Paintings 19th - 20th century — A406: Grafiken und Gemälde des 15.-20. Jahrhunderts
Joseph Karl Stieler was a German painter. From 1820 until 1855 he worked as royal court painter of the Bavarian kings. He is known for his Neoclassical portraits, especially for the Gallery of Beauties at Nymphenburg Palace in Munich, as well as his emblematic portrait of Ludwig van Beethoven, which has become one of his most famous works.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
.jpg)
Johann Friedrich Ludwig Heinrich August Riedel was a German painter of the mid-nineteenth century who lived most of his life in Italy. He is known as a painter famous for his genre scenes and sensual portraits of women.
August Riedel also created psychological portraits, but his main "skate" is considered to be Italian genre scenes with a rich and light color scheme. One of his most famous works is a painting of the biblical Judith, painted in 1840. Riedel enjoyed success as an artist, receiving commissions from noble representatives of Germany, Italy and Bavaria, but over time his fame waned as public tastes turned to realism.
Otto Friedrich Theodor Möller (Russian: Фёдор Антонович Моллер), a Russian academic painter of Baltic-German descent, was renowned for his detailed and expressive portraits, figure paintings, and genre scenes. Born in 1812 in Kronstadt, Saint Petersburg, Möller was deeply influenced by his mentor, Karl Briullov, at the Imperial Academy of Fine Arts. His journey as an artist was marked by a successful tenure in Italy, where he embraced the vibrant local culture and further honed his skills, particularly in portraying everyday Italian life and historical narratives .
Möller's artworks are celebrated for their clarity of composition and expressive color palette, traits he mastered under Briullov's guidance. His notable works, like the portrait of Nikolai Gogol, are admired for their lifelike representation and emotional depth. These paintings not only showcase his technical skill but also his ability to capture the subtle nuances of his subjects' personalities.
Möller's contributions to Russian art extend beyond his paintings. He was a professor and a significant figure at the Imperial Society for the Encouragement of the Arts, dedicating much of his later years to teaching and supporting fellow artists. His works are held in high esteem and continue to be featured in major Russian museums, including the Tretyakov Gallery and the Russian Museum.
For collectors and enthusiasts wishing to stay updated on exhibitions and auction events featuring Otto Friedrich Theodor Möller's works, signing up for newsletters and alerts from relevant art institutions can be highly beneficial. This ensures that you remain informed about opportunities to view or purchase his esteemed works.
Philip Hermogenes Calderon was an English painter of French birth (mother) and Spanish (father) ancestry who initially worked in the Pre-Raphaelite style before moving towards historical genre. He was Keeper of the Royal Academy in London.
Thomas Lawrence was a prominent English painter, celebrated for his mastery in portraiture, who made a significant mark in the world of art and culture during the late 18th and early 19th centuries. Born in Bristol in 1769, Lawrence was a child prodigy, supporting his family through his artistic talents from a young age. His journey took him to Bath and eventually to London, where he swiftly established himself as a leading portrait artist, capturing the likenesses of society's most influential figures.
Thomas Lawrence's work is renowned for its elegance, capturing the essence and personality of his subjects with remarkable finesse. His ability to portray the delicate nuances of expression and character made his portraits highly sought after by the aristocracy and royalty alike. His commissions included portraits of King George III, Queen Charlotte, and the Prince Regent, as well as numerous other figures from the British and European nobility. Among his notable works are the portraits of Elizabeth Farren, soon to be the Countess of Derby, characterized by its vibrant expression and elegance, and the depiction of actress Sarah Siddons' daughters, which underscored his personal entanglements and the emotional depth he could convey through his art.
Despite his success, Thomas Lawrence's life was not without its challenges. He was perpetually in debt, a situation that puzzled his contemporaries given his tireless work ethic and the absence of any overt extravagance in his lifestyle. Furthermore, his romantic life was complicated, marked by his unfulfilled love for the Siddons sisters, which added a layer of personal tragedy to his story.
Thomas Lawrence's contributions to art were recognized by his election as a full member of the Royal Academy in 1794, and he later served as its president. His legacy is preserved in galleries and collections worldwide, including the National Gallery in London, which houses several of his masterpieces. His portraits of abolitionists and slave-owners alike reflect the complex social fabric of his time, offering a window into the era's cultural and historical context.
For collectors and experts in art and antiques, Thomas Lawrence's works represent not just aesthetic achievements but also valuable historical documents that capture the essence of an era. His portraits are a testament to the power of art to convey both the external likeness and the inner soul of the subject.
For those interested in the intersection of art, history, and culture, and who wish to stay informed about new discoveries, sales, and auction events related to Thomas Lawrence's work, signing up for updates is an invaluable resource. This ensures that enthusiasts and collectors alike remain at the forefront of developments in the world of art and antiques related to this illustrious painter.
Adolf Eberle was a German painter of the second half of the nineteenth and early twentieth centuries. He is known as a genre painter and animalist.
Adolf Eberle specialized in depicting rural life, especially Bavarian and Tyrolean farmers and hunters. Early in his career, he was interested in historical subjects, but quickly returned to depicting peasant and animal life. His painting "The Sale of the Last Cow" brought him his first great success in 1861, and in 1879 at the Munich exhibition his work "The First Deer" was highly praised by the jury.
Anton Seitz was a German painter of the second half of the 19th century. He is known as a painter-genre painter, a representative of the Munich School of painting.
Seitz trained at the Nuremberg Art School in engraving, but after moving to Munich, he concentrated on domestic painting. His paintings depicted either individual characteristic figures or scenes with several actors. His subjects the artist mainly found in the everyday life of "little people".
In 1876 Seitz became a member of the Munich Academy of Fine Arts, already considered a leading master of Munich painting.
Eduard von Grützner was a German painter of the late 19th and early 20th centuries. He went down in the history of European art as a portrait painter and a brilliant master of genre.
Eduard von Grützner in most of his paintings depicted the life of monks, who usually appear to the audience in the images of merry rioters, leading a not ideal lifestyle. The public liked the original humorous style of the painter, and Grützner's work had many admirers.
Grützner was awarded the Royal Order of St. Michael and also received the title of honorary professor at the Munich Academy of Fine Arts. He also became a Knight of the Order of Civil Merit of the Bavarian Crown and received the title of nobleman, with the prefix "von" added to his last name.
Von Grützner is also known as a collector of art and antiques. For many years he collected masterpieces of the Gothic and Renaissance masters, and towards the end of his life he became interested in Far Eastern art.
