metal, glued from stumps, used wooden boards...
Gaston Chaissac's work is often categorized as Art Brut or Outsider Art, while others refer to his style as "modern rustic".
Joseph Csaky, a Hungarian avant-garde artist, sculptor, and graphic artist, is renowned for his pioneering contributions to the Cubist movement. Born in 1888, Csaky's journey into the art world was profoundly influenced by his discovery of Auguste Rodin's work, which paved the way for his mastery in sculptural techniques. His innovative approach is highlighted in his Cubist sculptures, where he skillfully integrated volumetric and spatial relationships, utilizing abstract architectonic forms and drawing inspiration from non-Western art such as Cycladic, Oceanic, and ancient Egyptian art.
Joseph Csaky's commitment to originality is evident in his personal artistic language, which he developed while being part of the vibrant Parisian art scene. His works, such as "Euterpe – Muse of Lyric Poetry" and "Imbrication de cônes," showcase his ability to translate Cubist principles into three-dimensional forms.
Art collectors and experts appreciate Joseph Csaky's contributions to modern sculpture, with his works being sought after in art galleries and auctions. His pieces like "Woman Raising her Hand" and "Figure, dite aussi Femme" not only reflect his artistic prowess but also his influence on subsequent art movements.
For those interested in the fusion of Cubism and sculpture, Joseph Csaky's oeuvre offers a profound insight into the evolution of modern art. To stay updated on new product sales and auction events related to Joseph Csaky, consider signing up for updates. This subscription will keep you informed about the latest developments and opportunities to engage with Csaky's enduring legacy.