Paintings 15th -18th century — A406: Grafiken und Gemälde des 15.-20. Jahrhunderts
Cornelis Cornelisz. van Haarlem was a Dutch painter, draftsman, and architect. Along with Karel van Mander and Hendrik Goltzius, he is one of the leading artists of the Dutch Mannerism of the Haarlem School, more commonly referred to as Cornelis van Haarlem.
Giovanni Battista Gaulli was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini.
Jan Victors was a Dutch Golden Age painter mainly of history paintings of Biblical scenes, with some genre scenes. He may have been a pupil of Rembrandt. He probably died in the Dutch East Indies.
He was a conscientious member of the Calvinist Dutch Reformed Church, and for this reason he avoided creating art which depicts Christ, angels, or nudity.
Egbert van Heemskerck, or Egbert Jaspersz van Heemskerk was a Haarlem Dutch Golden Age painter of genre works who died in London in 1704. He is often confused with another genre painter also called Egbert van Heemskerk III who lived c. 1676 – 1744.
Pieter van Bloemen was a Flemish painter. He was a gifted landscape and animal painter and was very successful with his compositions depicting equestrian, animal and market scenes.
Philips Wouwerman was a distinguished Dutch painter. Renowned for his equestrian scenes, landscapes, and battle depictions, Wouwerman's work embodies the richness of the Dutch Golden Age of painting. He initially trained under his father, Paulus Wouwerman, and possibly with the celebrated artist Frans Hals, showcasing a deep engagement with the artistic milieu of Haarlem.
Wouwerman's career is marked by a prolific output, with about 570 of his works confidently attributed to him today. His oeuvre was once thought to include up to 1200 pieces, a testament to his influence and the extensive body of followers and imitators he inspired across Europe. His brothers, Jan and Pieter Wouwerman, were also painters who are sometimes confused with Philips due to their stylistic similarities.
Philips Wouwerman's paintings are celebrated for their dynamic composition and intricate detail, particularly his treatment of horses which has been a subject of admiration across centuries. His landscapes often feature Italianate settings, despite no concrete evidence suggesting he ever visited Italy. His style was notably influenced by Pieter van Laer, another Haarlem artist with a significant Italian experience, from whom Wouwerman might have acquired sketches and studies.
For art collectors and experts, Wouwerman's work provides a fascinating glimpse into 17th-century Dutch culture, offering scenes filled with vibrancy and life that capture the viewer's imagination. His paintings can be found in prestigious museums worldwide, including the Rijksmuseum in Amsterdam, The National Gallery in London, and the Kunsthistorisches Museum in Vienna, showcasing his widespread acclaim and the enduring legacy of his art.
For those interested in exploring the captivating world of Philips Wouwerman and staying informed about new discoveries, sales, and auction events related to his work, signing up for updates is highly recommended. This ensures access to the latest information and opportunities related to one of the Dutch Golden Age's most versatile and prolific artists.
Lucas Achtschellinck was a Flemish landscape painter. He is counted among the landscape painters active in Brussels referred to as the School of Painters of the Sonian Forest who all shared an interest in depicting scenes set in the Sonian Forest, which is located near Brussels.
Claes Moeyaert, or Nicolaes Cornelisz. Moeyaert, or Claes Cornelisz. Moeyaert, or Claes Cornelisz. Moeyaert, was a Dutch Baroque painter.
Moeyaert was a very prolific painter, he painted many biblical and mythological scenes with a special emphasis on dramatic moments. He followed Adam Elsheimer, Peter Lastman, Jan and Jacob Pinas, coming under the influence of Rembrandt himself in the mid-1630s. Moeyaert also designed Amsterdam's triumphal arch for the arrival of Maria de' Medici.
Jan Dirksz Both was a distinguished Dutch painter, draughtsman, and etcher renowned for his pivotal role in the evolution of Dutch Italianate landscape painting. His journey into the arts began in Utrecht, learning from his father before becoming a pupil of Abraham Bloemaert. Both's career took a significant turn when he, alongside his brother Andries, ventured to Rome, absorbing the influence of Claude Lorrain and contributing to projects such as the Buen Retiro Palace in Madrid.
By the mid-1640s, Jan had returned to Utrecht, further honing his craft to produce expansive landscapes illuminated by a Mediterranean glow, notable for their mixture of realism in the foreground against idyllic backgrounds. Noteworthy pieces include "Landscape with Bandits Leading Prisoners" and "Judgement of Paris," showcasing his mastery in blending naturalistic details with mythological and religious figures. His landscapes, characterized by their golden light and imaginative vistas, earned him a place among the leading masters of the Italianate trend in Dutch landscape painting.
Jan Both's legacy is preserved in prestigious collections worldwide, including the Fitzwilliam Museum, the Hermitage, the Kunsthistorisches Museum, the Louvre, and the National Gallery, among others. His work reflects a significant Italian influence merged with his native Dutch sensibilities, marking him as a key figure in the 17th-century art scene.
For collectors and experts in art and antiques, Jan Dirksz Both's oeuvre offers a fascinating glimpse into the blend of Dutch and Italian influences that characterize the Italianate landscape painting tradition. His contributions not only enriched Dutch art but also provided a bridge between the Renaissance and Baroque periods, capturing the beauty of landscapes with a unique, poetic light.
To explore more about Jan Dirksz Both's contributions to art and to stay informed about exhibitions or sales featuring his work, signing up for updates from art institutions can offer exclusive insights into the world of this influential Dutch painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Both's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Carl Borromäus Andreas Ruthart was a German painter who spent most of his career in Italy. During the last years of his life, he was referred to as Frà Andrea. He considered himself to be a follower of Peter Paul Rubens.
