Old Masters and 19th Century Paintings from a Private Collection - Selling Without Reserve
Angelo Caroselli was an Italian painter, born and active during the Baroque period, primarily in Rome. Known for his eclectic style, Caroselli's work was significantly influenced by Caravaggio, evident in the naturalism and chiaroscuro that marked his compositions. His subject matter often included colorful characters from contemporary Rome, scenes of witchcraft, musicians, and genre scenes reflective of the Caravaggisti, a group of artists who followed Caravaggio's stylistic approach. Caroselli's ability to blend allegories, religious works, and portraits with genre scenes showcased his search for originality and a unique narrative voice within the Baroque movement.
Angelo Caroselli's career was marked by his versatility as not only a painter but also an art restorer, copyist, and possibly a forger. This breadth of skills contributed to the diverse body of work he left behind, which ranged from scenes of everyday life to complex allegorical compositions. His works often depicted the lower echelons of society, including musicians, card players, and prostitutes, infused with a potent naturalism that brought these figures to life against the backdrop of 17th-century Rome.
Despite his adherence to Caravaggesque forms and themes, Angelo Caroselli's work also displayed 'archaicising' elements, which some art historians view as a conscious departure from the dominant Baroque style of his time. This aspect of his work, along with his skill in copying the works of ancient masters, highlights a deliberate exploration of and departure from the prevailing artistic norms, contributing to the unique place he occupies in Baroque art history.
Notably, Caroselli's influence extended beyond Italy, affecting the work of other Caravaggisti, including the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen. This cross-cultural impact underscores the broader significance of Caroselli's work within the Baroque period and its enduring influence on subsequent generations of artists.
His legacy includes several known works that are housed in prestigious institutions and collections worldwide, exemplifying the enduring appeal and historical importance of his artistic contributions. Among these, "The Plague at Ashdod (after Poussin)" stands out as a significant piece, reflecting his capability to engage with and reinterpret the works of his contemporaries and predecessors.
For collectors and experts in art and antiques, Caroselli's oeuvre offers a fascinating glimpse into the Baroque period's complexity, characterized by a blend of innovation, tradition, and a deep engagement with the human condition. His work remains a testament to the vibrancy and dynamism of 17th-century Italian art, inviting ongoing exploration and appreciation.
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Filippo Abbiati was an Italian painter, renowned for his contribution to the Baroque period. Born in Milan in 1640, Abbiati's training under Carlo Francesco Nuvolone and Antonio Busca honed his skills, leading him to develop a distinct style characterized by fluid touch and luminous foundations. His work was heavily influenced by early seventeenth-century Lombard painting and later, the Roman Baroque and Venetian painting.
Abbiati's career was predominantly based in Milan, where he produced numerous significant religious and historical paintings. Notable works include the altarpiece of the Preaching of St. John the Baptist for the Sanctuary of the Beata Vergine dei Miracoli in Saronno and the extensive frescoes in the Milanese church of Sant'Alessandro. His masterpieces are celebrated for their dynamic composition and expressive intensity, marking a transition toward the Rococo movement.
Though details about his later years remain sparse, Abbiati's legacy lives on through his influential frescoes and the mentorship of notable students like Alessandro Magnasco. His works can still be admired in places like the Pinacoteca di Brera in Milan and the Biblioteca Ambrosiana.
For collectors and enthusiasts looking to explore the depth of Italian Baroque, Filippo Abbiati's work offers a rich narrative woven through the tapestry of art history. Sign up for updates on auctions and new discoveries related to Filippo Abbiati, ensuring you stay informed about opportunities to own a piece of this illustrious artist's legacy.
Thomas Wyck was a Dutch painter of port views and genre paintings.
He excelled in Italianate paintings of shipping and seaports, populated with many figures, very frequently odd characters such as alchemists and misers. His style resembles that of the loose group of Dutch and Flemish genre painters working in Rome who are called the 'Bamboccianti' and were influenced by the genre paintings of Pieter van Laar. He also painted fairs, public markets, and the interiors of chemists’ laboratories.
Aert van der Neer was a Dutch painter of the Gilded Age.
Van der Neer is considered a pioneer of the night landscape because of his successful solutions to lighting issues in his works. He painted many pictures of winter landscapes, including nighttime fires.
Jan Dirksz Both was a distinguished Dutch painter, draughtsman, and etcher renowned for his pivotal role in the evolution of Dutch Italianate landscape painting. His journey into the arts began in Utrecht, learning from his father before becoming a pupil of Abraham Bloemaert. Both's career took a significant turn when he, alongside his brother Andries, ventured to Rome, absorbing the influence of Claude Lorrain and contributing to projects such as the Buen Retiro Palace in Madrid.
