Modern British and Irish Art Day Sale
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art.
Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for New Statesman and Arts New York, this continued periodically in later years.
Roger Hilton was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avante-garde movements such as tachisme and CoBrA.
Hans Coper was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being less sculptural, while Coper's was much more abstract, but also always functional.
Hans Coper was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being less sculptural, while Coper's was much more abstract, but also always functional.
Grayson Perry is an English contemporary artist, writer and broadcaster. He is known for his ceramic vases, tapestries, and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".
Eduardo Paolozzi was a Scottish artist renowned for his pioneering contributions to the Pop Art movement. His work, characterized by an amalgamation of popular culture references and technological imagery, played a significant role in shaping the visual arts landscape of the 20th century. Eduardo Paolozzi's graphic works, particularly from the 1960s, broke new ground in the silkscreen medium, with notable series such as "As Is When" and "Moonstrips Empire News" showcasing his innovative approach to art that combines elements of science, technology, and pop culture.
After a transformative period in Paris, where he interacted with key figures of the Surrealist movement, Eduardo Paolozzi returned to the UK, where he became a central figure in the formation of the Independent Group. This collective was instrumental in the development of British Pop Art, with Paolozzi's early collages, especially "I Was a Rich Man's Plaything," marking a seminal moment in the genre's emergence.
His artistic ventures were not confined to printmaking and collage; Eduardo Paolozzi's sculptures and mosaic murals, such as those for Tottenham Court Road tube station in London, also garnered acclaim for their intricate detail and thematic complexity. The artist's influence extended into his academic roles, where he nurtured future generations of artists.
Eduardo Paolozzi's legacy is preserved through extensive collections and exhibitions, such as at the National Galleries of Scotland, which holds a significant number of his works. This includes a recreation of his studio, providing insight into his creative process and the diverse influences that shaped his art.
For enthusiasts and collectors keen on delving deeper into Eduardo Paolozzi's world, signing up for updates can offer exclusive access to sales and auction events related to his works. This ensures that aficionados stay informed about opportunities to engage with the art and legacy of this influential figure.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
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Eduardo Paolozzi was a Scottish artist renowned for his pioneering contributions to the Pop Art movement. His work, characterized by an amalgamation of popular culture references and technological imagery, played a significant role in shaping the visual arts landscape of the 20th century. Eduardo Paolozzi's graphic works, particularly from the 1960s, broke new ground in the silkscreen medium, with notable series such as "As Is When" and "Moonstrips Empire News" showcasing his innovative approach to art that combines elements of science, technology, and pop culture.
After a transformative period in Paris, where he interacted with key figures of the Surrealist movement, Eduardo Paolozzi returned to the UK, where he became a central figure in the formation of the Independent Group. This collective was instrumental in the development of British Pop Art, with Paolozzi's early collages, especially "I Was a Rich Man's Plaything," marking a seminal moment in the genre's emergence.
His artistic ventures were not confined to printmaking and collage; Eduardo Paolozzi's sculptures and mosaic murals, such as those for Tottenham Court Road tube station in London, also garnered acclaim for their intricate detail and thematic complexity. The artist's influence extended into his academic roles, where he nurtured future generations of artists.
Eduardo Paolozzi's legacy is preserved through extensive collections and exhibitions, such as at the National Galleries of Scotland, which holds a significant number of his works. This includes a recreation of his studio, providing insight into his creative process and the diverse influences that shaped his art.
For enthusiasts and collectors keen on delving deeper into Eduardo Paolozzi's world, signing up for updates can offer exclusive access to sales and auction events related to his works. This ensures that aficionados stay informed about opportunities to engage with the art and legacy of this influential figure.
Euan Ernest Richard Uglow was a British painter best known for his paintings of nudes and still lifes. Uglow was a meticulous perfectionist. He painted at great length, constantly measuring the model's proportions and correcting them, making his work almost look like sculpture. The artist's carefully structured nudes and still lifes have a cold aesthetic.
William Patrick Roberts was a British artist.
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an «English Cubist».
The Irish painter Roderic O'Conor was a pivotal figure in the post-impressionist movement during the late 19th and early 20th centuries. Aligning with the Pont-Aven School, his work thrived in France amidst the artistic revolution of the 1880s and 1890s.
O'Conor's artistic methodology was profoundly influenced by his time in France, spanning nearly five decades. His signature technique, characterized by thick, adjacent strokes of rich, contrasting colors, owes much to the discoveries of the Divisionists and Vincent Van Gogh.
His journey also included a transformative Parisian period beginning in 1886, marked by experimentation and innovation. Later, his Bretagne sojourn from 1891 to 1904 was interspersed with managing inherited estates back in Ireland, which allowed him financial independence from his painting sales. O'Conor's final years from 1934 until his passing in 1940 were spent in Nueil-sur-Layon.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Ivon Hitchens was an English painter who started exhibiting during the 1920s. He became part of the 'London Group' of artists and exhibited with them during the 1930s. His house was bombed in 1940 during World War II. Hitchens and his family abandoned London for the Sussex countryside, where he acquired a small area of woodland on Lavington Common (near Petworth), and lived there in a caravan, which he gradually augmented with a series of buildings. It was here that the artist further developed his fascination with the woodland subject matter, and this pre-occupation continued until the artist’s death in 1979.