By the mid-1640s, Jan had returned to Utrecht, further honing his craft to produce expansive landscapes illuminated by a Mediterranean glow, notable for their mixture of realism in the foreground against idyllic backgrounds. Noteworthy pieces include "Landscape with Bandits Leading Prisoners" and "Judgement of Paris," showcasing his mastery in blending naturalistic details with mythological and religious figures. His landscapes, characterized by their golden light and imaginative vistas, earned him a place among the leading masters of the Italianate trend in Dutch landscape painting.
Jan Both's legacy is preserved in prestigious collections worldwide, including the Fitzwilliam Museum, the Hermitage, the Kunsthistorisches Museum, the Louvre, and the National Gallery, among others. His work reflects a significant Italian influence merged with his native Dutch sensibilities, marking him as a key figure in the 17th-century art scene.
For collectors and experts in art and antiques, Jan Dirksz Both's oeuvre offers a fascinating glimpse into the blend of Dutch and Italian influences that characterize the Italianate landscape painting tradition. His contributions not only enriched Dutch art but also provided a bridge between the Renaissance and Baroque periods, capturing the beauty of landscapes with a unique, poetic light.
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Jan Siberechts was a Flemish landscape painter whose career spanned both his native land and England. Initially, Siberechts developed a personal style of landscape painting in Antwerp, emphasizing Flemish countryside and country life. His work was influenced by Dutch Italianate landscape painters such as Nicolaes Berchem and Karel Dujardin, reflecting a blend of local and Italianate elements. This phase of his career was marked by vivid depictions of the Flemish rural life, with robust country girls in bright attire becoming a signature motif of his paintings.
Siberechts moved to England around 1672, where he significantly contributed to the English landscape tradition. In England, he painted decorations for the Duke's Cliveden House and later, traveled extensively, completing commissions for aristocratic clients. His English landscapes maintained their Flemish character but also started to focus more on universal themes, with less emphasis on figures and more on the scenery itself. These works are characterized by powerful trees, soft light on distant hills, and a relatively dark foreground to highlight the illuminated vistas in the background.
Siberechts is credited as the 'father of British landscape' for his pioneering country house portraits, blending detailed naturalistic views of stately homes into atmospheric landscapes. This innovative approach had a lasting influence on English landscape painting. His work, such as the views of Longleat and the Belsize Estate, represents an important step in the development of topographical painting, merging Flemish influences with the emerging English landscape tradition.
For collectors and experts in art and antiques, Siberechts' oeuvre offers a unique window into the transnational flow of artistic ideas in the 17th century, blending Flemish traditions with the nascent English landscape genre. His paintings, celebrated for their detail and historical topographical interest, can be found in prestigious collections such as the Tate Gallery London and the Victoria and Albert Museum.
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Charles-Antoine Coypel was a multifaceted French Rococo artist, known for his contributions as a painter, designer, playwright, and art critic. Born into a family with a significant artistic legacy, Coypel rose to prominence in the French court, eventually serving as the court painter and the director of the Académie Royale. His work, which often blended dramatic narrative with intricate detail, played a pivotal role in the development of Rococo art in France, reflecting the opulent and expressive tendencies of the period.
Coypel's artistic output includes a range of subjects, from religious themes, as seen in his etching "The Virgin and Child," to theatrical history paintings that convey operatic passions and high drama. His ability to infuse his compositions with emotional depth and narrative complexity, alongside his mastery of the Rococo style's playful and ornamental characteristics, distinguishes his work within the era. Notably, Coypel was also involved in the design of tapestries for the Gobelins Manufactory, illustrating scenes from Miguel de Cervantes's "Don Quixote," which remained influential through the end of the 18th century.
His artworks, such as "The Virgin and Child," showcase not only his technical skill but also his sensitivity to composition and form, contributing to his reputation as one of the leading painters in the French court during the 18th century. Coypel's legacy is preserved in his paintings, etchings, and tapestry designs, which continue to be celebrated for their artistic and historical significance.
For collectors and experts in art and antiques, Charles-Antoine Coypel's work represents an essential connection to the Rococo period's rich cultural and aesthetic traditions. His contributions to French art history, particularly through his role at the Académie Royale and his influence on the development of Rococo style, make his work a valuable study for those interested in the dynamics of French art and culture during the 18th century.
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Hubert Robert was a renowned French artist, celebrated for his captivating landscape paintings and architectural fantasies. Born in Paris in 1733, Robert's talent was nurtured early on, thanks to the patronage of the Choiseul family. His journey to Rome in 1754 marked a pivotal phase in his career, where he immersed himself in studying ancient and modern Italian architecture, significantly influencing his artistic style.
Hubert Robert's work is characterized by its romantic depiction of ruins, blending fantasy with historical accuracy, which earned him the nickname "Robert des Ruines." His landscapes and capricci, which are imaginative compositions of architectural elements, resonated with the art collectors and the aristocracy of his time, securing his place as a key figure in French art history.
Noteworthy are Hubert Robert's contributions to the design of picturesque gardens, where he provided atmospheric visions rather than practical layouts. His involvement in the creation of gardens at places like Ermenonville and Méréville showcases his ability to merge art with nature, creating spaces that were both innovative and inspirational.
His artworks, such as "The Port of Rome" and "The Old Bridge," are treasured in prestigious galleries worldwide, reflecting his enduring legacy in the realm of art and culture. For art collectors and experts, Hubert Robert's oeuvre offers a window into the 18th-century artistic landscape, where imagination and historical elements coalesce to form compelling visual narratives.
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Baron François Pascal Simon Di Cerchia Gerard was a famous French painter of the late 18th century and the first half of the 19th century, an outstanding master of the portrait genre. Francois Gerard was also famous for his paintings on historical and mythological subjects in the neoclassical style. His portraits were highly regarded by the most important European nobles who often commissioned ceremonial portraits from him. His biography is an example of a successful career as an artist during a period of great political upheaval.
Jean-Joseph-Xavier Bidauld was a French painter renowned for his contribution to neo-classical landscape painting. Born in Carpentras in 1758, Bidauld embarked on his artistic journey in Lyon under the guidance of his brother, Jean-Pierre-Xavier Bidauld, before exploring the Swiss and Provencal landscapes together. His career took a significant turn in 1783 when he moved to Paris and mingled with influential artists like Joseph Vernet, from whom he received invaluable advice.
Bidauld's artistic endeavors flourished further when he moved to Rome in 1785 with the support of Cardinal de Bernis and his patron, the dealer and perfumer Dulac. During his five-year stay, he traveled extensively through Italy, capturing its landscapes with a precision and affection that heralded the neo-classical movement. Upon his return to Paris in 1790, Bidauld continued to depict various French landscapes, remaining a regular exhibitor at the Paris Salon until 1844, and winning a Gold Medal in 1812.
Despite his initial success and being the first landscape painter elected to the Académie des Beaux-Arts in 1823, Bidauld's adherence to Neoclassicism saw his popularity wane as new art movements emerged. His later years were marked by financial struggle, culminating in his death in poverty in 1846.
Bidauld's oeuvre, characterized by its dedication to the serene and majestic landscapes of Italy and France, left an indelible mark on the neo-classical landscape genre. His work, once celebrated for its pioneering spirit and meticulous detail, stands as a testament to the enduring beauty of natural landscapes.
For collectors and experts in art and antiques, Jean-Joseph-Xavier Bidauld's paintings offer a glimpse into the early neo-classical landscape painting, capturing the tranquil beauty of nature through the lens of a bygone era.
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Jean-Baptiste Édouard Detaille was a French academic painter and military artist noted for his precision and realistic detail. He was regarded as the "semi-official artist of the French army". Detaille made his debut as an artist at the Salon—the official art exhibition of the Académie des Beaux-Arts—of 1867 with a painting of Meissonier's studio. At the Salon of 1868, he exhibited his first military painting, The Drummers Halt, which was based solely on his imagination of the French Revolution. Detaille enlisted in the 8th Mobile Bataillon of the French Army when the Franco-Prussian War broke out in 1870; by November he was seeing and experiencing the realities of war. This experience allowed him to produce his famed portraits of soldiers and historically accurate depictions of military manoeuvres, uniforms, and military life in general. He eventually became the official painter of the battles. He published a book called L'Armée Française in 1885, which contains over 300 line drawings and 20 color reproductions of his works.
Gustave Doré, full name Paul Gustave Louis Christophe Doré, was a French painter, sculptor, graphic artist, illustrator, and cartoonist.
Doré was very industrious and prolific: he created more than 10,000 illustrations for art books as well as the Bible. He decorated the works of Rabelais, Balzac, Cervantes, Dante and Milton with his lively drawings, making Doré's name famous. He had a special gift for illustrating nature and fairy tales.
